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Biography Overview David Henry was admitted to the Bar 1991, Florida, U. S. District Court, Middle District of Florida. Mr. Henry has been with Morgan & Morgan, P.A. since 2003. Prior to that time, he was a partner at a well-regarded insurance defense firm in Tampa. He has extensive experience in first and third- party insurance claims as both a Defense attorney and Plaintiff's attorney. DavidHenry is your full-service marketing & media partner. We plan, develop, implement and track successful campaigns that generate demand. ... President and Chief Communications Officer David Fink Inducted Into New Jersey Advertising Hall of Fame! Over 100 clients in the past 18 years and every single one of them can be used as a reference. David is a registered patent attorney with the United States Patent and Trademark Office (USPTO) and the Canadian Patent Office. He has substantial experience in helping clients identify, strategically manage and protect both domestic and foreign intellectual property assets. Alan Goldfarb, Founder and Managing Partner of Orangewood, said, “David Henry and Fred Kurz have exceptional track records of success identifying and investing in unique real estate assets with ... We have found at least 200 people in the UK with the name David Henry. Click here to find personal data about David Henry including phone numbers, addresses, directorships, electoral roll information, related property prices and other useful information. Relationships. David Henrie has been in relationships with Elle McLemore (2010) and Lucy Hale (2007 - 2009).. About. David Henrie is a 31 year old American Actor. Born David Clayton Henrie on 11th July, 1989 in Mission Viejo, California, USA, he is famous for Justin Russo on 'Wizards of Waverly Place'' in a career that spans 2002-Present. David Henry Partner at Borden Ladner Gervais LLP (BLG) Ottawa, Canada Area 500+ connections. Join to Connect. Borden Ladner Gervais LLP (BLG) Carleton University. Company Website. Report this profile; Activity. I am thrilled to announce that as of September 2020, I will be working as an associate lawyer at McLean & Armstrong (M&A). For almost ... View David Henry’s profile on LinkedIn, the world's largest professional community. David has 3 jobs listed on their profile. See the complete profile on LinkedIn and discover David’s connections and jobs at similar companies. David Henry Partner at Kinleith Continuation New Zealand 500+ connections. Join to Connect. N.Z. Future Forest Products Ltd. University of Auckland. Report this profile; Activity. Two boats is better than one! While Emirates Team New Zealand was only in their test boat, it's starting to look like an America's Cup with two boats... David Henry is a Partner in the firm’s Fort Lauderdale office, focusing his practice on complex insurance defense litigation. While he is located out of the firm’s Fort Lauderdale office, David has clients who request that he represent them, or their insureds, across the State of Florida.
Which Actor had the best run in the 50s?
2020.09.27 15:24 Britneyfan456Which Actor had the best run in the 50s?
Best run in terms of anything Jack Lemmon: Some Like it Hot, Mister Roberts, Three for the Show, Phffft, It Should Happen to You, Once Too Often, Cowboy, Hollywood Bronc Busters, You Can't Run Away from It, Fire Down Below, My Sister Eileen, It Happened to Jane, Operation Mad Ball, and Bell, Book and Candle. Max von Sydow: The Seventh Seal, Miss Julie, Ingen mans kvinna, Rätten att älska, Wild Strawberries, Prästen i Uddarbo, Kvinnlig spion 503, The Magician, and Brink of Life. Frank Sinatra: From Here to Eternity, The Man with the Golden Arm, Pal Joey, Suddenly, Double Dynamite, Meet Danny Wilson, Young at Heart, Not as a Stranger, Guys and Dolls, The Tender Trap, Meet Me in Las Vegas, High Society, Johnny Concho, Around the World in 80 Days, The Pride and the Passion, The Joker Is Wild, Kings Go Forth, Some Came Running, A Hole in the Head, and Never So Few. Gene Kelly: Singing in the Rain, An American in Paris, Invitation to the Dance, It's Always Fair Weather, Summer Stock, It's a Big Country, Black Hand, Love Is Better Than Ever, The Devil Makes Three, Brigadoon, Seagulls Over Sorrento, Deep in My Heart, The Happy Road, Les Girls, and Marjorie Morningstar. Ernest Borgnine: Marty, China Corsair, Vera Cruz, From Here to Eternity, Bad Day at Black Rock, The Mob, The Whistle at Eaton Falls, Treasure of the Golden Condor, The Stranger Wore a Gun, Johnny Guitar, The Bounty Hunter, Demetrius and the Gladiators, Violent Saturday, Jubal, The Catered Affair, Run for Cover, The Last Command, The Square Jungle, The Best Things in Life Are Free, The Vikings, Summer of the Seventeenth Doll, Torpedo Run, and The Rabbit Trap. James Stewart: Bell, Book and Candle, Vertigo, Winchester '73, The Glenn Miller Story, The Man Who Knew Too Much, The Naked Spur, Rear Window, Harvey, The Greatest Show on Earth, The Man from Laramie, Strategic Air Command, Anatomy of a Murder, The Spirit of St. Louis, Bend of the River, Thunder Bay, Broken Arrow, No Highway in the Sky, The Jackpot, Carbine Williams, Night Passage, The FBI Story, and The Far Country. Ward Bond: The Searchers, Mister Roberts, Johnny Guitar, Hondo, The Quiet Man, Singing Guns, Riding High, Wagon Master, Kiss Tomorrow Goodbye, Operation Pacific, The Great Missouri Raid, The Halliday Brand, Rio Bravo, On Dangerous Ground, Only the Valiant, Hellgate, Bullfighter and the Lady, Thunderbirds, The Moonlighter, Blowing Wild, Gypsy Colt, The Bob Mathias Story, The Long Gray Line, A Man Alone, Dakota Incident, Pillars of the Sky, The Wings of Eagles, China Doll, and Alias Jesse James. John Wayne: The Searchers, Hondo, Rio Grande, The Quiet Man, Rio Bravo, Operation Pacific, The Wings of Eagles, Big Jim McLain, Flying Leathernecks, The Sea Chase, Trouble Along the Way, Island in the Sky, The High and the Mighty, Blood Alley, Jet Pilot, The Conqueror, Legend of the Lost, The Horse Soldiers, and The Barbarian and the Geisha. Paul Newman: The Rack, The Silver Chalice, Somebody Up There Likes Me, The Long, Hot Summer, The Helen Morgan Story, Until They Sail, The Young Philadelphians, Rally Round the Flag, Boys!, The Left Handed Gun, and Cat on a Hot Tin Roof. Marlon Brando: The Men, A Streetcar Named Desire, Viva Zapata!, Julius Caesar, The Wild One, On the Waterfront, Désirée, Guys and Dolls, The Teahouse of the August Moon, Sayonara, and The Young Lions. Orson Welles: Othello, Touch of evil, Mr. Arkadin, Royal Affairs in Versailles, The Long, Hot Summer, The Vikings, High Journey, Ferry to Hong Kong, Compulsion, Masters of the Congo Jungle, South Seas Adventure, The Roots of Heaven, Napoléon, Man in the Shadow, Moby Dick, Three Cases of Murder, Trouble in the Glen, Disorder, The Black Rose, Return to Glennascaul, Little World of Don Camillo, Man, Beast and Virtue, and Trent's Last Case. Montgomery Clift: The Big Lift, A Place in the Sun, I Confess, Indiscretion of an American Wife, From Here to Eternity, Raintree County, Lonelyhearts, The Young Lions, and Suddenly, Last Summer. Tony Curtis: The Prince Who Was a Thief, Flesh and Fury, No Room for the Groom, Houdini, The Black Shield of Falworth, So This Is Paris, Six Bridges to Cross, The Square Jungle, Trapeze, Mister Cory, The Midnight Story, Sweet Smell of Success, The Vikings, Kings Go Forth, The Defiant Ones, Some Like It Hot, and Operation Petticoat. James Dean: East of Eden, Has Anybody Seen My Gal?,Rebel Without a Cause, and Giant. Kirk Douglas: Young Man With a Horn, The Glass Menagerie, Along the Great Divide, Ace in the Hole, Detective Story, The Big Sky, The Bad and the Beautiful, The Story of Three Loves, The Juggler, 20,000 Leagues Under the Sea, Man Without a Star, Lust for Life, Top Secret Affair, Gunfight at the O.K. Corral, Paths of Glory, The Vikings, Last Train from Gun Hill, and The Devil’s Disciple. Alec Guinness: Last Holiday, The Mudlark, The Lavender Hill Mob, The Man in the White Suit, The Promoter, The Captain’s Paradise, Malta Story, The Detective, To Paris with Love, The Prison, The Ladykillers, The Swan, The Bridge on the River Kwai, All at Sea, The Horse’s Mouth, The Scapegoat, and Our Man in Havana. Charlton Heston: Julius Caesar, Dark City, The Greatest Show on Earth, Ruby Gentry, The President’s Lady, Arrowhead, The Naked Jungle, The Private war of Major Benson, Lucy Gallant, The Ten Commandments, Touch of Evil, The Big Country, The Wreck of the Mary Deare, and Ben-Hur. Rock Hudson: The Fat Man, Bend of the River, Scarlet Angel, Has Anyone Seen My Gal?, Magnificent Obsession, All that Heaven Allows, Never Say Goodbye, Giant, Written on the Wind, Something of Value, The Tarnished Angels, The Earth Is Mine, and Pillow Talk. Burt Lancaster: The Flame and the Arrow, Mister 880, Jim Thorpe—All-American, The Crimson Pirate, Come Back Little Sheba, From Here to Eternity, Apache, Vera Cruz, The Rose Tattoo, Trapeze, The Rainmaker, Gunfight at the O.K. Corral, Sweet Smell of Success, Run Silent Run Deep, and The Devil’s Disciple. Elvis Presley: Love Me Tender, Loving You, Jailhouse Rock, and King Creole. William Holden: The Horse Soldiers, Sunset Boulevard, Sabrina, Stalag 17, Picnic, The Bridge on the River Kwai, Union Station, Father Is a Bachelor, Submarine Command, Born Yesterday, Force of Arms, Boots Malone, Executive Suite, Die Jungfrau auf dem Dach, The Moon Is Blue, The Bridges at Toko-Ri, Escape from Fort Bravo, Forever Female, Love Is a Many-Splendored Thing, The Country Girl, The Key, The Proud and Profane, and Toward the Unknown. Cary Grant: An Affair to Remember, North by Northwest, The Pride and the Passion, Houseboat, To Catch a Thief, Indiscreet, Crisis, People Will Talk, Room for One More, Dream Wife, Monkey Business, Kiss Them for Me, and Operation Petticoat. Toshiro Mifune: Samurai Trilogy, Seven Samurai, Rashomon, Throne of Blood, Scandal, The Hidden Fortress, Conduct Report on Professor Ishinaka, Engagement Ring, Elegy, Escape from Prison, Beyond Love and Hate, Pirates, Meeting of the Ghost Après-Guerre, Fog Horn, Conclusion of Kojiro Sasaki:Duel at Ganryu Island, The Life of a Horsetrader, Golden Girl, Who Knows a Woman's Heart, Vendetta for a Samurai, The Life of Oharu, Swift Current, Tokyo Sweetheart, Sword for Hire, The Man Who Came to Port, The Last Embrace, My Wonderful Yellow Car, Sunflower Girl, Eagle of the Pacific, The Black Fury, The Sound of Waves, All is Well part 1 & 2, The Merciless Boss: A Man Among Men, No Time for Tears, I Live in Fear, Rainy Night Duel, The Under World, Settlement of Love, Scoundrel, A Wife's Heart, Rebels on the High Seas, A Man in the Storm, Be Happy, These Two Lovers, A Dangerous Hero, Yagyu Secret Scrolls 1 & 2, Downtown, The Lower Depths, Holiday in Tokyo, Rickshaw Man, All About Marriage, Theater of Life, Yaji and Kita on the Road, The Three Treasures, Life of an Expert Swordsman, Boss of the Underworld, Desperado Outpost, and The Saga of the Vagabonds. Henry Fonda: Mister Roberts, The Wrong Man, Pictura: An Adventure in Art, 12 Angry Men, Stage Struck, The Man Who Understood Women, Warlock, The Tin Star, and War and Peace Dean Martin: Some Came Running, Rio Bravo, Career, Ten Thousand Bedrooms, The Young Lions, Little New Orleans Girl, Pardners, Hollywood or Bust, Artists and Models, Living It Up, You're Never Too Young, 3 Ring Circus, The Caddy, Road to Bali, Money from Home, Scared Stiff, The Stooge, That's My Boy, Sailor Beware, Jumping Jacks, My Friend Irma Goes West, and At War with the Army. Anthony Perkins: The Tin Star, Friendly Persuasion, Fear Strikes Out, The Matchmaker, On the Beach, Desire Under the Elms, Green Mansions, The Actress, The Lonely Man, and This Angry Age. Gregory Peck: Only the Valiant, Roman Holiday, Moby Dick, Captain Horatio Hornblower, Pork Chop Hill, Beloved Infidel, David and Bathsheba, The Gunfighter, Pictura: An Adventure in Art, The World in His Arms, The Snows of Kilimanjaro, Designing Woman, On the Beach, The Hidden World, The Bravados, The Big Country, Night People, Boum sur Paris, The Million Pound Note, The Man in the Gray Flannel Suit, and The Purple Plain. Clark Gable: Mogambo, Run Silent, Run Deep, Teacher's Pet, Betrayed, Never Let Me Go, The Tall Men, Key to the City, Across the Wide Missouri, To Please a Lady, Lone Star, But Not for Me, Soldier of Fortune, The King and Four Queens, and Band of Angels. Gary Cooper: It's a Big Country, Blowing Wild, High Noon, The Wreck of the Mary Deare, They Came to Cordura, Ten North Frederick, Love in the Afternoon, Man of the West, The Hanging Tree, Friendly Persuasion, Vera Cruz, The Court-Martial of Billy Mitchell, Garden of Evil, Springfield Rifle, Return to Paradise, Starlift, You're in the Navy Now, Distant Drums, and It's a Big Country. Robert Mitchum: Not as a Stranger, His Kind of Woman, River of No Return, Fire Down Below, The Night of the Hunter, Macao, The Racket, Where Danger Lives, The Lusty Men, River of No Return, Angel Face, White Witch Doctor, My Forbidden Past, Second Chance, One Minute to Zero, She Couldn't Say No, Bandido, Track of the Cat, The Wonderful Country, The Hunters, Heaven Knows, Mr. Allison, The Enemy Below, Thunder Road, and The Angry Hills. Humphrey Bogart: The African Queen, The Caine Mutiny, Road to Bali, Deadline – U.S.A., Sabrina, The Barefoot Contessa, In a Lonely Place, The Left Hand of God, Sirocco, Chain Lightning, The Enforcer, Battle Circus, We're No Angels, The Love Lottery, Beat the Devil, The Desperate Hours, and The Harder They Fall. Sidney Poitier: Band of Angels, The Defiant Ones, Porgy and Bess, Edge of the City, Virgin Island, The Mark of the Hawk, Something of Value, No Way Out, Cry, the Beloved Country, Go Man Go, Red Ball Express, Good-bye, My Lady, and Blackboard Jungle. Takashi Shimura: Seven Samurai, Ikiru, Rashomon, Scandal, Elegy, The Idiot, Ikari no machi, Boryōku no Machi, Ore wa yojinbo, Ma no Ogen, Shunsetsu, Tenya wanya, Ginza Sanshiro, Yoru no hibotan, Ginza Sanshiro, Ai to nikushimi no kanata e, Kedamono no yado, Mesu Inu, Aoi shinju, Nusumareta koi, Hopu-san: sarariiman no maki, Muteki, The Life of a Horsetrader, Vendetta for a Samurai, Nangoku no hada, The Life of Oharu, Bijo to touzoku, Sengoku burai, Oka wa hanazakari, Minato e kita otoko, Hoyo, Fuun senryobune, Tobō chitai, Yoru no owari, Godzilla, Taiheiyō no washi, Jirochō sangokushi: kaitō-ichi no abarenbō, Asakusa no yoru, Kimi shinitamo koto nakare, Haha no hatsukoi, Shin kurama tengu daiichi wa: Tengu shutsugen, Shin kurama tengu daini wa: Azuma-dera no ketto, Bazoku geisha, Mekura neko, Mugibue, Godzilla Raids Again, No Time for Tears, Sanjusan go sha otonashi, Shin kurama tengu daisanbu, Muttsuri Umon torimonocho, Sugata naki mokugekisha, Asagiri, Geisha Konatsu: Hitori neru yo no Konatsu, I Live in Fear, Samurai III: Duel at Ganryu Island, Shin, Heike monogatari: Yoshinaka o meguru sannin no onna, Wakai ki, Kyatsu o nigasuna, The Underworld, Godzilla, King of the Monsters!, Arakure, Narazu-mono, Tōkyō hanzai chizu, Bōkyaku no hanabira, Throne of Blood, Sanjūrokunin no jōkyaku, Kono futari ni sachi are, Yama to kawa no aru machi, Bōkyaku no hanabira: Kanketsuhen, Kiken na eiyu, Yuunagi, Dotanba, Aoi sanmyaku Shinko no maki, The Mysterians, Ohtori-jo no hanayome, Edokko matsuri, haha, Forty-seven rōnin, Seven from Edo, Ten to Sen, Uguisu-jō no hanayome, Jinsei gekijō, The Hidden Fortress, Nichiren to Mōko Daishūrai, Ken wa shitte ita, Sora kakeru hanayome, Tetsuwan tōshu Inao monogatari, Kotan no kuchibue, Taiyō ni somuku mono, Sengoku gunto-den, Kagero ezu, The Three Treasures, Beran me-e geisha, Shobushi to sono musume, and Kēdamonō no torū michi. James Mason: 20,000 Leagues Under the Sea, A Star Is Born, The Desert Fox: The Story of Rommel, North by Northwest, Journey to the Center of the Earth, Bigger Than Life, Julius Caesar, A Touch of Larceny, The Decks Ran Red, Island in the Sun, Cry Terror!, Charade, Forever, Darling, The Desert Rats, Prince Valiant, The Man Between, The Tell-Tale Heart, Botany Bay, The Story of Three Loves, Face to Face, The Prisoner of Zenda, 5 Fingers, Lady Possessed, One Way Street, and Pandora and the Flying Dutchman. Sterling Hayden: The Last Command, The Asphalt Jungle, The Killing, Johnny Guitar, Hellgate, The Star, Journey into Light, The Golden Hawk, Denver and Rio Grande, Flaming Feather, So Big, Flat Top, Crime Wave, Fighter Attack, Kansas Pacific, Take Me to Town, Suddenly, Naked Alibi, The Come On, Top Gun, Battle Taxi, Shotgun, Timberjack, The Eternal Sea, Arrow in the Dust, Ten Days to Tulara, 5 Steps to Danger, Crime of Passion, Valerie, Gun Battle at Monterey, Zero Hour!, Terror in a Texas Town, and The Iron Sheriff. Harry Belafonte: Calypso, Carmen Jones, Island in the Sun, Odds Against Tomorrow, The World, the Flesh and the Devil, and Bright Road. Laurence Olivier: Richard III, Carrie, Father's Little Dividend, The Magic Box, The Beggar's Opera, The Prince and the Showgirl, and The Devil's Disciple. Jose Ferrer: Cyrano de Bergerac, Crisis, Anything Can Happen, Producers' Showcase: "Cyrano de Bergerac", Moulin Rouge, Miss Sadie Thompson, The Caine Mutiny, Deep in My Heart, I Accuse!, The High Cost of Loving, The Great Man, The Shrike, and The Cockleshell Heroes. James Cagney: Mister Roberts, Run for Cover, Kiss Tomorrow Goodbye, The West Point Story, Come Fill the Cup, A Lion Is in the Streets, What Price Glory, Love Me or Leave Me, The Seven Little Foys, Tribute to a Bad Man, Man of a Thousand Faces, These Wilder Years, Never Steal Anything Small, and Shake Hands with the Devil. Farley Granger: Strangers on a Train, Our Very Own, Side Street, Behave Yourself!, Edge of Doom, O. Henry's Full House, I Want You, The Story of Three Loves, Hans Christian Andersen, Senso, Small Town Girl, The Girl in the Red Velvet Swing, and The Naked Street. Bing Crosby: High Society, Alias Jesse James, Say One for Me, Anything Goes, The Joker Is Wild, Man on Fire, White Christmas, The Country Girl, Road to Bali, Scared Stiff, The Greatest Show on Earth, Little Boy Lost, Just for You, Son of Paleface, Angels in the Outfield, Riding High, Here Comes the Groom, and Mr. Music. Chishū Ryū: Tokyo Story, The Munekata Sisters, Home Sweet Home, Early Summer, Carmen Comes Home, The Flavor of Green Tea over Rice, Arashi, Twenty-Four Eyes, Early Spring, Tokyo Twilight, Rickshaw Man, Floating Weeds, and Good Morning. Ray Milland: Three Brave Men, A Man Alone, The Girl in the Red Velvet Swing, A Woman of Distinction, A Life of Her Own, Copper Canyon, Dial M for Murder, Lisbon, The Safecracker, The River's Edge, High Flight, Something to Live For, Jamaica Run, The Thief, Close to My Heart, Rhubarb, Bugles in the Afternoon, and Night into Morning. Alan Ladd: The Badlanders, The Big Land, Branded, Captain Carey, U.S.A, Shane, Botany Bay, Boy on a Dolphin, A Cry in the Night, The Man in the Net, Island of Lost Women, The Deep Six, The Proud Rebel, Saskatchewan, Drum Beat, The McConnell Story, Desert Legion, The Red Beret, The Black Knight, Santiago, Hell on Frisco Bay, Red Mountain, Hell Below Zero, A Sporting Oasis, The Iron Mistress, Thunder in the East, and Appointment with Danger. Ben Johnson: Wagon Master, Shane, Rio Grande, Fort Bowie, War Drums, Slim Carter, Wild Stallion, Oklahoma!, and Rebel in Town. Walter Brennan: Rio Bravo, A Ticket to Tomahawk, Singing Guns, Bad Day at Black Rock, The Far Country, Good-bye, My Lady, The Way to the Gold, Tammy and the Bachelor, God Is My Partner, Glory, At Gunpoint, Sea of Lost Ships, Come Next Spring, The Proud Ones, Surrender, Curtain Call at Cactus Creek, The Showdown, Return of the Texan, Best of the Badmen, The Wild Blue Yonder, Lure of the Wilderness, Along the Great Divide, Four Guns to the Border, and Drums Across the River. Ralph Meeker: Kiss Me Deadly, Paths of Glory, Jeopardy, A Woman's Devotion, Glory Alley, Somebody Loves Me, Teresa, 4 Num Jeep, The Naked Spur, Big House, U.S.A., Run of the Arrow, The Fuzzy Pink Nightgown, Code Two, and Desert Sands. Edmond O’Brian: The Turning Point, The Hitch-Hiker, 1984, The Girl Can't Help It, Julius Caesar, The Barefoot Contessa, The Greatest Show on Earth, Denver and Rio Grande, Pete Kelly's Blues, The Rack, The Restless and the Damned, The World Was His Jury, Sing, Boy, Sing, A Cry in the Night, The Big Land, Stopover Tokyo, Up Periscope, D-Day the Sixth of June, The Shanghai Story, Shield for Murder, China Venture, The Bigamist, Cow Country, Man in the Dark, Backfire, 711 Ocean Drive, The Admiral Was a Lady, The Redhead and the Cowboy, Between Midnight and Dawn, Silver City, Warpath, and Two of a Kind. Lee J. Cobb: The Left Hand of God, On the Waterfront, 12 Angry Men, The Brothers Karamazov, The Man in the Gray Flannel Suit, Party Girl, The Trap, Green Mansions, But not for me, Man of the West, The Garment Jungle, Miami Expose, The Three Faces of Eve, The Racers, Day of Triumph, The Road to Denver, The Fighter, The Family Secret, Yankee Pasha, Gorilla at Large, The Man Who Cheated Himself, and The Tall Texan. Jarl Malden: Baby Doll, A Streetcar Named Desire, On the Waterfront, The Hanging Tree, I Confess, The Gunfighter, Halls of Montezuma, Where the Sidewalk Ends, Diplomatic Courier, Time Limit, The Sellout, Bombers B-52, Ruby Gentry, Phantom of the Rue Morgue, Ruby Gentry, Take the High Ground!, and Operation Secret. Rod Steiger: The Harder They Fall, Cry Terror!, Teresa, On the Waterfront, Oklahoma!, The Big Knife, Jubal, The Court-Martial of Billy Mitchell, Al Capone, Back from Eternity, Run of the Arrow, The Unholy Wife, and Across the Bridge. Aldo Ray: The Marrying Kind, Pat and Mike, Let's Do It Again, Battle Cry, God's Little Acre, Nightfall, The Naked and the Dead, Men in War, The Siege of Pinchgut, Three Stripes in the Sun, The Barefoot Mailman, My True Story, and Never Trust a Gambler.
New deaths by county: 99 F Christian, 83 M Marshall, 84 F Jefferson, 50 M Jefferson, 81 F Jefferson
[Mods: Today’s update was 90% about the Breonna Taylor Case. The Governor, Sec. J. Michael Brown, and State Representative Booker spoke today their thoughts. The questions were also about the case. COVID updates are listed below the Questions, and the Gov requested that COVID questions wait until tomorrow. Thanks.] Comment with daily numbers
Full Notes Good afternoon Kentucky. We're going to start today by several of us making comments on the announcement today from the grand jury and from the Attorney General on the Breonna Taylor investigation. And then after those comments and any questions I'm going to provide a brief COVID report. As Governor, you can do a lot of things and some people think you can do just about anything. But as Governor I cannot control decisions made by an attorney general's office, I cannot control decisions made by a grand jury, and I don't lead local law enforcement offices. But what I can control is how I lead, what I say, what I am committed to doing. I start with the humility and acknowledgement, that I will never feel the weight of 400 years of slavery, segregation, and Jim Crow. I will never personally feel that weight but I can listen. And I can try to hear. And I can be clear: That systematic racism exists in this world, in this country, and in our Commonwealth. It exists in unequal access to health care, in disproportionate incarceration rates, and it impacts everything: from wealth, earnings, education, even how long we live on this earth. My faith teaches me that injustices and inequalities must be addressed. The world that God calls on us to build is one without racism. One without oppression. One without violence. Since the start of my administration we have worked to combat some of these inequalities. We've restored voting rights, we've protected and expanded health care, and we have built an inclusive team. But as I listen, and as I try to hear, I know that there is so much more work to be done. There are hundreds of years of pain to be addressed. And my job is to continue to listen, to try to hear, and to do everything I can to build the type of world that I think everybody's kids deserve; one where we live up to our true values, one where we live up to our faith, one where we try to make a dream talked about many decades ago, closer to reality.
Today, the Attorney General announced a mixture of the findings of his investigation and the decisions of the grand jury. We appreciate his communication with us leading up to the announcement, it allowed us to take steps that we needed to take regarding Louisville, and communication leading all the way up to the announcement. And in the announcement he described the investigation. But he talked about information, facts, evidence that neither I nor the general public, have seen. I believe that the public deserves this information. So I previously made what I would call a suggestion to the Attorney General, and now I'm making the request, that he post online all the information, evidence, and facts that he can release without impacting the three felony indictments. The three felony counts in the indictment issued today. Everyone can, and should, be informed. And those that are currently feeling frustration, feeling hurt, they deserve to know more. I trust Kentuckians, they deserve to see the facts, for themselves, and I believe that the ability to process those facts helps everybody. And I believe that no matter what somebody's perspective is on today's announcement, that they believe having the full amount of information out there, and these have been posted by other prosecutors across the nation in different situations, is hopefully something that can help us talk to each other. Help us heal, help us move forward, and help us always to make improvements. I'm going to turn it over to someone who I get to work with every day, someone whose advice I've relied upon, that has been a district judge, has been the deputy attorney general, has been someone that has experienced more than I could ever claim to: and that is Jay Michael Brown once he’s done we're gonna hear from Representative Booker.
(Sec Brown takes over:) Thank you Governor. I'm not expecting to stand here today, it's a different role for me, this situation. But over these last few weeks many times as we sat in his office and we've discussed what's going on, not just in Louisville, but in the world. The governor looked to me, I think because of not only have I spent 4 decades in the law, I've lived through a lot of things, having been blessed to be 71 years old now.
I've seen assassinations of John F Kennedy, Martin Luther King, Robert Kennedy, and Malcolm X. I've seen disturbances in the street. I was born before Brown versus Board of Education. I was alive when the Civil Rights Act passed. I served my country in a time when we were supposedly changing hearts and minds and thought that was the right thing to do at the time, don't regret it. But I've come to recognize that sometimes the effort to just change hearts and minds is not enough. That we really need to change behavior. The criminal justice system right now needs certain changes, not just in behavior, but in process. I think the first involves some technological issues. There are rules of evidence that were developed sometimes hundreds of years ago that hasn't caught up to technology that was developed in the last 10 minutes so much. I also believe that the public has developed an expectation, rightfully so, that government, and those in the criminal justice system, will present to them information that they can understand, in a way that they can understand it, regardless of what it is. There are certain things which are facts, whether it's a photograph, whether it's a tape recording, whether it's a report, that won't change over the course of a tribunal and won't necessarily prejudice either the defendant, with the presumption of innocence, or the prosecution, whose job it is to seek justice. A prosecutor's job is to seek justice.
I'm not going to try to explain much about what happened with the Breonna Taylor situation in the grand jury; although I would encourage everyone to learn more about how our system really works with the grand jury and what these indictments are and what these charges are or are not. And I would have hoped that more of that explanation would have come out from a variety of sources before we got to today's result. I think what happened was a situation where expectations were built up that were not necessarily based on a full knowledge of what the legal standards were, and therefore when those expectations were not met, their severe disappointment. But in that disappointment, I live in Louisville, and obviously in Kentucky which I've served for a number of years and in this country which I've served faithfully for a number of years. I would hope that we don't take a regressive step forward in changing behaviors. The way we really change behaviors- and Breonna Taylor's legacy is that it can change behavior, because more of the world, when you saw demonstrations in countries that really don't have anything to do with Louisville, KY. You know that it's widespread. And I want to make one other comment before I step down because it struck me. You know, on June 25th, I was here in this capital out and around it when Until Freedom had a demonstration here. And they have many speakers including Mr Crump who I've met known from previous, you know, engagements, so to speak, spoke to him out on the veranda they're one of the speakers that day was Common. And it was very eloquent, but there was something ringing in my head from Common and it came from the fact that sometimes I used to hear him almost every morning driving back and forth to Frankfort.
People talk about “being woke”. Well, there is a song called “Wake Up Everybody'', and John Legend and Common teamed up, and they made a wonderful version of it, and here's what we would call a rap part of it in the middle of it, which I think those words apply right now. I'm not gonna read the whole thing.
But here's what Common says, and you know in a rhythm that only I wish I could recreate. He says:
Though I'm the type to bear arms and wear my heart on my sleeve
Even when I fell, in God I believe
Breathe the days in
Weave through the maze and the season so amazing
Feed them and raise them
Seasons are aging: earthquakes, wars, and rumors
I want us to get by but we're more then consumers
We're more than shooters, more than looters
Created in his image, so God live through us
And even in this generation living through computers
Only love, love, love can reboot us
Let's follow the principles echoed by Common and Martin Luther King and a lot of other people. Let's strike the consciences of people and not the fears in people, and we can continue the change that led to the point where my next speaker could walk these halls in the General Assembly. Or I could hold a position that I do now in state government.
(Charles Booker comes to the podium.) I am State Representative Charles Booker. I represent the 43rd district, but to be more precise, I represent the Commonwealth of Kentucky and a lot of people who feel a lot of pain right now. I listened to the words of a giant, making it clear that I'm just me being here is a testament to what progress can look like. I feel that weight right now. And our community has been through so much this year, but it speaks to generations of pain and inequity and in this moment right now the first thing that I want to do is recognize Miss Palmer and Breonna's family. I have the dog tag from my cousin T.J. I carry it with me every day. They are dealing with trauma and pain that will never really go away. They have grieved before an entire nation, the world even, has seen their heartbreak. And I know that today was just another painful chapter, and a path of healing, of reconciling what can never fully be reconciled. Because Breonna Taylor should be alive today. And I also want to acknowledge a community of people who have risen up in protest, calling for justice, even in the face of being ignored, hit with tear gas, pepper bullets, demonized, called names. They've shown up every day. People like my family, Mr. Cortez, we call him “C Tez”. Keturah, Shameka, Stachelle . So many folks that helped us ring out the cry for Breonna Taylor's name, not simply to account for what the officers did, that's critical, we'll talk about that; we're talking about that. But also to call out the fact that we have to do the deep-rooted work. That justice isn't just about what happens to these officers, it never was just about what happens to these officers, it was always about the fact that we have generations of poverty and inequity all across our Commonwealth, that so many people feel the fear of knowing that justice may not account for their humanity. I talk about it often in this building. And the truth of the matter is today, their strength is why I have so much hope. In spite of what some may want to do in seeking to cast wedges and divide us and make this a conversation about “some” versus “others”. We realized as a collective as a Commonwealth, because the people that are marching come from all corners, all walks of life, we realize that this moment is about family. And I'm proud of that truth. Let's be clear: Justice failed us today. It failed us in a way that it has been failing us for generations. We are here doing this work, I was elected to do this work, because we need to make justice ring true, because it has failed. A woman, a black woman, was killed in her home by the agency that paid to protect and serve her. That's wrong. There is no justifying that. And if it calls on us, and it does call on us, to change laws, to lift up Breonna's law but to do so much more in accountability and reimagining public safety in a true sense, which is not simply, more and more law enforcement, being called on to be everything, public safety. We have to do that work if we really want to honor Breonna. And when I leave here I will go home to the West End of Louisville. I will see a lot of people that I love dearly hurting, even in the streets. And I want to speak to them. The last thing I'll say: this moment, to me, to us, is about protecting the movement. All of us, all across the Commonwealth of Kentucky- as family, we have to do the work to make sure that we can all be free and have the liberty of being safe in our homes. To make sure that we all have the opportunity to pursue our dreams. Breonna wanted to take care of people. (tears up) She should be here to pursue her dreams. We all need to commit to making community mean something, to making democracy means something, to making justice mean something. And I'm asking you all from every corner of this Commonwealth: lift your voices, keep demanding change, keep leading for change, run for office yourself. I'm a living witness of that. But don't be quiet, don't slow down, and most importantly, lean in with love. Love is what's gonna get us through this: love for our Commonwealth, love for one another, love for our future. Our faith in one another, our faith that justice can finally ring true. Let's cling to that now together, and keep one another, safe, and we'll get through this. That's what Kentucky does. That's what we're made of. We'll get through this together. And we will chart our course where leadership does not hide behind the law, where leadership can show the courage to speak the truth, and be accountable for the lives of all of us, even if it's the life, and especially if it's the life of a black woman. Where our leaders won't preach to us and condemn us and try to tell us how to express our pain, but will acknowledge our pain, and hear our cries and be accountable to them. We're going to realize that. Breonna, thank you for being the light. We'll keep fighting to honor your name.
(Governor Beshear comes back to the podium.) Thank you, Representative.
Alright, we’ll open it up for questions on this, and then afterwards, I'll give a quick update on a pandemic that we are still fighting that disproportionately is taking other lives. So we'll start over here with you, Karen.
Protestors gathered around the history center while the Attorney General was inside listening, and as everything was announced one said, “The divide is greater now than it has ever been. And it seems like every time we take a few steps forward we get shoved back.” Could you respond? -- The question is about some individuals who apparently had gathered outside the History Center who expressed feelings that divide is greater than ever, and that were moving backwards. (The reporter repeats part of the quote and Beshear repeats it back) “Every time they take a few steps forward, they get shoved back out”. Well first, I want to make sure that I listen to and hear that pain and that frustration. Many people think your job as governor is to get up here and talk and I know I've had to talk a lot. But sometimes it's to make sure that you are hearing, especially experiences that may be different from yours, but also your sincere belief that this is a Commonwealth where everybody counts. And where there are systematic issues like racism, we have to know that they are impacting the lives of Kentuckians and unfairly preventing so many from reaching their potential. And we've seen even before some of this or I've seen the amount of pain that is out there. But, I hope they realize our commitment, or at least my commitment, in these halls and what's considered the most important office in the Commonwealth, that I want to do better and that personally means I gotta be better. I'm gonna continue to listen because I know that the best ideas and the way we move forward aren't just going to come from me. Maybe none of those ideas come from me. But they're ideas that we are going to be able to put in place, hopefully change the Commonwealth, and change the world if we sincerely believe that we have a true duty to one another and to our God to build the world that I think he or she requires of us.
requires the Attorney General to release the investigatory file if requested? -- The question is does the Open Records Act require the Attorney General to release the file if requested. Obviously I was Attorney General, up until about 9 months ago, 10 months ago, it moves fast. And we had to make a lot of those decisions. There are differences between a prosecutors file and an investigatory file, and then there are requirements that that something is final. But what I can say is, regardless of what the Open Records law requires, given that today's announcement only related to a specific officer and shots that were fired that reached a different apartment, it would seem that the investigation and or any further movement on other actions that occurred that night are done, and that there can't be any prejudicing any jury that's out there because according to today's announcement there won't be any. And so I think that it's time to release those ballistics reports. And listen, I appreciate that the attorney general talked in detail about them, those are the types of facts that can help us process, and he talked through it today and he didn't shy away from the fact that there was inconsistency in them. Again, I trust people if they are able to get that information. And so what I'd like to see is all of that put online, those pieces of evidence, those reports, so that people can truly read them and process them. And that conversations we need to have moving into the future, if they're about this specific incident, can be based on it, or if there are things we can learn and, I think we all agree and everyone, law enforcement and others agree that that we should learn every single time that there is a tragic occurrence about what we can do better, Mark?
Booker said it wasn’t just about the officers, it was about the generations of inequalities. What can the state of Kentucky do to change that and do you have any proposals that you're thinking about? The governor's budget proposal to try to address that? -- So the question comes off of Representative Booker's eloquence and speaking his truth, and thank you for doing that today. That's what these walls that this Capitol should be about. And that's what we all need to hear and listen and I hope everybody out there is hearing and listening, and Representative Booker talked about how justice deals with hundreds of years of inequities. I believe that we have to start directly addressing them and be intentional about it every day, and one that I've been intensely focused on is health care because, in the midst of COVID we have seen our black and African American Kentuckians dying at twice the rate of the population. And it's no secret why: it is inadequate access to health care. This is something that Dr. King talked about so many years ago about being one of the greatest forms of inequality and shame on us for not solving and resolving that before now. We've launched a campaign directly aimed at the black and African American community, aimed at signing every single individual up for some form of health care that's going on right now. And we're gonna we're gonna move further after that to get everybody in the Commonwealth signed up for health care. But I'd like to think that step is finally showing priority for a community that for far too long, we haven't shown priority for. It's about building wealth, not just creating jobs in an area, but building wealth in a community where we haven't provided those opportunities. Providing educational opportunities and knowing different things that we have to do to get there. You know there are studies that show, it's a fact that an African American teacher can have an incredible impact on minority students and you see that in the outcome. We got to step up, work with our HBCUs to make sure that we have those programs in place and we're continuing to improve it. We need more programs to recruit more black and African American Kentuckians into our law enforcement, to ensure that law enforcement and everything else look like the rest of our Commonwealth. We got to make sure that we don't have laws, whether it's insurance, or others that make it harder for some individuals to move ahead in different ways than others; banking laws too. And four years we have had programs rightfully so, that invest in Eastern Kentucky and invest in Western Kentucky, I made those announcements. We need those same types of programs, and I proposed one in our budget this last year, that invests in areas like West Louisville. It's time for us to step up and do our part so that, for me, and what it keeps coming back, in the next pandemic we're not just repeating the same things. Because we've seen and we're hearing about the pain of this individual situation today. But the pain in a pandemic, where systematic racism in our healthcare system has resulted in countless more people dying than they should, that is one that I feel every day reading off that counties and the ages.
(Speaking to one of the reporters.) One more before you. -- Oh, I'm sorry. Yeah. (Reporter’s question) Do you believe justice was done today? -- Well, I believe, the question is, “do I believe that justice was done today?” Being a former prosecutor and attorney general, I think that we need to see the facts, the evidence, and I hope moving forward, there's more explanation of process, and of what certain things require. I know that Mrs. Palmer, who I've met, who stood right here, actually we were in the Supreme Court, has got to be in a lot of pain today, and I can't imagine losing one of my children. But I think having more of the facts out there to where people can see, and people can truly process it is where we need to be. The Attorney General spoke today about the truth, and I agree with our commitments to the truth. I just asked him to provide more of the tools for everyone to be able to evaluate and to determine what that truth is. I never expected when I was Attorney General for people just to rely upon my judgment. I wanted to make sure that people saw the reasons for what we are doing, and there's still the opportunity to do that there. I don't think that there was a response today to a question about what might be forthcoming there. (Tom? And then Kathy)
Rep Booker, and Sec. Brown can weigh in on this too: Representative Booker obviously talks with people in his community, Secretary Brown’s got past experience in the legal world, you were former AG. Is there anything that you have been able to detect thus far that perhaps the investigation was flawed in any way? -- So the question is have I determined that the investigation was flawed in any way, I'd need to see the evidence, I’d need to see the statements, I’d need to see what was and wasn't done, to have any comment on that. I think that everybody looking back wishes that things had been done differently. Not in the investigation sense but certainly, and what happened that night. And there have been a number of things suggested since that I think shed a little bit of light on that, about what it ought to take to get a no-knock warrant, even though when it was executed apparently, there's a question about whether it was executed as a no-knock warrant. Who should be able to execute a no-knock warrant? What type of training does that takes? Because that's a very different situation, in most parts of our state law enforcement never conduct one. And most of the time, at least what has been explained to me, it's conducted by a highly trained group and unit. What type of surveillance needs to be done ahead of time before one, to again, reduce the risks? These are all things moving forward that we need to look at both from a process standpoint, and as a legal standpoint. You know if I had a wish, and I talked about it during the investigation period: It was just for more explanation. I think people need to understand process, they need to understand elements. And that's not talking down to people, it's just giving people information that I think that they need to take what they hear and put it into some type of context. When we have such a vacuum in something that we are so passionate, or so frustrated, or when we have a vacuum of information it makes it so much harder, on us personally, and emotionally, and those that are involved, (to offscreen: do you want to add to that or? Okay.) Catherine?
What’s your message to demonstrators who are taking to the streets tonight who are upset with hearing this decision? -- The question is, what's my message to demonstrators? Well first, I will listen and I want to hear and I truly want a better world for your kids and for mine. And while this is an unfair, inequitable world to your kids then my kids aren't living in the right world either. I believe that I have a duty to my faith and to my Commonwealth, to make sure that we do so much better and I want to be a partner moving forward. I will never, ever tell someone not to give voice to their truth, or to speak out for what they believe in. But I would ask that we not engage in any type of violence, and that we not put ourselves in a position, and the people not put themselves in a position, where someone can hijack what they are trying to do, can try to incite violence around them. We've already seen some militia groups walking through downtown Louisville. So be safe. And the eyes of the world are on Louisville. People will hear. There are more cameras broadcasting to more places. And so, I'd be mindful that they're here, but also that that you're heard and let's try to do this in a way that makes positive change and is not used to prevent change. Joe?
AG Cameron today was asked today to talk about several aspects of the process of the grand jury as to whether prosecutors recommended indictments or not? The racial makeup of the grand jury is? Do you think that those are part of the grand jury report that should be revealed publicly? -- The question is about different questions the Attorney General was asked today about the grand jury proceeding. And you do have to be careful in a grand jury proceeding about what you can and can't disclose, though there have been situations, one was after the fact, but in Ferguson, where transcripts and evidence were released almost in the whole. I certainly think that a legitimate question in racial and demographic makeup of the grand jury. I think that that's something that I hope they reconsider responding to. I mean in a city of Louisville that is already so diverse, I don't think it will give out anybody's identity or compromise who they are. And provided that it is sufficiently diverse, it may give people just another piece of information that they can process.
Sec Brown said, and do you believe, that the expectations were too high for people going into this about the repercussions that would happen to the officers that were involved? -- The question is, did I believe the expectations were too high for people leading into this, and Secretary Brown is speaking his truth, based on his experience. I don't know exactly where people's expectations were, but I believe it's really hard to put in context a decision today without knowing what it took to get to that decision, or what it would take to get to another decision. I know that, especially when you're hurt, that without explanation in a vacuum of information, it can be incredibly tough. And that it's not viewed in isolation, there are other incidents that have gone on around the United States. Now there was an indictment today with three felony charges but I think trusting people with the information and putting it out there, so that it at least they can evaluate, I just think that that's the right thing to do. And again I think the Attorney General Cameron believes in truth, and I believe in truth, I’d just like for people to see the information so they can determine the truth.
Do you feel like drug crimes in Kentucky are enforced appropriately and do you think there's any room for reform in that aspect? -- The question is, do I think drug crimes are enforced correctly in Kentucky and what are some potential changes there. First, obviously we have an addiction crisis in the state. I believe that the way the best way to address that is to help people get better and to give, especially kids, but people as they grow older, the tools to not fall into addiction in the first place, but then the job skills and the help that people need to get out of it and to stay out of it. I will say the only way I believe we win the war on drugs, if it's still even that is, is to help people, not to incarcerate people. It's about impacting the demand and not the supply. You know, there are so many really dangerous drugs out there, I understand why we have enforcement, when we have things like fentanyl that can kill you the first time you try it or even harm people when they touch it, we have to recognize that. Now I also think that it's never a wrong thing to step back and to look at actions we take in any of our processes. I was just talking with Secretary Brown, who was working with the city of Louisville when they ended their high speed pursuits, by law enforcement, based on what can happen in the danger that it can create. And so I certainly think that it's something that we can all look at in a form of improvement about when you would undertake certain activity based on the likely harm coming out of it, but also the harm to other people that can occur. We’ll do more. Karen?
There was some fear and anger today- it happened over the last few days: of police presence, and then downtown in Frankfort people noticed snipers, and of course the National Guard presence, so there's concern that there's an expectation now of violence. could you reiterate why those measures are being taken? -- The question is why certain measures are being taken from a law enforcement standpoint, I do want to make sure I mention one thing, there was a question included people in downtown Frankfort including, and the term was used, “snipers”. Those are not snipers and I want to make sure that (reporter responds, inaudible) I understand. So in any circumstance where state police or others are trying to ensure security, they do want a high vantage point, so that they are able to see what's going on all around, that's standard and that's not intending to put anybody in a quote unquote “sniper position”.
Our goal, and today I authorized a limited deployment of the National Guard, our goal is to make sure that we can keep everybody safe. We've got a militia walking around, I think they broke with the three percenters- downtown Louisville. We've got others that would take what is otherwise a peaceful rally/demonstration/protest and would like nothing more than to see people harmed. We've got some critical infrastructure, I'll give you an example: hospitals, right now that we have to make sure, stay open and aren't disrupted in a time of COVID or anything else. I know that it can be hard to see that presence and I know that there are some that disagree with it but I can tell you from my standpoint, why it's being done is to make sure that anyone and everyone can express their first amendment rights, but that they can do so safely that no one can can incite violence, and that and that that critical infrastructure can can continue to operate in times where it where it has to.
A little bit more on the National Guard issue, this is something a lot of people are really scared of when they hear that “The national Guard has been deployed to Louisville“- (Gov: Yeah.) What assurances, can you provide that, you know, basically what happened in late May, you know, with David McAtee at 26th and Broadway doesn't happen again? -- The question is on the National Guard and it's hard to believe as governor in different ways I think I've had to deploy the National Guard five separate times. Now some of those are to assist county clerks in voting, and others; but this is certainly during COVID. Remember, at one point we had them at hospitals, when we thought that there could be a rush, and wanting to make sure there's order there. You know, I can assure citizens of Louisville that the National Guard deployment is limited, it is based on very specific operations, and that it is under the command of the National Guard and no one else. That each of the guardsmen or -women know what their job is and it's not the forward-facing role that LMPD is playing and has much more experience with. My commitment is to make sure that something like what happened to Mr McAtee, regardless of the reasons that it happens, doesn't happen again. Because, regardless of the circumstances of that situation, which are a part of litigation right now, we want to make sure everybody, absolutely everybody, is safe throughout this. This deployment is much more similar to Derby, much more limited in scope to what happened previously, and again there is a different command structure in place this time. And you can bet I'm getting updates as frequently as I can.
2020.09.19 17:29 tombstoneshadows28Turner Classic Movies (U.S.) Schedule for October, 2020 (All times E.S.T.)
Thursday, October 01, 2020 (12:00 AM) (drama) Up The Down Staircase (1967/124 m/Robert Mulligan) (2:15 AM) (comedy) Our Miss Brooks (1956/85 m/Al Lewis) (4:00 AM) (drama)The Corn Is Green (1945/114 m/Irving Rapper) (6:00 AM) (comedy) Girl He Left Behind (1956/103 m/David Butler) (8:00 AM) (war) Lafayette Escadrille (1958/93 m/William A. Wellman) (9:45 AM) (comedy) Dondi (1961/100 m/Albert Zugsmith) ' (11:30 AM) (epic) The Shoes of the Fisherman (1968/162 m/Michael Anderson) (2:15 PM) (crime) Ring of Fire (1961/91 m/Andrew L. Stone) (4:00 PM) (suspense) Twenty Plus Two (1961/103 m/Joseph M. Newman) (5:45 PM) (horror) Marooned (1969/129 m/John Sturges) (8:00 PM) (drama) La Strada (1954/108 m/Federico Fellini) (10:00 PM) (romance) Two for the Road (1967/111 m/Stanley Donen) Friday, October 02, 2020 (12:00 AM) (romance) Dodsworth (1936/101 m/William Wyler) (2:00 AM) (documentary) The Memphis Belle: A Story of a Flying Fortress (1944/40 m/Lt. Col. William Wyler) (3:00 AM) (drama) Black Girl (1966/60 m/Ousmane Sembene) (4:15 AM) (drama) The Music Room (1958/99 m/Satyajit Ray) (6:00 AM) (comedy) Go West (1940/80 m/Edward Buzzell) (7:45 AM) (comedy) The Big Store (1941/83 m/Charles Riesner) (9:30 AM) (comedy) Double Dynamite (1951/81 m/Irving Cummings) (11:00 AM) (comedy) Girl In Every Port (1952/86 m/Chester Erskine) (12:30 PM) (comedy) A Day at the Races (1937/109 m/Sam Wood) (2:30 PM) (comedy) At the Circus (1939/87 m/Edward Buzzell) (4:15 PM) (comedy) A Night at the Opera (1935/91 m/Sam Wood) (6:00 PM) (epic) The Story of Mankind (1957/100 m/Irwin Allen) (8:00 PM) (horror) Dracula (1931/74m/Tod Browning) (9:30 PM) (suspense) Cat People (1942/73 m/Jacques Tourneur) (11:00 PM) (horror) House on Haunted Hill (1958/75 m/William Castle) Saturday, October 03, 2020 (12:30 AM) (horror) The Haunting (1963/112 m/Robert Wise) (3:45 AM) (premiere) Wigstock: The Movie (1995/85 m/Barry Shils) (5:15 AM) (short) The Relaxed Wife (1957/13 m/?) (5:15 AM) (short) Time Out for Trouble (1961/19m/David S. Glidden) (6:00 AM) (comedy) Million Dollar Baby (1941/101 m/Curtis Bernhardt) (8:00 AM) (premiere) MGM CARTOONS: The Peachy Cobbler (1950/7 m/Fred (Tex) Avery) (8:08 AM) (short) Phonies Beware! (1956/8 m/Larry O'Reilly) (8:17 AM) (short) Night Life in Chicago (1948/9 m/?) (8:27 AM) (premiere) Arctic Fury (1949/61 m/Norman Dawn) (9:30 AM) (premiere) THE WILD WEST DAYS: Redskins’ Revenge (1937/?/?) (10:00 AM) (premiere) POPEYE: Baby Wants a Bottleship (1942/7 m/Dave Fleischer) (10:08 AM) (adventure) Safari Drums (1953/71 m/Ford Beebe) (11:30 AM) (documentary) Alaska Lifeboat (1956/21 m/Herbert Morgan) (12:00 PM) (drama) The Prince and the Pauper (1937/118 m/William Keighley) (2:15 PM) (crime) Key Largo (1948/100 m/John Huston) (4:15 PM) The Defiant Ones (1958/96 m/Stanley Kramer) (6:00 PM) (romance) The Thomas Crown Affair (1968/102 m/Norman Jewison) (8:00 PM) (epic) Lawrence of Arabia (1962/227 m/David Lean) Sunday, October 04, 2020 (12:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger) (2:00 AM) (western) Across the Wide Missouri (1951/78 m/William Wellman) (3:30 AM) (musical) On An Island With You (1948/108 m/Richard Thorpe) (5:30 AM) (short) Inflation (1942/17 m/Cy Endfield) (6:00 AM) (romance) The Last of Mrs. Cheyney (1937/98 m/Richard Boleslawski) (7:45 AM) (romance) Humoresque (1946/124 m/Jean Negulesco) (10:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger) (12:00 PM) (comedy) Mr. Belvedere Goes to College (1949/83 m/Elliott Nugent) (1:30 PM) (comedy) The Women (1939/133 m/George Cukor) (4:00 PM) (musical) Bye Bye Birdie (1963/112 m/George Sidney) (6:00 PM) (documentary) The Great Buster: A Celebration (2018/101 m/Peter Bogdanovich) (8:00 PM) (silent) Sherlock Jr. (1924/46 m/Buster Keaton) (9:00 PM) (silent) The General (1927/79 m/Buster Keaton) (10:30 PM) (silent) Steamboat Bill Jr. (1928/71 m/Charles F. Reisner) Monday, October 05, 2020 (12:00 AM) (silent) Seven Chances (1925/57 m/Buster Keaton) (2:00 AM) (drama) Viridiana (1961/91 m/Luis Buñuel) (3:45 AM) (drama) The Exterminating Angel (1962/92 m/Luis Buñuel) (5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:00 AM) (musical) Roberta (1935/106 m/William A. Seiter) (8:00 AM) (musical) Fashions of 1934 (1934/78 m/William Dieterle) (9:30 AM) (drama) Stolen Holiday (1937/80 m/Michael Curtiz) (11:00 AM) (comedy) Designing Woman (1957/118 m/Vincente Minnelli) (1:00 PM) (comedy) Made in Paris (1966/103 m/Boris Sagal) (2:45 PM) (romance) A Place for Lovers (1969/88 m/Vittorio De Sica) (4:30 PM) (horror) Blood and Black Lace (1964/88 m/Mario Bava) (6:00 PM) (suspense) Lured (1947/103 m/Douglas Sirk) (8:00 PM) (crime) Cash on Demand (1961/80 min/Quentin Lawrence) (9:30 PM) (romance) The End of the Affair (1955/106 m/Edward Dmytryk) (11:30 PM) (crime) Time Without Pity (1957/85 m/Joseph Losey) Tuesday, October 06, 2020 (1:15 AM) (adventure) John Paul Jones (1959/126 m/John Farrow) (3:30 AM) (drama) Hamlet (1948/154 m/Laurence Olivier) (6:15 AM) (comedy) A Chump at Oxford (1940/63 m/Alfred Goulding) (7:30 AM) (drama) Vigil in the Night (1940/102 m/George Stevens) (9:15 AM) (comedy) The Gay Bride (1934/80 m/Jack Conway) (10:45 AM) (musical) Swing High, Swing Low (1937/83 m/Mitchell Leisen) (12:15 PM) (comedy) Love Before Breakfast (1936/70 m/Walter Lang) (1:30 PM) (comedy) Nothing Sacred (1937/74 m/William A. Wellman) (3:00 PM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock) (4:45 PM) (comedy) To Be or Not to Be (1942/99 m/Ernst Lubitsch) (6:30 PM) (documentary) The Golden Age of Comedy (1957/79 m/various) (8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 6) (2019/60 m/Mark Cousins) (9:15 PM) (drama) The Ascent (1977/109 m/Larisa Sheptiko) (11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 6) (2019/60 m/Mark Cousins) Wednesday, October 07, 2020 (12:30 AM) Meek's Cutoff (2010/104 m/Kelly Reichardt) (2:30 AM) (premiere) Cameraperson (2016/103 m/Kirsten Johnson) (4:30 AM) (comedy) Daisies (1966/76 m/Vera Chytilová) (9:15 AM) (drama) The Journey (1959/126 m/Anatole Litvak) (11:30 AM) (drama) The Squall (1929/102 mAlexander Korda) (1:30 PM) (short) Beautiful Budapest (1938/9 m/?) (1:45 PM) (short) Rural Hungary (1939/9 m/James A. FitzPatrick) (2:00 PM) (drama) Fight For Your Lady (1938/66 m/Ben Stoloff) (3:15 PM) (drama) Storm at Daybreak (1933/79 m/Richard Boleslavsky) (4:45 PM) (romance) The Shop Around the Corner (1940/99 m/Ernst Lubitsch) (6:30 PM) (musical) One Heavenly Night (1930/80 m/Geo. Fitzmaurice) (8:00 PM) (comedy) No Time For Sergeants (1958/119 m/Mervyn LeRoy) (10:15 PM) (drama) A Face in the Crowd (1957/126 m/Elia Kazan) Thursday, October 08, 2020 (12:30 AM) (western) Hearts of the West (1975/102 m/Howard Zieff) (2:30 AM) (comedy) Onionhead (1958/110 m/Norman Taurog) (4:30 AM) (comedy) Thunder Afloat (1939/95 m/George B. Seitz) (6:15 AM) (crime) The Public Enemy (1931/84 m/William A. Wellman) (8:15 AM) (romance) Red-Headed Woman (1932/79 m/Jack Conway) (9:45 AM) (comedy) Dinner at Eight (1933/111 m/George Cukor) (11:45 AM) (comedy) Saratoga (1937/92 m/Jack Conway) (1:30 PM) (romance) Hold Your Man (1933/87 m/Sam Wood) (3:15 PM) (romance) Red Dust (1932/83 m/Victor Fleming) (4:45 PM) (comedy) Personal Property (1937/84 m/W. S. Van Dyke II) (6:15 PM) (comedy) Bombshell (1933/96 m/Victor Fleming) (8:00 PM) (comedy) The Front Page (1931/101 m/Lewis Milestone) (10:00 PM) (suspense) Detour (1945/68 m/Edgar G. Ulmer) (11:30 PM) (drama) The Man with the Golden Arm (1956/119m/Otto Preminger) Friday, October 09, 2020 (1:45 AM) (romance) Love Affair (1939/88 m/Leo McCarey) (3:30 AM) (crime) A Brighter Summer Day (1991/237 m/Edward Yang) (7:00 AM) (short) Alice in Movieland (1940/22 m/Jean Negulesco) (7:45 AM) (drama) Nora Prentiss (1947/111 m/Vincent Sherman) (9:45 AM) (crime) Born to Kill (1947/92 m/Robert Wise) (11:30 AM) (drama) Dark Passage (1947/106 m/Delmer Daves) (1:30 PM) (suspense) Out of the Past (1947/97 m/Jacques Tourneur) (3:15 PM) (crime) Race Street (1948/79 m/Edwin L. Marin) (4:45 PM) (suspense) Impact (1949/111 m/Arthur Lubin) (6:45 PM) (suspense) The Woman On Pier 13 (1950/73 m/Robert Stevenson) 8:00 PM) (horror) The Ghoul (1933/81 m/T. Hayes Hunter) (9:30 PM) (horror) The Black Sleep (1956/82 m/Reginald LeBorg) (11:00 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning) Saturday, October 10, 2020 (12:15 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero) (2:00 AM) (adventure) White Lightning (1973/101 m/Joseph Sargent) (3:45 AM) (drama) Gator (1976/116 m/Burt Reynolds) (5:45 AM) (short) The Corvair in Action! (1960/6 m/?) (6:00 AM) (musical) The Opposite Sex (1956/116 m/David Miller) (8:00 AM) (premiere) MGM Cartoons: Red Hot Riding Hood (1943/7 m/Fred (Tex) Avery) (8:09 AM) (short) Fortune Seekers (1956/8 m/Larry O'Reilly) (8:18 AM) (documentary) Historic Maryland (1941/8 m/?) (8:27 AM) (drama) Men of the North (1930/61 m/Hal Roach) (9:30 AM) (premiere) THE WILD WEST DAYS: Brink of Doom (1937/?/?) (10:00 AM) (premiere) POPEYE: Alona the Sarong Seas (1942/7 m/Dave Fleischer) (10:08 AM) (premiere) The Golden Idol (1954/71 m/Ford Beebe)\ (11:30 AM) (comedy) King Of The Islands (1935/17 m/Ralph Staub) . (12:00 PM) (adventure) Tarzan The Ape Man (1932/100 m/W. S. Van Dyke II) (2:00 PM) (musical) Lili (1953/81 m/Charles Walters) (3:30 PM) (comedy) Casino Royale (1967/131 m/John Huston, et. al.) (6:00 PM) (musical) Top Hat (1935/100 m/Mark Sandrich) (8:00 PM) (adventure) Gunga Din (1939/117 m/George Stevens) (10:15 PM) (adventure) The Three Musketeers (1948/126 m/George Sidney) Sunday, October 11, 2020 (12:30 AM) (crime) The Racket (1951/89 m/John Cromwell) (2:30 AM) (comedy) Bananas (1971/82 m/Woody Allen) (4:00 AM) (comedy) Hannah and Her Sisters (1986/107 m/Woody Allen) (6:00 AM) (comedy) A Midsummer Night's Dream (1935/143 m/Max Reinhardt) (8:30 AM) (drama) Journey For Margaret (1942/81 m/Major W. S. Van Dyke II) (10:00 AM) (crime) The Racket (1951/89 m/John Cromwell) (12:00 PM) (drama) Sounder (1972/105 m/Martin Ritt) (2:00 PM) (drama) The Secret Garden (1949/92 m/Fred M. Wilcox) (3:45 PM) (drama) The Catered Affair (1956/94 m/Richard Brooks) (5:30 PM) (musical) Flower Drum Song (1961/131 m/Henry Koster) (8:00 PM) (comedy) The Front Page (1974/105 m/Billy Wilder) (10:00 PM) (comedy) The Fortune Cookie (1966/126 m/Billy Wilder) Monday, October 12, 2020 (12:15 AM) (comedy) Sidewalk Stories (1989/99 m/Charles Lane) (2:15 AM) (comedy) The Firemen's Ball (1967/73 m/Milos Forman) (3:45 AM) (premiere) All My Good Countrymen (1968/126 m/Vojtěch Jasný) (6:00 AM) (horror) The Reptile (1966/90 m/John Gilling) (7:45 AM) (horror) The Killer Shrews (1959/68 m/Ray Kellogg) (9:00 AM) (horror) King Kong (1933/104 m/Merian C. Cooper) (11:00 AM) (horror) The Beast From 20,000 Fathoms (1953/80 m/Eugene Lourié) (12:30 PM) (horror) Gojira (1954/96 m/Ishiro Honda) (2:00 PM) (horror) Creature from the Black Lagoon (1954/79 m/Jack Arnold) (3:30 PM) (horror) Creature from the Haunted Sea (1961/59 m/Roger Corman) (4:45 PM) (horror) The Green Slime (1969/90 m/Kinji Fukasaku) (6:30 PM) (horror) Night of the Lepus (1972/88 m/William F. Claxton) (8:00 PM) (adventure) Sword of Sherwood Forest (1960/80 m/Terence Fisher) (11:00 PM) (horror) Daleks - Invasion Earth 2150 A.D. (1966/81 m/Gordon Flemyng) Tuesday, October 13, 2020 (12:30 AM) (adventure) She (1965/106 m/Robert Day) (2:30 AM) (crime) Violent Playground (1958/106 m/Basil Dearden) (4:30 AM) (premiere) In Saigon: Some May Live (1967/89 m/Vernon Sewell) (6:00 AM) (drama) Devotion (1931/81 m/Robert Milton) (7:30 AM) (comedy) The Runaway Bus (1954/74 m/Val Guest) (9:00 AM) (crime) The Solitaire Man (1933/67 m/Jack Conway) (10:30 AM) (suspense) Blind Adventure (1933/63 m/Ernest B. Schoedsack) (11:45 AM) (musical) Double Trouble (1967/92 m/Norman Taurog) (1:30 PM) (romance) A Warm December (1972/101 m/Sidney Poitier) (3:30 PM) (drama) The V.I.P.S (1963/119 m/Anthony Asquith) (5:45 PM) (comedy) The Prince and the Showgirl (1957/117 m/Laurence Olivier) (8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 7) (2019/60 m/Mark Cousins) (11:00 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 7) (2019/60 m/Mark Cousins) Wednesday, October 14, 2020 (2:00 AM) (documentary) The House Is Black (1963/22 m/?) (2:30 AM) (romance) First Love (1977/91 m/Joan Darling) (4:15 AM) (drama) The Night Porter (1974/118 m/Liliana Cavani) (6:30 AM) (drama) Le Bonheur (1965/80 m/Agnes Varda) (10:15 AM) (silent) The Unholy Three (1925/86 m/Tod Browning) (12:00 PM) (silent) The Unknown (1927/49 m/Tod Browning) (1:00 PM) (silent) The Blackbird (1926/86 m/Tod Browning) (2:30 PM) (horror) The Thirteenth Chair (1929/73 m/Tod Browning) (4:00 PM) (horror) Freaks (1932/62 m/Tod Browning) (5:15 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning) (6:30 PM) (horror) The Devil-Doll (1936/78 m/Tod Browning) (8:00 PM) (drama) Abe Lincoln in Illinois (1940/110 m/John Cromwell) (10:00 PM) (drama) Sunrise at Campobello (1960/144 m/Vincent J. Donehue) Thursday, October 15, 2020 (12:45 AM) (drama) Wilson (1944/154 m/Henry King) (3:30 AM) (war) PT 109 (1963/140 m/Leslie H. Martinson) . (6:00 AM) (comedy) Three Men on a Horse (1936/86 m/Mervyn LeRoy) (7:30 AM) (crime) Unholy Partners (1941/94 m/Mervyn LeRoy) (9:15 AM) (musical) Sweet Adeline (1935/88 m/Mervyn Le Roy) (11:00 AM) (comedy) Happiness Ahead (1934/86 m/Mervyn Le Roy) (12:30 PM) (drama) Big City Blues (1932/63 m/Mervyn LeRoy) (1:45 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy) (4:00 PM) (drama) They Won't Forget (1937/95 m/Mervyn LeRoy) (5:45 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy) (8:00 PM) (war) Tunes of Glory (1960/107 m/Ronald Neame) (10:00 PM) (war) The Life and Death of Colonel Blimp (1943/164 m/Michael Powell) Friday, October 16, 2020 (1:00 AM) (war) The Seventh Cross (1944/112 m/Fred Zinnemann) (3:00 AM) (drama) The Diary of Anne Frank (1959/180 m/George Stevens) (6:15 AM) (documentary) Trances (1981/89 m/Ahmed El Maanouni) (8:00 AM) (comedy) Little Shop of Horrors (1960/72 m/Roger Corman) (9:15 AM) (horror) Village of the Damned (1960/77 m/Wolf Rilla) (10:45 AM) (horror) The Brain That Wouldn't Die (1962/82 m/Joseph Green) (12:15 PM) (horror) Carnival of Souls (1962/78 m/Herk Harvey) (1:45 PM) (horror) Dementia 13 (1963/75 m/Francis Ford Coppola) (3:15 PM) (horror) The Raven (1963/86 m/Roger Corman) (4:45 PM) (horror) Spider Baby (1964/84 m/Jack Hill) (6:15 PM) (horror) The Nanny (1965/93 m/Seth Holt) (8:00 PM) (horror) Dead of Night (1945/103 m/Alberto Cavalcanti, Basil Dearden, Robert Hamer, Charles Crichton) (10:00 PM) (horror) Twice-Told Tales (1963/120 m/Sidney Salkow) Saturday, October 17, 2020 (12:15 AM) (horror) Black Sabbath (1963/96 m/Mario Bava) (2:00 AM) (premiere) Enter the Ninja (1981/99 m/Menahem Golan) (3:45 AM) (premiere) Revenge of the Ninja (1983/?/Sam Firstenberg) (5:30 AM) (short) Shake Hands With Danger (1970/23 m/?) (6:00 AM) (war) The Password Is Courage (1962/115 m/Andrew L. Stone) (8:00 AM) MGM CARTOONS: Sheep Wrecked (1958/6 m/Michael Lah) (8:08 AM) (documentary) Cave Explorers (1957/8 m/Heinz Scheiderbauer) (8:17 AM) (short) The Capital City Washington, D.C. (1940/9 m/?) (8:27 AM) (drama) She Loved A Fireman (1937/58 m/John Farrow) (9:30 AM) (premiere) The WILD WEST DAYS: Indians Are Coming (1937/?/?) (10:00 AM) (premiere) POPEYE: A Hull of a Mess (1942/6 m/Dave Fleischer) (10:08 AM) (adventure) Lord of the Jungle (1955/69 m/Ford Beebe) (11:30 AM) (short) Kissing Time (1933/22 m/Roy Mack) (12:00 PM) (western) Angel And The Badman (1947/100 m/James Edward Grant) (1:45 PM) (adventure) Captain Horatio Hornblower (1951/117 m/Raoul Walsh) (4:00 PM) (comedy) Support Your Local Sheriff! (1969/93 m/Burt Kennedy) (5:45 PM) (horror) Rollerball (1975/125 m/Norman Jewison) (8:00 PM) (musical) Singin' in the Rain (1952/103 m/Gene Kelly) (10:00 PM) (musical) Summer Stock (1950/109 m/Charles Walters) Sunday, October 18, 2020 (12:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn) (1:45 AM) (comedy) The Fearless Vampire Killers or Pardon Me, But Your Teeth Are in My Neck (1966/107 m/Roman Polanski) (3:45 AM) (horror) House of Dark Shadows (1970/97 m/Dan Curtis) (5:30 AM) (short) Return to Glennascaul (1953/24 m/Hilton Edwards) (6:00 AM) (drama) The Life of Emile Zola (1937/116 m/William Dieterle) (8:15 AM) (comedy) His Girl Friday (1940/92 m/Howard Hawks) (10:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn) (11:45 AM) (epic) The Good Earth (1937/138 m/Sidney Franklin) (2:15 PM) (drama) Written on the Wind (1957/99 m/Douglas Sirk) (4:00 PM) (romance) Dear Heart (1964/114 m/Delbert Mann) (6:00 PM) (comedy) Peggy Sue Got Married (1986/105 m/Francis Ford Coppola) (10:00 PM) (comedy) Losing Ground (1982/86 m/Kathleen Collins) Monday, October 19, 2020 (12:00 AM) (silent) Exit Smiling (1926/77 m/Sam Taylor) (2:00 AM) (premiere) I Am Waiting (1957/91 m/Koreyoshi Kurahara) (3:45 AM) (premiere) A Colt Is My Passport (1967/84 m/Takashi Nomura) . (5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:00 AM) (comedy) I Married a Witch (1942/77 m/René Clair) (7:30 AM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock) (9:15 AM) (crime) Touch of Evil (1958/111 m/Orson Welles) (11:30 AM) (adventure) Mogambo (1953/116 m/John Ford) (1:45 PM) (suspense) North by Northwest (1959/136 m/Alfred Hitchcock) (4:15 PM) (drama) In A Lonely Place (1950/93 m/Nicholas Ray) (6:00 PM) (war) Any Number Can Play (1949/103 m/Mervyn LeRoy) (8:00 PM) (suspense) The Hound of the Baskervilles (1959/87 m/Terence Fisher) (9:30 PM) (horror) Horror of Dracula (1958/81 m/Terence Fisher) (11:15 PM) (horror) The Mummy (1959/88 m/Terence Fisher) (1:00 AM) (horror) The Curse of Frankenstein (1957/83 min/Terence Fisher) (2:45 AM) (horror) Frankenstein Created Woman (1967/92 min/Terence Fisher) (4:30 AM) (horror) Frankenstein Must Be Destroyed! (1970/101 m/Terence Fisher) Tuesday, October 20, 2020 (6:15 AM) (comedy) Front Page Woman (1935/82 m/Michael Curtiz) (7:45 AM) (romance) Wife Vs. Secretary (1936/88 m/Clarence Brown) (9:30 AM) (suspense) Mr. And Mrs. North (1941/67 m/Robert B. Sinclair) (10:45 AM) (comedy) Theodora Goes Wild (1936/94 m/Richard Boleslawski) (12:30 PM) (comedy) Breakfast for Two (1937/68 m/Alfred Santell) (1:45 PM) (comedy) Four's A Crowd (1938/92 m/Michael Curtiz) (3:30 PM) (comedy) It's A Wonderful World (1939/86 m/W. S. Van Dyke II) (5:00 PM) (comedy) Fools For Scandal (1938/80 m/Mervyn Le Roy) (6:30 PM) (romance) Love on the Run (1936/80 m/W. S. Van Dyke) (8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 8) (2019/60 min/Mark Cousins) (10:45 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 8) (2019/60 m/Mark Cousins) Wednesday, October 21, 2020 (2:00 AM) (premiere) The Third Miracle (1999/119 m/Agnieszka Holland) (7:45 AM) (short) The Birth, the Life and the Death of Christ (1906/34 m/Alice Guy-Blache) (8:30 AM) (documentary) Araya (1959/83 m/Margot Benacerraf) (10:00 AM) (drama) Children of a Lesser God (1986/119 m/Randa Haines) (12:15 PM) (drama) Young Dr. Kildare (1938/82 m/Harold S. Bucquet) (1:45 PM) (drama) Calling Dr. Kildare (1939/86 m/Harold S. Bucquet) (3:30 PM) (drama) The Secret of Dr. Kildare (1939/84 m/Harold S. Bucquet) (5:00 PM) (drama) Dr. Kildare Goes Home (1940/79 m/Harold S. Bucquet) (6:30 PM) (drama) Dr. Kildare's Crisis (1940/75 m/Harold S. Bucquet) (8:00 PM) (comedy) Hard To Handle (1933/78 m/Mervyn Le Roy) (9:30 PM) (crime) The Beast of the City (1932/86 m/Charles Brabin) (11:15 PM) (drama) One Way Passage (1932/67 m/Tay Garnett) Thursday, October 22, 2020 (12:45 AM) (crime) They Live By Night (1948/95 m/Nicolas Ray) (2:30 AM) (adventure) The Prisoner of Zenda (1952/100 m/Richard Thorpe) (4:15 AM) (adventure) Green Fire (1955/100 m/Andrew Marton) (6:00 AM) (adventure) Three Faces East (1930/71 m/Roy Del Ruth) (7:30 AM) (drama) Born to Love (1932/81 m/Paul L. Stein) (9:00 AM) (drama) The Common Law (1932/74 m/Paul L. Stein) (10:30 AM) (drama) Rockabye (1932/68 m/George Cukor) (11:45 AM) (drama) Bed of Roses (1933/ 67 /Gregory LaCava) (1:00 PM) (drama) Our Betters (1933/83 m/George Cukor) (2:30 PM) (comedy) Topper (1937/97 m/Norman Z. McLeod) (4:15 PM) (comedy) Topper Takes a Trip (1939/80 m/Norman Z. McLeod) (5:45 PM) (comedy) Merrily We Live (1938/95 m/Norman Z. McLeod) (7:30 PM) (documentary) MGM Parade Show #5 (1955/26 m/?) (8:00 PM) (crime) The Killers (1964/93 m/Donald Siegel) (9:45 PM) (drama) The Breaking Point (1950/97 m/Michael Curtiz) (11:30 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz) Friday, October 23, 2020 (1:00 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero) (3:00 AM) (premiere) A River Called Titas (1973/158 m/Ritwik Ghatak) (6:00 AM) (drama) Inside Straight (1951/87 m/Gerald Mayer) (7:30 AM) (crime) Absolute Quiet (1936/70 m/George B. Seitz) (8:45 AM) (drama) Chain Lightning (1950/95 m/Stuart Heisler) (10:30 AM) (adventure) Tycoon (1947/129 m/Richard Wallace) (12:45 PM) (drama) No Marriage Ties (1933/72 m/J. Walter Ruben) (2:00 PM) (drama) Death of a Scoundrel (1956/120 m/Charles Martin) (4:15 PM) (crime) Assignment To Kill (1968/99 m/Sheldon Reynolds) (6:00 PM) (suspense) The Drowning Pool (1975/108 m/Stuart Rosenberg) (8:00 PM) (horror) Pit and the Pendulum (1961/80 m/Roger Corman) (9:45 PM) (horror) Spirits of the Dead (1968/121 m/Federico Fellini, Louis Malle, Roger Vadim) Saturday, October 24, 2020 (12:00 AM) (horror) Murders In The Rue Morgue (1971/98 m/Gordon Hessler) (2:00 AM) (premiere) Ninja III: The Domination (1984/95 m/Sam Firstenberg) (3:45 AM) (drama) Heavenly Bodies (1985/89 m/Lawrence Dane) (5:30 AM) (short) Keep Off The Grass (1969/21 m/?) (6:00 AM) (comedy) Please Don't Eat the Daisies (1960/111 m/Charles Walters) (8:00 AM) (premiere) MGM CARTOONS: One Cab's Family (1938/8 m/Fred (Tex) Avery) (8:09 AM) (documentary) Black Cats and Broomsticks (1955/8 m/Larry O'Reilly) (8:18 AM) (short) Wandering Here and There (1944/9 m/James A. FitzPatrick) (8:28 AM) (romance) King Of The Lumberjacks (1940/59 m/William Clemens) (9:30 AM) (premiere) THE WILD WEST DAYS: Leap For Life (1937/?/?) (10:00 AM) (premiere) POPEYE: Cartoons Ain’t Human (1943/7 m/Dave Fleischer) (10:09 AM) (adventure) Tarzan And The Amazons (1945/76 m/Kurt Neumann) (11:30 AM) (short) The Flame Song (1934/22 m/Joseph Henabery) (12:00 PM) (suspense) Harper (1966/121 m/Jack Smight) (2:15 PM) (horror) Brainstorm (1983/106 m/Douglas Trumbull) (4:15 PM) (war) Men Of The Fighting Lady (1954/80 m/Andrew Marton) (5:45 PM) (drama) Citizen Kane (1941/119 m/Orson Welles) (8:00 PM) (drama) Ace in the Hole (1951/111m/Billy Wilder) (10:15 PM) (premiere) Flesh and Fury (1952/83 m/Joseph Pevney) Sunday, October 25, 2020 (12:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg) (1:45 AM) (horror) The Werewolf (1956/80 m/Fred F. Sears) (3:15 AM) (premiere) The Howling (1981/91 m/Joe Dante) (5:00 AM) (horror) The Mummy (1932/73 m/Karl Freund) (6:15 AM) (suspense) Murder on the Blackboard (1934/72 m/George Archainbaud) (7:30 AM) (romance) All This, and Heaven Too (1940/143 m/Anatole Litvak) (10:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg) (12:00 PM) (romance) The White Cliffs Of Dover (1944/126 m/Clarence Brown) (2:15 PM) (epic) Around the World in 80 Days (1956/182 m/Michael Anderson) (5:30 PM) (horror) What Ever Happened to Baby Jane? (1962/134 m/Robert Aldrich) (8:00 PM) (western) 3:10 to Yuma (1957/92 m/Delmer Daves) (10:00 PM) (western) Gunman's Walk (1958/95 m/Phil Karlson) Monday, October 26, 2020 (12:00 AM) (silent) Haxan: Witchcraft Through the Ages (1922/107 m/Benjamin Christensen) (2:00 AM) (suspense) Diabolique (1955/117 m/Henri-Georges Clouzot) (4:15 AM) (horror) Eyes Without a Face (1959/90 m/Georges Franju) (6:00 AM) (suspense) The Beast with Five Fingers (1946/88 m/Robert Florey) (7:45 AM) (adventure) Mara Maru (1952/98 m/Gordon Douglas) (9:30 AM) (drama) They Won't Believe Me (1947/80 m/Irving Pichel) (11:15 AM) (suspense) Where Danger Lives (1950/80 m/John Farrow) (1:00 PM) (suspense) Fingers at the Window (1942/81 m/Charles Lederer) (2:30 PM) (suspense) Footsteps in the Dark (1941/96 m/Lloyd Bacon) (4:15 PM) (suspense) Kill or Cure (1962/88 m/George Pollock) (6:00 PM) (comedy) The Gazebo (1960/102m/George Marshall) (8:00 PM) (horror) Nothing But the Night (1972/91 m/Peter Sasdy) (9:45 PM) (horror) Madhouse (1974/91 m/James Clark) (11:30 PM) (horror) From Beyond the Grave (1973/98 m/Kevin Connor) Tuesday, October 27, 2020 (1:30 AM) (horror) Scream and Scream Again (1970/95 m/Gordon Hessler) (3:15 AM) (premiere) The Satanic Rites of Dracula (1973/88 m/Alan Gibson) (4:45 AM) (horror) Dracula A.D. 1972 (1972/96 m/Alan Gibson) (6:30 AM) (western) Somewhere In Sonora (1933/58 m/Mack V. Wright) (7:45 AM) (western) Along the Rio Grande (1941/64 m/Edward Killy) (9:00 AM) (western) Valley of the Sun (1942/78 m/George Marshall) (10:30 AM) (western) Sagebrush Trail (1933/53 m/Armand Schaefer) (11:30 AM) (western) Devil's Canyon (1953/92 m/Alfred Werker) (1:15 PM) (western) The Hired Gun (1957/64 m/Ray Nazarro) (2:30 PM) (premiere) Black Patch (1957/82 m/Allen H. Miner) (4:00 PM) (western) Virginia City (1940/121 m/Michael Curtiz) (6:15 PM) (western) Escape From Fort Bravo (1953/98 m/John Sturges) (8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 9) (2019/60 m/Mark Cousins) (11:00 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 9) (2019/60 m/Mark Cousins) Wednesday, October 28, 2020 (12:15 AM) (comedy) Girlfriends (1978/88 m/Claudia Weill) (2:00 AM) (drama) The Connection (1962/103 m/Shirley Clarke) (4:00 AM) (comedy) Lost In Yonkers (1993/114 m/Martha Coolidge) (10:00 AM) (drama) Winter Meeting (1948/104 m/Bretaigne Windust) (12:00 PM) (romance) I Know Where I'm Going (1945/92 m/Michael Powell) (1:45 PM) (romance) The Enchanted Cottage (1945/92 m/John Cromwell) (3:30 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy) (6:00 PM) (romance) Desire Me (1947/91 m/George Cukor) (8:00 PM) (drama) The Best Man (1964/102 m/Franklin J. Schaffner) (10:00 PM) (drama) State of the Union (1948/123 m/Frank Capra) Thursday, October 29, 2020 (12:15 AM) (comedy) The Great McGinty (1940/82 m/Preston Sturges) (2:00 AM) (drama) The Candidate (1972/110 m/Michael Ritchie) (4:00 AM) (drama) All the King's Men (1949/110 m/Robert Rossen) (6:00 AM) (western) Haunted Gold (1932/58 m/Mack V. Wright) (7:00 AM) (horror) The Devil-Doll (1936/78 m/Tod Browning) (8:30 AM) (suspense) Before Dawn (1933/61 m/Irving Pichel) (9:45 AM) (comedy) Man Alive (1946/70 m/Ray Enright) (11:00 AM) (horror) Tormented (1960/75 m/Bert I. Gordon) (12:30 PM) (adventure) Angel on My Shoulder (1946/101 m/Archie Mayo) (2:15 PM) (horror) Night Of Dark Shadows (1971/94 m/Dan Curtis) (4:00 PM) (horror) Indestructible Man (1956/71 m/Jack Pollexfen) (5:15 PM) (horror) From Hell It Came (1957/71 m/Johnny Greenwald) (6:30 PM) (horror) Death Curse of Tartu (1966/88 m/William Grefé) (8:00 PM) (western) Winchester '73 (1950/92 m/Anthony Mann) (10:00 PM) (western) She Wore a Yellow Ribbon (1949/104 m/John Ford) Friday, October 30, 2020 (12:00 AM) (documentary) Primary (1960/53 m/Robert Drew) (1:15 AM) (documentary) Crisis (1963/53 m/Robert Drew) (2:15 AM) (premiere) Dos Monjes (1934//Juan Bustillo Oro) (4:00 AM) (drama) Of Mice and Men (1939/107m/Lewis Milestone) (6:00 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:30 AM) (horror) Doctor X (1932/76 m/Michael Curtiz) (8:00 AM) (horror) The Mask Of Fu Manchu (1932/68 m/Charles Brabin) (9:30 AM) (horror) The Most Dangerous Game (1932/63 m/Ernest B. Schoedsack) (10:45 AM) (horror) Island of Lost Souls (1932/70 m/Erle C. Kenton) (12:00 PM) (horror) White Zombie (1932/67 m/Victor Halperin) (1:30 PM) (horror) The Vampire Bat (1933/63 m/Frank Strayer) (2:45 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz) (4:15 PM) (horror) Mad Love (1935/68 m/Karl Freund) (5:30 PM) (horror) The Walking Dead (1936/65 m/Michael Curtiz) (6:45 PM) (horror) The Return of Doctor X (1939/62 m/Vincent Sherman) (8:00 PM) (horror) Burn, Witch, Burn! (1962/89 m/Sidney Hayers) (9:45 PM) (horror) The Four Skulls of Jonathan Drake (1959/70 m/Edward L. Cahn) (11:00 PM) (horror) The Devil's Bride (1968/96 m/Terence Fisher) Saturday, October 31, 2020 (12:45 AM) (horror) The Conqueror Worm (1968/87 m/Michael Reeves) (5:15 AM) (short) The Distant Drummer: Flowers of Darkness (1972/22 m/William Templeton) (5:15 AM) (short) Movie Trailer (1950/16 m/?) (6:00 AM) (horror) Freaks (1932/62 m/Tod Browning) (7:15 AM) (horror) Dr. Jekyll and Mr. Hyde (1932/96 m/Rouben Mamoulian) (9:00 AM) (horror) House of Wax (1953/88 m/Andre DeToth) (10:45 AM) (horror) Children of the Damned (1964/90 m/Anton M. Leader) (12:30 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy) (2:45 PM) (drama) The Picture of Dorian Gray (1945/110 m/Albert Lewin) (4:45 PM) (horror) The Wolf Man (1941/70 m/George Waggner) (6:00 PM) (horror) The Haunting (1963/112 m/Robert Wise) (8:00 PM) (comedy) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964/95 m/Stanley Kubrick) . (10:00 PM) (horror) Them! (1954/92 m/Gordon Douglas) (12:00 AM) (horror) The Seventh Victim (1943/71 m/Mark Robson) (1:30 AM) (horror) I Walked With A Zombie (1943/69 m/Jacques Tourneur) (3:00 AM) (horror) The Body Snatcher (1945/78 m/Robert Wise) (4:30 AM) (suspense) The Leopard Man (1943/66 m/Jacques Tourneur)
2020.09.17 16:03 autobuzzfeedbot49 stores you once loved that don't exist anymore
Thom McAn was a chain of shoe stores that had over 1,400 stores at its peak in the 1960s. The chain had closed by 1996, but Thom McAn shoes are still available at Sears and Kmart.
Kinney Shoes opened in 1894. It had 467 stores at its peak, all of which shuttered in 1998.
In 1992, Blockbuster acquired the Sound Warehouse and Music Plus music chains and created Blockbuster Music. The chain was sold to Wherehouse entertainment in 1998 before closing for good.
Warner Bros. Studio Store competed with the Disney store until the company closed all of its locations in 2001.
Zany Brainy stores filed for bankruptcy in 2001, and the educational toy retailer's founder, David Schlessinger, now runs the discount company Five Below.
Ames Department Store had more than 700 locations, but debt and poor sales forced it into bankruptcy twice. In 2002, the remaining Ames stores closed.
Imaginarium was an educational toy store in the 1980s. Stores started closing in the 1990s, and by 2003, its parent company Toys R Us had closed them all.
Hecht's Department Store was founded in 1857. In 2005, the chain was purchased by Macy's and all locations were either turned into Macy's stores or closed.
Federated Department Stores bought Marshall Field's in 2005 and converted the stores to the company's more recognizable flagship brand, Macy's.
Gadzooks was a teen clothing store that was around from 1983 to 2005. It filed for bankruptcy in its final year and was purchased by Forever 21, which then closed all of the stores.
Kaufmann's was a department store that had 44 locations at its peak. In 2006, Macy's retired the name, and the brand disappeared.
Tower Records was one of the largest record stores in the 1990s, but it couldn't keep up with the rise of digital music. All Tower Records stores in the US were closed in 2006.
Media Play was opened by the same company as Sam Goody, serving as a big-box version of the store. It closed for good in 2006.
Discovery Channel stores sold educational books, videos, and gifts, but all 103 standalone stores closed in 2007.
K·B Toys operated over 1,300 stores across all 50 states. The chain announced it would be going out of business in 2008, and by early 2009 all locations were closed.
Sharper Image declared bankruptcy in 2008. But the company still sells merchandise through its website, catalog, and third-party retail partners.
Levitz Furniture was founded way back in 1910. It declared bankruptcy twice — first in 1997, and then in 2005. It closed all of its stores in 2008.
Linens 'n Things had over 500 stores in 2006, but by the end of 2008, they were all closed. The company still does business online.
Mervyn's was a California-based department store founded in 1949 that had almost 200 locations in the western US. In 2008, the company declared bankruptcy and closed all of its stores.
Limited Too, The Limited's children's store, launched in 1987. Its success began dwindling in the early 2000s, and all Limited Too stores were eventually rebranded as Justice by 2008.
Tweeter was an electronics chain that started in 1972, but all of its stores were closed by the end of 2008.
Circuit City had 567 stores in 2008. By 2009, they were all closed.
Steve & Barry's sold inexpensive sportswear for teens. It closed all of its stores in 2009.
Filene's Department Store, a Boston-based department store, went bankrupt in 2009, and there are no more brick-and-mortar locations left.
B. Dalton Books was acquired by Barnes & Noble in 1987, which officially closed the bookstore in January 2010.
Filene's Basement was an off-price store that started in Filene's and eventually grew to 20 locations. Its parent company went bankrupt in 2009, and by 2011 all Filene's Basement stores were closed.
Waldenbooks was founded in 1933 and grew to 250 locations in 15 years. In 1994, the company merged with Borders, and in 2011 all Waldenbooks stores closed when Borders Group liquidated.
Borders Books & Music stores also all closed shortly after the company was forced to liquidate in 2011.
CompUSA started in 1984 as a chain specializing in computer hardware and software. But by 2007, Best Buy and other superstores had taken over, and the last CompUSA closed in 2012.
Sam Goody music stores opened back in the 1940s but suffered from the rise of digital media. Most Sam Goody stores were either shuttered or converted into other brands like FYE by 2012.
Blockbuster, the iconic video rental store, announced in 2013 that it would begin closing most locations. Only a single Blockbuster remains in Bend, Oregon.
A&P was the largest grocery store chain in the US from 1915 to 1975. It filed for Chapter 11 bankruptcy in 2010 and again in 2015, closing its stores that year.
Sports Authority had more than 200 locations in the US, but competition drove the company into bankruptcy in 2016, when it closed all its stores and sold its website to competing brand Dick's Sporting Goods.
Sport Chalet, which first opened in 1959, abruptly closed all of its stores in 2016.
Wet Seal, a teen clothing store, filed for bankruptcy in 2015 and closed for good in 2017. Even though its stores are closed, you can still shop online.
Virgin Megastores stopped operating in the US in 2017, mostly because of the rapidly declining CD market.
Radio Shack closed more than 1,000 stores after filing for bankruptcy in March 2017.
The Limited abruptly shut down all 250 of its stores in 2017.
Teavana's 379 locations were closed by its parent company Starbucks in 2018.
All 256 of the Bon-Ton stores were liquidated in 2018. The Bon-Ton stores include its namesake ...
... Bergner's ...
... Boston Store ...
... Elder-Beerman ...
... and Younkers.
Toys R Us and its subsidiaries closed in 2018. While the Toys R Us store and website came back in 2019, Babies R Us has yet to make a comeback in the US.
LifeWay Christian Resources said it would be closing all its stores in March 2018, but it still sells books, bibles, and church supplies online.
After 123 years of business, Henri Bendel closed all its stores in January 2019.
Dress Barn announced the closing of all 650 of their store locations in May 2019.
Papyrus, a stationary and greeting card retailer, filed for bankruptcy and confirmed it would close all its stores on January 23, 2020, but Papyrus greeting cards are still available at retailers like Target.
One last update today, as of 4pm, we are revising guidance on our bars and restaurants, as it pertains to their curfew to add an hour for their operations and recognition that especially with sports coming back, that some of the games can now go until 11. So as of today the last call last service I will move from 10pm to 11pm and the facility needs to be closed by midnight- that gives people time to finish up and to get out and to make sure that it's being done safely. That was a specific request from those in the restaurant industry, we thought it was reasonable. But again, let's make sure that whether you're in that industry or any other that has some rules and regulations that you're trying to do it right, that we're not trying to find a way to get around it. That just not only hurts you and your facility and the people that come to it but it hurts everybody around as well.
I just want to see if he could give a quick update on unemployment numbers, kind of where are we sitting at? -- These are the initial claims that are remaining in different months, not claims filed in later months that asked for a couple days: 1,681 in March. 9,304 in April. These were the initial ones, again, there's later pandemic ones and ones that are filed. 12,145 in May, 10,077 in June, 9,663 in July, and 8,580 in August. Now, those do not include ones that may be filed the next month or even the month after that, that then asked for days that are in that, they also don't include people who may have been denied but then apply for pandemic. We got all those numbers we can get to you too.
A lot of people have questions about that extra $400 people saying they have not received it, what’s the update? -- So we were only able to finally get the system set up after the approvals and the rest to begin processing the extra $400 for the 110,000, I think that's the right number of individuals that qualify for it, at the very end of last week. So processing through the weekend, people ought to start seeing that here at the first of this week.
-- We expect those payments to begin going out. We don't expect them all to go out at the same time, but we expect given the time that we put into it for those to not be delayed. Now, there may be people who think they qualify for it that don't, and we may have to have communications there. There may be people, potentially, they've been marked as not qualifying for it that do and we'll have to work through all that, but I think for the vast majority those dollars are going to get out and get out, hopefully, starting this week. Hopefully a lot of it goes out this week,
You and Dr. Stack both have talked about how important it is to get flu shots this year. But there are countries concerned about a flu vaccine shortage because so many people are concerned about COVID and the flu. So I was wondering if you had heard about a shortage here in the US? -- The question is have we heard about any shortage in flu vaccines here in Kentucky. The answer is no, and get your flu shot, absolutely get your flu shot. If when we look at our incident map, and I don't know if Greg can put it up, if we want to keep it yellow, if we want to keep it green, if we don't want to have a flu season that's bad at the same time as having COVID because that could be very, very bad then make sure you get your flu shot.
Following up on the question about police reform, what about body cameras for the KSP? -- The question is on body cameras for the Kentucky State Police, it's a good question. It's something that we've got to look at. I know that there have been different issues in the past that relate to the costs but as we are- have that expectation more and more in law enforcement we can’t- we've got to look within to so that's one thing to look at and to analyze.
Was cost an issue? -- So the last time, I think was about four years ago, that it was addressed, it was the cost, not of the cameras, but of the server and the storage that created the major issue there.
Good afternoon, it is 4 o'clock on this Yes, on this Tuesday afternoon. I have some pieces of good news today and then we will jump into our report. I will start by telling you one of the most exciting things about our COVID report is today we are now under a 4% positivity rate. That is moving in the right direction at a time when we are giving guidance, especially to school systems, about how to at least get back to a hybrid model starting on September 28th. But first a number of really important things going on in the state. We'll start with our fast 4 at 4.
The first is continued local government grants to deal with the coronavirus. We are announcing additional reimbursements for our hard working local governments. Yesterday we announced more than $3.8 million more for Northern Kentucky. Today, we're announcing final approval of more than $7 million to 20 local governments in central Kentucky. They include Bourbon, Clark, Clinton, Marion, and Russell counties and Burnside, Graymoor-DevonDale, Harrodsburg, Hillview, Lancaster, Mount Washington, Newcastle, New Haven, Nicholasville, Paris, Shepherdsville, Simpsonville. Versailles, West Buechel, and Whitesville. This funding will be used to, again, help make these governments whole; they have been working hard to fight COVID-19, we truly appreciate their work. We're going to continue to announce these as they roll out and encourage local governments to get your applications in, we have that $300 million pool. We want to make sure that you get reimbursements on your expenses.
All right. This next one is also really exciting. It's exciting because we've been talking a lot about how we are investing in infrastructure, right now in the midst of COVID, so that when COVID is over we don't again just just limp forward, or walk forward, we run into our future. So much of our jobs of the future can be based on investments right now. Do we have the roads? Do we have the water? Do we have the broadband? Do we have the natural gas hookups? All the infrastructure that's needed to bring jobs to various places. So today we're announcing what are called BUILD grants (better utilizing investments to leverage development). Our announcement is about $38.1 million in three grants for transportation projects in the city of Corbin, in Kenton County, and a joint project in Logan and Todd counties. We're making these investments that will return a direct benefit to these communities now, in terms of the jobs that helped put together these projects and work on them but also beyond. The kind of investments that helped grow our economy and help us create a better Kentucky. So in Corbin, the grant is $15 million towards widening a section of US-25 west from two lanes to five lanes with turn lanes between KY-727 on the Corbin bypass. It's going to reduce congestion and improve traffic and freight movement and access to I-75. You know you hear a lot of talk about having four lane roads and the importance of them, especially to logistics and manufacturing. This is going to open up Corbin even more to future investments. Logan and Todd counties $13.5 million towards the replacement of four bridges on US-79 between Russellville and Guthrie. Wider bridges facilitate shipments of aluminum, in which that area is a leader, from Novelis in Guthrie and Logan aluminum in Russellville. These are projects that we even talked about in the transportation budget when we were putting it together, that helped these companies grow that keep them in Kentucky. We have an enormous aluminum industry in Kentucky and we continue to get other manufacturers or suppliers moving to the area because of these investments and because of these companies. Finally, Kenton County is getting $9.6M towards the improvement of 1.5 miles on their KY-536 corridor, the west end of the project connects to KY-536 Interchange at I-71, and I-75, again adds capacity and improve safety for the rural communities of Kenton County. You know those are two major investments that we're talking about today. One helps keep our counties and our cities healthy, fighting the Coronavirus, and whole, so that we can move out of this and the second continues what I think are a string, and a very large string, of investments that we're making an infrastructure right now for a better future.
We talk each day about the importance of masks and I'm going to talk about this one in a minute. About how the number one thing you can do to fight COVID-19 is wear one of these and encourage other people to wear one. One of the ways that you can do that is our Mask Up KY campaign and by posting on social media which right now needs positive posts, more than ever, at a time when I'm worried it's broken. It needs your positivity. And so we like recognizing each day, some of the best posts of Mask Up KY.
Remember to post to Social Media! Let’s show our fellow Kentuckians positive vibes- Hashtags: #MaskUpKY#TeamKentucky #TogetherKY #Patriot #HealthyAtHome #HealthyAtWork #HealthyAtSchool
Okay, and in David's honor today, we're recognizing Childhood Cancer Awareness Month. Today I want to support and recognize a special group of individuals in Kentucky. Who are some of the most vulnerable in our fight against COVID-19. The special group is our state's youngest cancer fighters. This month and every September we stand in solidarity with these children and their families during this month Childhood Cancer Awareness Month childhood cancer is the number one cause of death by disease for kids in our state. In our country and around the world. Even if a child survives, many kids will face life changing side effects from their treatments, one in 285 children will be diagnosed with cancer in the United States. Nearly 15,000 every year. In our state, we rank a staggering fourth- fourth in the country of children diagnosed with pediatric brain tumors. In Kentucky we don't believe those numbers are okay. As a parent, that is not acceptable and as governor, we've got to do better.
So, as governor in partnership with our state legislators we've been intentional about leading the fight in the nation in specific funding for childhood cancer research. We've been doing that right here in the Commonwealth. That's been based on leadership that started before me and we greatly appreciate that. I'm just glad that I have the opportunity to add to those voices, supporting for, and pushing these funds to make sure that we can get some of the improvement and better outcomes that our families desperately deserve. Due to the Kentucky pediatric cancer research fund we’re able to give all Kentucky children access to less toxic immunotherapy for leukemia and solid tumors, new treatments in Ewing sarcoma, and earlier and less invasive diagnostics for relapsed leukemia. We've also studied the psychosocial impacts of childhood cancer diagnosis for the patient, siblings, and family. And through the Kentucky cancer registry, we are leading research to determine why more Kentucky children are diagnosed with pediatric brain tumors in certain parts of the state than others. Remember, we all count and if one part of our state is experiencing more trauma than the rest, we got to do something about that. So that leads me now to recognize my good friend David Turner, Jr. David's an inspiration to me, as he continues to show tremendous strength as he battles DIPG, a type of brain tumor, with no known cure. Let's watch a message from David today.
Video: Hi, my name is David and I have cancer. Hi, my name is Aiden, and I'm David’s cousin and best friend. Childhood Cancer is important to us. We need your help to spread awareness. Because kids get cancer too.
So this is David's mask. I've worn another one that he's made before, but this is one that he and his family asked for us to wear, and to promote to make sure that we are recognizing this month, and that we are masking up to protect David and kids like him. Today I wear my mask for David and every other child suffering from cancer that need us to ensure that they don't have to battle a virus while dealing with the condition that they are already fighting, let's do our part. In honor of David, and all of Kentucky children battling cancer now, our survivors, and their families, I have signed a state proclamation for September as childhood cancer awareness month in the Commonwealth of Kentucky. I’m sending the pen I used to sign it back to David Jr. and his cousin, whom we met there.
Alright, with that I'm going to ask Secretary Friedlander to give two updates from CHFS, again both good news, then we will have our COVID report have one update on restaurants and bars, and then open it up to questions.
(Sec Friedlander takes over) Thank you Governor. Just to be clear, I wear my mask for my 90 year old mother. Today I have some good news. I've spoken to the folks who are watching this before about the Meals on Wheels program in the Department for Aging and Independent Living. That program since the beginning of the pandemic has served over almost 1.8 million meals to needy Kentuckians. So, these programs are important. We serve between 73,000 and 75,000 meals a week to needy seniors. So this is an important life lifeline for those seniors. This is perhaps their one meal a day, perhaps their chance at socialization and this grant relates to that. This grant is a grant for emergency preparedness and September is National Preparedness Month and we received a grant of almost a million dollars: $999,999. I kid you not- somebody donate $1 to any of your local senior centers. And what this grant does is it helps us learn. In Kentucky, this is an emergency preparedness grant. And we often have the emergencies that we normally think about in Kentucky: tornadoes, floods, ice storms, and things of that nature. So what this grant helps us do is it helps our senior centers prepare for those times when there are those localized disasters to make sure that there's a plan in place for seniors to get meals. This plan will help us across the Commonwealth, partner with the aging and independent living to be able to use the Administration for Community Living, to allow these funds to for us to better prepare for emergencies. To make sure during those emergencies our seniors get meals. And as always with meals on wheels, if you can volunteer at your senior center, please do. If you need a meal, you know a senior that needs a meal, contact your local Senior Center. There is no waiting list right now. So you, if you know a senior that needs Meals on Wheels, please reach out to your local Senior Center, and if you can help, please volunteer.
The next grant relates to something that we have seen across the Commonwealth that has been another negative impact from COVID. We have seen, and this grant addresses, substance use programs and services. This is a $35.4 million grant, it's called the State Opioid Response Grant, and it builds upon what I think I have tried to address before, it's called the KORE program. This KORE program is run by the Department for Behavioral Health Services, and this grant will help us provide more evidence-based services. We've already served over 110,000 people with Recovery Services. We've served 130,000 youths in schools to help stop and not begin addiction issues. And addiction, remember is a complex brain disorder. So what this grant will do, it will help us with more medication assisted treatment, it will help us find more narcan, it will help us fund more programs for recovery services, and it will now for the first time, allow us to address those things that we see beyond the opioid epidemic, where we see methamphetamines, and those kinds of things, this grant now will not just be focused on opioids, but will be focused on other drugs and drug usage, that we can begin to address in our community. So this grant, the governor said earlier, the KORE program began under the previous administration. This is something that has been good, has been solid, and we are building upon it, and I'm happy to be in partnership with others across the Commonwealth, our service providers, who have really responded well and, and this is a much needed grant, as we address these issues in the Commonwealth of Kentucky.
(Governor Beshear takes over) We know in the short term, we've got to defeat COVID, but we also know in the longer term we've got to defeat addiction. We've got to help our people out of this other crisis. And it's so many people out there are suffering, and much of the future of our state will depend on how many people, we not only keep healthy during COVID, but we keep healthy when we emerge from it. When we keep out of the grasp of addiction or we can pull out of the grasp of addiction and help rebuild those lives. Let's remember those suffering from addiction aren't meant and shouldn't be judged. They should be helped. They are people's children, they are people's parents, and we need them to get better and we need to help them get better.
a lot of counties with nine or eight and for some of those counties that may well be a jump. Remember you can also go to the website and look at the incident map that is being provided for everyone's information but also ultimately to help make decisions on a county level and for schools, and that classifies counties from green to thankfully you're not seeing that many cases right now but no, it can happen pretty quickly to yellow, which means they're at a higher level to orange, which you ought to be really concerned when it hits orange to read, which means a lot of steps at that point, need to be taken
Total tests conducted: 1,068,026 (PCR: 1,000,301, Serology: 49,842)
Positivity Rate: 3.97%: While those are more cases than we like to see, based on significant testing that we are continuing on a day to day basis, our positivity rate is now under 4% again, just barely 3.97%,
Total hospitalized: 4,924
Currently hospitalized: 533
Total in ICU: 1,459
Currently in ICU: 125
Total recovered: 10,962
New deaths today: 9 - Again, we are going to see higher numbers, as we have higher number of cases.
Total Deaths: 1,074 - Far too many. Far too many, and compared to other major crises that we face regularly or that we have faced in the past it is truly significant.
New deaths by county: 93 F Kenton, 48 M Jefferson, 65 F Jefferson, 73 M Jefferson, 88 M Warren, 90 M Bullitt, 83 F Hopkins, 84 M Warren, 94 F Jefferson
All losses are a loss for Kentucky. Let’s light those houses up green and let’s ring those bells at 10am. This is a reminder that we are thinking of the Kentuckians we’ve lost, their families, and their communities. It’s the color of compassion and renewal as their souls move from their bodies to a better place.
Racial breakdown of all cases: 80.22% Caucasian, 11.80% Black or African-American, 1.67% Asian, 5.80% Multiracial
Ethnicity breakdown of all cases: 88.47% non-Hispanic and 11.53% Hispanic
Racial breakdown of all deaths: 83.44% Caucasian, 13.09% Black or African-American, 1.12% Asian, 2.35% Multiracial
Ethnicity breakdown of all deaths: 96.27% non-Hispanic and 3.73% Hispanic
Of the areas that we provide updates on, the major jump today was just in long term care facilities. This dealt with, especially one facility reporting 18 new cases on Saturday that were verified today.
K-12 Update (PDF): Not covered in update but PDF was updated
University Update (PDF): Not covered in update but PDF was updated
One last update today, as of 4pm, we are revising guidance on our bars and restaurants, as it pertains to their curfew to add an hour for their operations and recognition that especially with sports coming back, that some of the games can now go until 11. So as of today the last call last service I will move from 10pm to 11pm and the facility needs to be closed by midnight- that gives people time to finish up and to get out and to make sure that it's being done safely. That was a specific request from those in the restaurant industry, we thought it was reasonable. But again, let's make sure that whether you're in that industry or any other that has some rules and regulations that you're trying to do it right, that we're not trying to find a way to get around it. That just not only hurts you and your facility and the people that come to it but it hurts everybody around as well. Alright, we will open it up to questions. We got a packed house in here tonight we started over here yesterday so start with Nick today.
I just want to see if he could give a quick update on unemployment numbers, kind of where are we sitting at? -- I'll ask my group to get the printout for me. I know we sent over 700 of the determination letters yesterday, which is our largest single-day of those most complicated cases. I believe we're under 2,000 from March, at this point, but let me get those and we'll read them out in full to you. I believe that there are about- but this goes all the way up through the end of August, and we're only a couple weeks into September, but about 80,000 claims that have been filed up through August 31st, again, if there are a lot of August claims there hadn't been a lot of time to deal with them that that are still pending but over, I mean, over a million claims that we have been through, have been able to act upon and billions of dollars paid out.
And to give an update on the first question that was asked, these are the initial claims that are remaining in different months, not claims filed in later months that asked for a couple days. 1,681 in March. 9,304 in April. These were the initial ones, again, there's later pandemic ones and ones that are filed. 12,145 in May, 10,077 in June, 9,663 in July, and 8,580 in August. Now, those do not include ones that may be filed the next month or even the month after that, that then asked for days that are in that, they also don't include people who may have been denied but then apply for pandemic. We got all those numbers we can get to you too.
What are your thoughts on the settlement between the city and Breonna Taylor’s family? -- So I learned the details on the settlement between the city of Louisville and Breonna Taylor’s family the same way everybody else did- by watching- at least I was able to watch part of the news conference. Two things that I'd mentioned one is a settlement is an agreement and that means both the city of Louisville and Breonna Taylor's family agreed that this is a positive step, at least in part, that both agreed was a right step to take. The other is, it's not done without legal counsel, the county attorney in Jefferson County has been a prosecutor, has been a judge, has been a trial attorney, and he has significant experience. I believe that what the city said is that they entered those negotiations because they thought it was the right thing to do and because they care. And I think that the family acknowledged that it was a step that shows that the city does care. Now I know that there are still other pieces, other issues that are out there, that people are awaiting, but those are my thoughts at least having seen it about an hour, an hour and a half ago.
There's a question here about Dr Stack and his presentation said schools are required to report the learning format that infected students were studying in (in-person, virtual, or hybrid) but he said the information won't be on the dashboard. Why is that? -- I believe it has to do with how much information on an individual student that you provide so that the student themselves cannot be personally identified. What you try to do is provide enough information to allow everybody to make the best decisions possible, but the school, providing updates to their parents have the opportunity to provide some of that information, certainly the contact tracing is very different, depending on it. Remember our dashboards, this is just a start. And there is a limit on how much information you can get on a dashboard before it doesn't become the dashboard, it becomes a really long report that we put out.
President Trump issued an executive order over the weekend that deals with drug companies. I was just wondering, especially, what government agencies pay for drugs and I was wondering if there's been any development yet to assess what that might mean to KY’s Medicaid/Medicare? -- So the question is about an executive order the President signed on pharmaceutical prices, and what it might mean to the Medicaid program or others. We have not gotten any information that would suggest any amount of savings. I will say that pharmaceutical pricing is out of control. You look at the jumps year over year over a year, and people cannot keep up nor can the government. This is a part of our healthcare system that to me is broken, and there needs to be some serious and significant action on it. We don't see some of these giant increases in other countries, and we shouldn't be taken advantage of. Now, we got pharmaceutical companies out there doing great work on a vaccine and we got pharmaceutical companies out there that are creating drugs that help us live longer and I know that they have costs that go into them. But what people have to pay for insulin, for instance, is outrageous, just absolutely outrageous. And there is, I mean, the company should get a profit for when they make these things but we cannot ask people to pay what they are being charged and I will welcome any help to get there. As attorney general, I tried to take direct action on it. I know there is still a 50 state investigation on generic pharmaceutical pricing, and whether there are antitrust actions occurring, I believe that there are. But again, I mean we're really focused on COVID and some things we do are paused, but in the long term, that's an area in providing health care, affordable health care for everybody, that we're gonna have to see some real changes, too.
(Inaudible)...certain policing reforms like an extra approval process, or search warrants, or drug testing increased for officers involved in the shooting? Have you looked at any reforms that might be part of the settlement? -- The question is on the settlement between the city of Louisville and Breonna Taylor's estate, I think, is how it's set up. There are certain reforms, you could call them improvements, to policing that are included. Some deal with how warrants are- I guess it's not how they're issued they're still issued by a judge, but the approval process that goes into them. I think that there are certainly areas of improvement, some may be these, some may be others that we can and should talk about on the statewide level. And I think that we would see support from multiple sectors. In law enforcement those calling for changes in, I think, the process that go into warrants, the training of who issues certain types of warrants, the use of force. You know, in Kentucky, we don't authorize chokeholds, that's not something that is taught to our law enforcement. You know, I think that there is, I think that there is a lot of ground, in which there can be discussions about improvement, and I think that our law enforcement would be one of the first to say if there are areas that, that there is grounds for discussion, about doing things better we all we all want to improve.
2020.09.13 12:20 SalmaanQRegarding the Mental Illness Defense
While there is a fair share of schadenfreude to see EH go down in flames, there is a dangerous precedent that can be established for white collar criminals who already enjoy a ridiculous track record of avoiding accountability if they get yet another arrow in their quiver of defenses by claiming mental illness. After all, most successful CEOs are chock full of personality disorders whether they are sociopaths or suffering (or benefitting) from the effects of being bipolar. How many greedy psychopaths are serving time for having enriched themselves while knowingly cratering the economy in 2008? How many lives did they destroy without any consequences? If EH's mental illness is defined by being ethically compromised to the point of being incapable of telling right from wrong and her actions are exclusively governed by unbridled greed, is there a single venture capitalist that does NOT share this condition? When did EH’s mental illness manifest? What were the warning signs? Did anyone heed them? Was it before she even started Theranos when she presented some half-baked, unresearched ideas to her professors at Stanford and expected praise? Was it when she ignored their decades of scientific knowledge and pressed on with her child-like understanding of biology? Did her greedy psychopath investors like Rupert Murdoch, the Walton family and that dumbshit Betsy DeVos knowingly give $700 million to a mentally ill person? Well...maybe that’s something Betsy would do. Did that war criminal, Henry Kissinger, agree to serve on the board of a company run by a person with a mental illness? Did 800 people sign up to work for this obvious lunatic? Did any of those 800 say a goddamn word while EH walked around burping Yoda-isms in her affected, Frank Oz voice? Was she mentally ill when she made that greedy psycho attorney, David Boies, a business parter to intimidate her enemies? Was she experiencing an episode when she unleashed Boies against her employee who suffered a crisis of conscience and pressured him into suicide? Did Boies, who is regarded as one of the top legal minds in the US, knowingly and figuratively crawl into bed with a mental patient? Did that sleazy fucker Sunny Balwani, who is regarded as one of the biggest shit-heels in the US, literally crawl into bed with a mentally ill woman? Actually, if it benefitted him financially, that's consistent with Sunny's character. Was her knowingly lying to federal regulators a side effect of her mental state? What about her allowing her customers to rely on results that she knew were false to make life and death decisions? Was mental illness a factor in her crimes? Were her business partners who knowingly engaged in the fraud and participated in these business decisions all mentally ill too? Former presidents, generals, media CEOs, magazine editors, wealthy investors—all were conned by a person suffering from mental illness? EH was not operating in a vacuum. She was surrounded and enabled by a culture of greed that extends beyond her immediate company of yes men with dollar signs in their eyes that made us the mess we are today. When our society itself suffers from the mental illness of delusional greed, what entitles any individual to use that as a defense? It is enough that EH has some of the best lawyers money can buy. What about the thousands who can't afford "justice" and are rotting in prison, many of whom suffer actual, undiagnosed mental illnesses that contributed to their crimes? No one provided them with a battery of tests to determine their mental fitness. If our criminal justice system ever grows a pair and goes after the Wall Street bankers who enrich themselves by committing fraud, they can rest assured that all they have to do is claim they are mentally ill to continue their winning streak of unaccountability. This was originally a comment under a post seeking compassion for EH and her fragile mental state, but that post may have been taken down. If so, I didn't want to waste a good rant.
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2020.09.10 14:38 PaulChittendenFrom Plumbers Apprentice to $100 Million - 26 Business Lessons from an Expert Marketer (Conor McGregor)
Conor McGregor went from plumbers apprentice to making $100 Million. This is not all that surprising given he is a sports superstar. What is surprising is that he did this in MMA, a sport that notoriously doesn't pay this kind of money. In fact, McGregor's net worth is at least 3X that of his TOP peers in the sport. And if you look at the Top 15 highest-paid fighters in the UFC, three are only there because they fought McGregor. Conor McGregor is surely a controversial character, but there are surely some business lessons to learn from his rise to fame. After studying his career and countless hours of video, here are 26 lessons I've learned from the man himself.
Lesson 1 - Find a Need in the Market that Needs Fulfilling
When Conor moved to a new suburb, he lost his group of friends and had to start over. As the new guy, he got in his share of fights. Without a group of friends to back him up, he needed to learn to fight so he could protect himself. With boxing training, any potential attackers might find themselves getting more than they’ve bargained for and decide to pick on an easier target. Crumlin Boxing Club fulfilled that need for Conor, and initiated his journey to superstardom. In business, you need to find a need with your particular audience. Fulfill that need and buyers will come to you. Let’s take boxing gyms as an example. In a rough neighborhood, you’ll find “real” boxing gyms. The boxers here come to learn how to truly fight and even compete. In “upper-class” neighborhoods, you’ll find more cardio based boxing gyms. The goal at these gyms are more for exercise than actual fighting. You won’t see too many sparring sessions at these gyms. Both models are successful. Understand your market.
Lesson 2 - Find Your Passion. Try new things
McGregor and Tom Egan, while opposites, met in high school both enjoyed MMA. They watched UFC broadcasts on weekends together. It was Egan who sparked Conor’s interest in MMA. Conor started dabbling in both MMA and boxing, and eventually, left boxing for his true love of MMA. With this focus, Conor went on to dominate the MMA scene. In business, even the best entrepreneurs can get burnt out. If you look at Elon Musk, Richard Branson, or Steve Jobs, they are all extremely passionate about what they do. They can and do put in the hours to become the best in their niches. When they speak, you hear the passion and feel drawn to their cause. It’s hard to be tremendously successful if you hate what you do.
Lesson 3 - Find a Mentor to Increase the Likelihood and Decrease the Time to Success
Although they were around the same age, Tom Egan made it to the UFC first. Conor saw his pal in the UFC, and knew that he had a chance too. The impossible became possible and no longer just a dream. In business, you need to find a mentor who is ahead of you. Mentors can help you avoid big mistakes. More importantly, mentors show you what is possible and can create a complete level change in your game.
Lesson 4 - Surround Yourself with People That Want You to Succeed & Will Support You. Stay Loyal to Them.
Dee Devlin has been by Conor’s side since the beginning. She supported him when he was a nobody. She believed in him. Dee experienced all of the ups and downs on the path to fame. They grew together. When you become rich and famous, people try to take advantage of you. It becomes harder to find true friends and romantic partners. Conor avoided this and married the girl who helped him get to where he is now. Let’s face it, some successful entrepreneurs did not have this support system. They were doubted, laughed at even. This doubt fueled their desire to succeed. Even so, these entrepreneurs eventually built teams which were so inspired by the entrepreneur’s vision, they eventually do build these supportive relationships. If you do have this support system, remember who was there supporting you from the beginning. True friendships are an important foundation for happiness as you become more successful.
Lesson 5 - Intense Focus on Your Craft Decide on What You Want and Put 100% Focus Into It
Not only did Dee Devlin give Conor emotional and moral support, she financially supported him as well. She waited tables so that Conor could focus 100% on his training. She helped him buy healthier foods to fuel his body. Conor was naturally talented. Adding in 100% focus to his training allowed him to accelerate his skills much quicker. Most people are juggling too many things. Spending hours playing Call of Duty, late nights drinking, dreaming instead of doing, are taking time away from honing your craft. The best of the best are practicing. They are making sales calls. In the studio. With 100% focus and persistence, you will eventually make it.
Lesson 6 - The Law of Attraction Visualizing Yourself to Greatness
Conor attributes the use of visualization and the Law of Attraction to manifest his way to becoming a champion. This all sounds kind of crazy, but the same technique has been cited by Jon Jones and Ronda Rousey, plus dozens of athletes and mega celebrities including, Kobe Bryant, Cristiano Ronaldo, Arnold Schwarzenegger, Lindsey Vonn, Tony Robbins, Beyonce, Katy Perry, Will Smith, Lady Gaga, and Kanye West,. What is the Law of Attraction? The Law of Attraction is a belief that a person’s thoughts and focus bring positive or negative experiences into the person’s life. Conor’s sister Erin, a bodybuilder and fitness model, recommended he read The Secret, a book on the Law of Attraction. He opted for the DVD version. "Even when I first watched it, I was like, this is bulls--t," McGregor told Bleacher Report in 2015. But after watching it, something clicked. Conor and Dee started using it to visualize little things, like getting the front parking spots. After seeing it work, he went on to visualize himself as a champion. In fact, his family credits the moment he watched The Secret, as the birth of Conor McGregor, the superstar. Stop thinking small. Dream big!
Lesson 7 - Fight IQ Get a Deep Understanding of Your Competition
In his first UFC post fight interview, he clearly said that he thought Brimmage was emotional and would overthrow his shots. Conor fully understands there is the game before the game. McGregor’s fight IQ is off the charts. All fighters watch films of previous fights. Try to find subtle tells. They begin each fight carefully, trying to figure out distance and timing. Watching Conor, it almost looks intuitive. It seems that he knows his opponents better than they know themselves. This is most evident after the Aldo fight. Video is released of McGregor practicing the exact sequence that dispatched the 10-year winning streak of the champion. After the fight, Conor said he saw a subtle tell before the bell rang. Aldo’s right hand was twitching. He knew Aldo was going to unload a big right hand that would set up his left hand knockout punch. Seriously, watch the video below. Mystic Mac believes in the power of visualization. Know your competition. You can outsmart them. Be faster. Have better customer service. Be good where they suck.
Lesson 8 - Be an entertainer. Stand for Something. Be Polarizing. People Will Love You or Hate You & That’s Not Bad.
Dana White knew Conor McGregor was going to be a star the very first time they met. Why? Dana said it was his personality. His laugh. What else is underneath this? Conor McGregor had a clear focus to become UFC Champion and become rich and famous. He had an outlandish personality. He was witty. He would entertain the masses. I’ve never met Conor McGregor in person, but from most reports from fans and casuals alike, McGregor is a completely different person outside of the ring. A nice and pleasant guy. Is the UFC Conor McGregor just a persona? Who else had success in the UFC with an outlandish and polarizing personality?
The Diaz Brothers
The WWE has perfected this character. They call them the heel. Conor McGregor may or may not be the heel, but he definitely is polarizing, and he is very much like a WWE character. Love him or hate him, every MMA and boxing fan knows Conor McGregor. Like the greatest before him, McGregor knows that almost any attention is good attention. Step into the MMA forums or a Facebook discussion, and you will see the Conor McGregor haters out in full force. But guess what, his haters still buy his PPV fights - to see him lose! If you want to be a public figure, amplify your message. Take who you are, and multiply that by 3X or 10X. Sure, you want to be authentic. Don’t be someone you’re not. But take it up a notch. Be exciting. Be an entertainer.
Lesson 9 - Find Your 1000 True Fans Cater to Your Base
In his first UFC fight, Conor is seen with an Irish flag draped over his shoulders as he walks to the ring. Before he was a worldwide superstar, Conor worked to become the ambassador of Irish MMA. In fact, as his stardom grew, it seemed half of Ireland would travel to his fights. The UFC, having dominated the American MMA market, was ready to move into Europe, and Conor McGregor would carry the entirety of Ireland. Kevin Kelly, editor at Wired magazine, wrote an essay called “1,000 True Fans.” The essay, a must read, states that all it takes to earn a living as creator is 1,000 true fans who will buy your work. For McGregor, his fanbase started with his countrymen. As his stardom grew, so did his base of fans. In business, you have to find your core supporters. The people who will buy your product. The people who will share your content. The people that love your product or service so much they have to tell their friends about it. Find your Ireland and grow from there.
Lesson 10 - Fighting is a Mind Game Discover Your Opponent’s Weaknesses
Conor McGregor is a master of getting inside his opponent’s head. Often, his opponents become emotional and abandon their game plan or overextend their shots.f Many fighters talk trash. Many fighters try to intimidate their opponents. They may even come close to actually fighting during staredowns. But - they don’t completely destroy 8 weeks of game planning the way Conor does. Before the fight with Dustin Poirier, McGregor said: Just as he says, he defeats Poirier by KO in the first round. Mystic Mac is born. Dustin Poirier is an amazing fighter. As a fellow Louisiana boy, he’s one of my favorites. I don’t believe that Dustin was beat in the ring. He was beaten before the fight. McGregor baited him. Made him angry. Dustin Poirer didn’t follow his game plan. Conor’s remarks that this is just a game really sums it all up. After the Dustin Poirier fight, we see McGregor take his head games up a notch. The best example is the fight with Aldo. Aldo went 10 years without a defeat. Fighters were afraid of him. After defeating Dennis Siver, McGregor jumps the Octagon fence and goes straight for Aldo, showing he has no fear of the champion. The pre-fight insults from McGregor are being hurled at unprecedented speed - expletives, racist comments, attacking the entire Brazilian nation. But when McGregor steals Aldo's belt, there is one moment when you see the look of defeat on the Brazilian's face. McGregor raises his hands as if he already knows he’s the champion. Aldo, unable to do anything in the moment, mentally breaks. Maybe it was just a seed of doubt, but McGregor was in his head. As a small brand, sometimes going after the big guys can be tough. Study your competitor. Find out what they do well and where they are lacking. No one is perfect. Focus on your competitor's weaknesses. Fill those gaps. Be nimble. Slowly take market share by doing what they cannot.
Lesson 11 - Differentiation - Discover What Sets You Apart from the Crowd
Conor had big dreams. He was already visualizing himself as a massive star. A rich, popular, double champ at that. How would the double champ act? What would he look like? How would he speak? Rumors were going around that McGregor was getting easy fights. Maybe it was true. The UFC was investing in his brand to grow the European market. They didn’t want their golden boy to lose yet. I cannot confirm this through any research, but I’m sure Conor was aware of the UFC’s plans and his role in them. Instead of denying the matchmaking, McGregor doubles down and talks about his relationship with Lorenzo (one of the owner’s of the UFC). In fact, they even have a tradition of toasting a shot of whiskey after McGregor’s wins. McGregor has gone from plumber’s apprentice to UFC star. His Lorenzo comments are positioning him as the employee who is winning and dining with the CEO. Isn’t this the dream of all employees? Go back to the beginning of Conor’s Instagram. It quickly goes from typical fighter to businessman and luxury everything - clothes, cars, private jets. He dons his trademark suits. Conor is no longer just a fighter. He’s the guy from the rough neighborhood that made it. He’s transcended fighter status. He’s different. In business, marketing and positioning are the key to market domination. Your brand, your image, your packaging, your customer service. Are they aligned with your target market?
Lesson 12 - Understand the Machine that Drives Your Industry
McGregor worked hard to build his personal brand. He built his profile, entertaining the masses and winning in spectacular fashion. Winning fights gets better fights. But have you noticed that some fighters keep winning but aren’t given a main event? Maybe they are passed over for a title shot? Why? McGregor understood the game. He dove into the machine head on, realizing that putting up big numbers gets you bigger opportunities. More than anything, the UFC organization is a promotion and hype machine. The UFC’s job is to sell fights, build storylines, and develop fighters. Conor understands this. He has fully leveraged the UFC’s marketing powers to 10X his brand. He layers his own marketing on top of the UFC’s efforts. McGregor took chances. He talked smack. He manufactured beef / rivalry. He won his fights in spectacular fashion, and he built his social media empire to engage his fans. The UFC brass see this. They know his popularity is growing, so they put even more dollars behind him to promote him. He coaches on the Ultimate Fighter Season 22 against Urijah Faber (another very popular fighter). He gets more popular. He pulls bigger numbers. It’s a never ending cycle for now. With fame and celebrity comes opportunities. Big names pull big money. Bigger purses. Bigger sponsorship deals. And other opportunities outside the ring. What is the machine behind your industry? Determine how the big boys in your industry are winning. Is it their sales team? Is it paid ads? Is it media coverage? Deconstruct the winners and find your way in.
Lesson 13 - When Opportunity Presents Itself, Take Your Shot
When Aldo was injured, Mendes stepped in on 3 week’s notice to fight for the interim title. Both McGregor and Mendes saw the opportunity, McGregor, an interim belt and Mendes the belt plus a McGregor payday, While this happens all the time, it is a risk. McGregor was preparing for a different fighter. Mendes didn’t have a full training camp. In business, opportunities can present themselves at any time. It is up to you to see them and capitalize on them. “If somebody offers you an amazing opportunity but you are not sure you can do it, say yes - then learn how to do it later.” - Richard Branson
A fighter studies their opponent to understand their movement, any tells, and potential holes in their game. Conor does this exceptionally well. In my first few sparring sessions, my biggest surprise was how fast the more advanced fighter's were. Not their hand speed. It was how fast their mind worked. They saw my punches coming almost before I threw them. They were able to move out of the way and counter with ease. They saw something I didn't see. A fighter with a high fight IQ has:
So far, Conor's only hole is his ground game. Standing up, he has the upper hand. After the Aldo fight, he said this: This quote is a great way to think about business. Precision beats power. Oftentimes, you are competing with the big boys, the entrenched competitors, or the huge multinational corporation. They have power. A smaller business can compete with precision. You can serve the customer better. You can offer a more personalized service. You can serve in a profitable capacity, that the big boys are ignoring because it is too small for them. Be precise. Timing beats speed. Being first to market can help you get first crack at market share, maybe even give you time to build a moat. Yet, timing beats speed. Sometimes it is better to let the first mover establish a market before moving in. You’ll save all the cost of developing the market, and you can learn from their mistakes. Time the market.
Lesson 15 - See the Opportunity & Ask for What You Want
At this point, Conor McGregor basically gets whatever fight he wants. However, Lesson 15 flips the script. This isn’t about McGregor. It is about Nate Diaz. After Nate Diaz defeated Michael Johnson at UFC Fox 17, he stepped up to the mic and called out Conor McGregor in an expletive filled rant. This takes us back to another infamous McGregor press conference with reference to “Red Panty Night.” Conor McGregor brings in huge paydays, and he says a fight with him is cause for celebration. Fighters will make more fighting him than any other fighter on the roster. Diaz understood this. He saw the opportunity. And he asked for it. Diaz’s first fight with Conor McGregor earned him 4X what he made for his previous second highest grossing fight. The second fight went on to earn him more in one night than he made his entire UFC career. Then, his rise in popularity has earned him a noticeable bump in his post McGregor fights. What can we learn from this? Too many people can spot the opportunity, but don’t have the balls to go for it. Ask for the meeting. Ask for the sale. “You miss 100% of the shots you don’t take. - Wayne Gretzky
Lesson 16 - Rivalries are Opportunities
Nate Diaz was no match for Conor McGregor’s verbal sparring as seen in several pre-fight interviews. But Nate Diaz has his own Stockton “Gangsta” style of dealing with rivalries that fans love. After Conor shows up 30 minutes late, Diaz walks out. Diaz’s team throws a water bottle. Things get out of hand. Rivalries can be great marketing opportunities. This clash no doubt sold more PPV’s. Take a look at Wendy’s taking a shot at McDonald’s on Twitter. Look at the number of Retweets. Holy crap. Have some fun. Maybe a rivalry is just the PR stunt you need.
Lesson 17 - Do Not Succumb to Failure. Learn from Your Mistakes. Pivot.
Mcgregor lost to Diaz in their first matchup by submission. Conor analyzed his mistakes in training and particularly his diet. He put these learnings to use in their second matchup. Conor came back and won their second fight by decision, in a grueling 5 round matchup. In business, we experience failures just like in life. Markets change, regulations change, and unprecedented events such as Covid can derail our plans. You need to be okay with failure. But don’t let a failure go to waste. Analyze it. See what when wrong. Find out how you could have changed things. Make a plan not to make that mistake again. Maybe you need to pivot. Maybe you just need to make some tweaks. Either way, a failure can make your business stronger, if you implement the changes necessary to ensure that it doesn’t happen again.
Lesson 18 - Make History Change the Game
In the lead up to the fight with Alvarez, a promo is released, and we hear Conor Mcgregor say: There has not been a UFC champion in two weight classes at the same time. McGregor was gunning to go down as the first in the UFC record books. At the same time, he would make history as headlining the first MMA fight in Madison Square Gardens. It was truly a historic moment in the world of MMA. Riches, fame. It means nothing in the end. But, history? And just like the story of Roger Bannister and the four-minute mile, Conor opened up the door for other champ champs - Daniel Cormier, Amanda Nunes, and Henry Cejudo. Too many entrepreneurs are doing “me-too” business. Chasing successful businesses in hopes of making some cash. The true game changers are going big. Trying to change history. Truly think about what you can do to change the industry, to innovate, to do the impossible.
Lesson 19 - Leverage Other People’s Audiences
Back in 2015, Conor McGregor and Urijah Faber were announced as coaches on the Ultimate Fighter reality show contest. The same year, video surfaced of a sparring session between Game of Throne’s “The Mountain” Each of these appearances allowed Conor to utilize other people’s audiences (OPA) to gain additional fans outside of his current fan base. The UFC’s Ultimate Fighter series brought in the series’ fans plus fans of Urijah that may not have been fans of Conor and gave them a chance to get to know him over multiple exposures (episodes). The playful sparring session with The Mountain allowed Conor to gain exposure to the Game of Throne’s audience who followed Hafþór Júlíus Björnsson. He’s appeared on the cover of GQ and appeared on the cover of Call of Duty Infinite Warfare., McGregor has also had appearances on Conan O’brien’s Late Night and has sung pub songs with Jimmy Fallon. Speaking of Conan, did you know 23 celebrities own shares in the UFC? Here they are:
Abel “The Weeknd” Tesfaye
LL Cool J
Now this is a genius move by the UFC. By allowing celebrities to own a piece of the UFC, the UFC knows that they will promote the business to their following, bringing in additional fans that would not normally be watching. McGregor’s biggest example of leveraging other people’s audiences is his crossover fight with Mayweather. Mayweather is boxing’s greatest fighter ever. Not only does Mayweather have a huge audience, this fight would introduce Conor McGregor to the entire boxing audience. No matter your industry, you need to know where your customers are. Who has a similar pool of leads in their audience? Partner with another complimentary company that shares your audience. Get a story written about you and your company in your industry’s magazine. Go where the fish are, but fish with dynamite.
Lesson 20 - Know Your Numbers What is the Most Profitable Thing in Your Business?
At this point, Conor McGregor is the highest paid fighter in UFC history. Yet, he is making peanuts compared to the big names in boxing. Conor realizes this and guns for the biggest name in boxing, Floyd Mayweather. If he can make this happen, it will be the biggest payday in his career. Similarly, you need to understand your own numbers. Where is the money? What product lines are the most profitable? What are the least? Make decisions based on numbers.
Lesson 21 - Negotiating Like a Pro Keep it Win-Win, and Give to Get
How do you get the biggest name in boxing, arguably the best boxer to ever step into the ring, to agree to a fight with an MMA fighter who has never professionally boxed? You need to understand what the other party wants. Not just on the surface. What they truly want. What would Mayweather possibly want?
Money - Mayweather likes to spend money and is rumored to have financial troubles.
Vanity - Mayweather wants to keep his undefeated record untarnished.
Cash Flow - Mayweather wants big fights. At 43, the window of opportunity is slowly closing.
When Mayweather fought Pacquiao, the purse was split $180 million for Mayweather and $120 million for Pacquiao, according to Kurt Badenhausen. Big number for sure. What could Conor offer? He has a big name, but he’s not Manny Pacquiao. Money: Conor offers a better split of revenues. Reportedly, Mayweather took in $500 million with Conor only taking $100 million. Vanity: On paper, this fight should be the least risk for Mayweather. Sure, Conor has a monster left hand, but he’s not a professional boxer. Mayweather believes he will retain his record. CashFlow: McGregor offers to promote the hell out of this fight. With Mayweather believing he has no chance of losing, he also retains his record, assuring he can continue to get big money fights. Let’s face it. Conor couldn’t lose. Losing to Mayweather in a boxing match doesn’t hurt his brand at all, and he comes away $100 million dollars richer and an even bigger brand. The secret to negotiating is to have a deep understanding of what the other party wants. Make the deal win-win. If the other party has massive leverage or if the deal could be a game changer for you or your business, don’t be afraid to give them more.
Lesson 22 - Spend More Time on Promotion
MMA training takes a considerable amount of time. MMA fighters train in multiple disciplines, lift weights, and do a ton of cardio. They also need time to sleep and recover. With all this training, how do you even have time to promote the fight? Still McGregor has taken time to make appearances, go on press tours, television, podcasts, and more. A lot of fighters hate promoting. It takes time away from the things they need to do to prepare for a fight. No matter how hard it is, promotion is key to becoming a big name in the sport. This is great advice, especially for creatives. Creatives spend so much time producing work. It seems productive, but you need to spend equal time promoting.
Lesson 23 - Diversify You Need Multiple Revenue Streams
As in most professional sports, MMA fighters take a brutal toll on their bodies. It is hard to determine the average fighter’s career length, but the 9-year rule, stating that fighter’s start to decline around the 9-year mark, is a good indicator. This means that most fighters only have 10 years to maximize their career earnings in the sport. McGregor has done this through sponsorships:
Beats by Dre
He has a residency deal with the Wynn Las Vegas for his post fight after parties. He owns digital properties selling workouts (McGregor FAST Program), emojis (MacMoji App), the MacTalk App, and the everything McGregor and MMA website, the Mac Life. All of these generate additional revenue. Then like a true Irishman, he started his own line of whiskey, Proper 12, just in time before the biggest fight of his MMA career against Khabib Nurmagomedov. In a genius move, McGregor sponsored his own UFC fight to promote his new whiskey. The brand has reportedly brought in $1 billion in sales in its first year. Changing markets, the economy, or a pandemic can all change everything in an instant. It is important to have multiple revenue streams to both maximize revenue generation opportunities and safeguard you from a change in circumstances such as a lay-off. Side Hustles are becoming more and more popular!
Lesson 24 - There is No Such Thing as Bad Publicity
Conor McGregor and his team’s bus incident ignited a flurry of bad press. A string of bad publicity follows. Let's take a quick look at the Google trends for Conor Mcgregor searches over time: There are 12 peaks indicating high searches:
Becomes Cage Warriors Double Champ (& tweeted by Joe Rogan)
McGregor vs Mendes (& interviewed on Conan)
McGregor vs. Aldo
McGregor vs. Diaz I
McGregor vs. Diaz II
McGregor vs. Alvarez
McGregor vs. Mayweather
McGregor Bus Incident
McGregor vs. Khabib
Accusation of Sexual Assault
Mcgregor Bar Fight
Mcgregor vs. Cerrone
Numbers 8, 10, & 11 are all bad press. But an old saying by P.T. Barnum rang true. The fight with Khabib went on to become the biggest fight in UFC history. Now the saying isn’t 100% true, we’ve all seen bad press sink a company, but let’s be real, this is the fight game. The fans secretly loved it. Come on, he’s a fighter. We expect this. Bad Publicity can actually help smaller brands, as it still gets eyeballs on the product, service, or person. The strategy definitely has some risks, but we’ve seen some major brands built with bad press (think Kim K’s sex tape). However, larger brands can lose a lot of business with bad press.
Lesson 25 - Forward Momentum Propels You Forward Choose Your Battles Wisely
After a long lay-off between the Khabib defeat, Conor needs to win a big fight to get back in title contention. Donald Cerrone is a great matchup. It is a fight he is expected to win as he is a -300 favorite according to oddsmakers. Plus, Cerrone is one of the most entertaining fighters to watch with his stand and bang style. McGregor’s quick win over Donald Cerrone provides him with forward momentum once again and vaults him right back into title contention. Look for little wins. Forward momentum propels you forward, boosts your confidence, and reinvigorates your motivation. Set goals. Blast them. Keep moving forward.
Lesson 26 - Be Willing to Walk Away if the Deal Isn’t Right
At this point, McGregor wants a big fight. A rematch with Khabib, a contender’s fight against Gaethje, or a spectacle with either a Diaz trilogy or the BMF holder, Masvidal. No other fights really make sense right now. Maybe Conor will take a rematch with Floyd Mayweather or perhaps the talks about Pacquiao are true. Who knows. Without the right match on the table, Conor decides to sit on the sideline until the right deal is presented. Sometimes it is better to walk away and keep your stock high than to take a bad deal.
Bonus Lesson 1 - Take Care of Your Body & Mind
As an elite athlete, surely Conor McGregor is in great shape. Yet, it was a story about Lebron James that changed his entire outlook on training and mindset. Lebron reportedly has a cadre of trainers, biomechanists, massage therapists, nutritionists, and personal chefs that have all contributed to his longevity in the sport. He does cryotherapy and spends time in the hyperbaric chamber. It was even reported that Lebron took ballet classes to help with his footwork. He spends roughly $1.5 million a year on his body. After McGregor read this, he knew he had to invest in his own body. It seems he also worked with Tony Robbins, the ultimate life coach, to help with his mental state. Work, Sleep, Family, Fitness, or Friends. Choose three. The above is a running joke in the startup world. It is hard to juggle everything when you’re busy trying to change the world. Physical fitness and mental health are extremely important. Keep in shape and you’ll be more productive, have more energy, and be able to think more clearly.
Bonus Lesson 2 - Develop Unbreakable Confidence
Conor McGregor exudes confidence. While all professional athletes share this trait, Conor’s confidence is off the charts even for professional athlete standards. A lot of people mistake McGregor’s confidence for arrogance. Understandably so. Yet, Conor believes what he is saying. I’ve watched countless hours of pre-fight interviews of both Conor and other fighters. Conor McGregor has absolute certainty he is going to win. Other fighters also believe they are going to win. However, you can see faint tells, twitches, micro expressions, or even vocal uncertainties in their responses. Subconsciously, somewhere deep down, the fighter has doubts. Doubts in themselves and doubts in their abilities. This is not evident anywhere in Conor McGregor’s UFC career. This does put the Tony Robbins coaching into perspective. DId Conor need help getting his confidence back after he was defeated by Khabib? Tony Robbins would be the guy to get your mojo back! I believe there are two main drivers to success in business:
Believing in yourself
Having something to prove
Confidence gets you on the road to success. If you believe in yourself, you’ll be willing to take the chance at greatness. On the flip side of the coin, there is one group of people with low confidence that also have the ability to make it big - someone who is determined to prove their worth. These people are so determined to be successful their lack of confidence does not scare them away. Slowly, they become confident along the way.
Bonus Lesson 3 - Be Grateful
The one thing that surprised me in the research for this article was how grateful he is for everything he has accomplished. Conor Mcgregor, an international sports legend with $100+ million dollars. A man that could have anything he wants. And he is truly grateful for his success. No matter your success in life, this one is the key. No amount of money will ever make you happy. But gratitude - for your family, your friends, your lifestyle, for every little positive thing in your life that you take for granted, that is the real key to success and happiness. If you enjoyed this, the full article can be found here.
“Repeat a lie often enough and it becomes the truth”- Nazi Propagandists, Joseph Goebbels.
Axioms are our base assumptions about the world. They act as filters for new information coming into our consciousness. In classic philosophy, an axiom is a statement that is so evident or well-established, that it is accepted without controversy or question. As used in modern logic, an axiom is a premise or starting point for reasoning. We use these axiomatic assumptions to build our internal models of the world around us. They allow us to compare new information we receive from the outside with our internal narratives, which helps us to decide whether to reject or accept that new information. They are, for want of a better world, your "common sense" beliefs. So how do you go about changing a relatively normal person's core beliefs and base assumptions to the point of rejecting their fellow citizens as traitors, committing acts of murderous terrorist or vigilante violence like Fascist white supremacists running down protesters in acts of terror, ISIS beheadings or mass genocide?
Shock Treatment and Slow Repetition
One way of changing people into killing machines or obedient sheep is through a big shock to the system, like how electroshock therapy allows for a clean slate to rebuild peoples intern mental models. Psychedelics encouraged by the alt right and alt-light like Jordan Peterson and Rebel Wisdom as they “Red Pill” people - another way to prepare a “blank-slate” to rebuild peoples internal axiomatic models. Remaking people, shocking them into obedience and by gas-lighting them about their existing internal models, making them seem irrational, silly or outdated. Reducing them to a mental state of a child and then rebuilding them with a new ideology and worldview, known as “shock therapy”. As Naomi Klein explains in The Shock Doctrine: The Rise of Disaster Capitalism, these techniques work on larger scales with use of trauma and shock to influence political outcomes has been used since at least Milton Friedman coined the term “Economic Shock Treatment”. He advised that politicians push through painful and unpopular policies all at once during a time of crisis, before people could regain their footing. The technique is used in economic markets on the large scale, and also against individuals on a small scale. Economics and politics is just human interaction on a larger scale, after all. Regular repetition and gentle suggestions of ideas can also instil new axiomatic models and core beliefs into people's minds. As Derren Brown demonstrates how powerful suggestion can be, or the multi-billion dollar marketing and advertising industries demonstrates. Used in combination, shock and repetition can shift until you have moved to positions, perceptions and beliefs to a place you never could have imagined yourself. But luckily once you deconstruct the deception and understand how the trick works, the illusion falls apart.
Defining and Deconstructing Modern Fascism
Firstly, we must define Modern Fascism. Modern Fascism ticks every box of the traditional definitions in Umberto Eco’s essay Ur-Fascism, and not only does it fulfil every criteria, it reveals other motivational forces and has evolved to include new aspects, and has changed into something worse, while it’s main weakness remain the same - the fact that it is primarily motivated by weakness. As General Franco said in a 1938 interview with Henri Massis: "Fascism presents, wherever it manifests itself, characteristics which are varied to the extent that countries and national temperaments vary. It is essentially a defensive reaction of the organism, a manifestation of the desire to live, of the desire not to die, which at certain times seizes a whole people. So each people reacts in its own way, according to its conception of life… What can it have in common with Hitlerism, which was, above all, a reaction against the state of things created by the defeat, and by the abdication and the despair that followed it?" This quote perfectly illustrates the transient nature of the ideology, but also the core motivations of Fascism. It is an ideology based on the assumption of weakness which yearns for restoration of a past greatness or to get revenge and recognition. But the way that it manifests itself is different in each place it takes hold. Therefore the aim of this isn’t to make the case that any particular party or country has embraced out-right fascism (plenty of other people have made that case already), the aim is to reveal the underlying motivations, highlight threats and weaknesses and analyse the less obvious negative effects of Modern Fascism.
History Doesn’t Repeat, But It Rhymes
A false equivalence that is often used is that Liberal Imperialism is just the same as Fascism. And while it is true that imperialists use fascist dictators to extract cheap labour and resources and also dominate smaller counties in a similar way to how fascist empires aspire to rule, the key difference is that the populations of those countries are not gripped by the same fear based delusions. And therefore more Liberal democracies are better equipped to hold their imperial position of power long term because they are better able to assess risks and react accordingly, rather than over-react based on paranoia and competing egos under excessive pressure. This false equivalence was also used in 1930’s Germany, because far-left Communists had been co opted and infiltrated by Fascists. They would repeat the mantra that “the Social Democrats were the real racists”. Contrary to the assumptions of most people, Fascism, as an ideology and political system of government is very distinct to white supremacy. It does of course include white supremecists, but In fact includes many other groups who have been co-opted by Fascist propaganda, or who implicitly support and enable their agenda. Examples of modern opposition which has been repeatedly infiltrated or just simply made up by Fascists include innumerable conspiracy theories, police groups like Blue Lives Matter, militant Black nationalists, the Boogaloo movement who call for a race war, the “Proud Boys” and even sometimes supposed Anarchists, far-left Communists and Left Accelerationists.
Motivations of Fascism
Fascism distilled down to its core reason for existing is the suppression of opposition who represent workers rights and economic justice. So they patently DON’T look after their own people. They con them into submission of the state by generating jingoistic fear of “the other” - whoever is convenient on that day to blame for their problems. Fascism is is an economic shock doctrine upon the inhabitants of the country. We don't spread fascist propaganda in tip-pot dictators because we care about the indiginous people there. We install Fascist dictators in order to remove workers rights and open up access to their natural resources. Artificial moral panics can be engineered and real disasters used to allow corrupt oligarchs and financial predators to consolidate power further by buying up small innovative businesses who don’t have the excess capital to survive the turmoil on their own without external support. Or as a way to eradicate public services by sabotaging them and building mistrust. They are used to erode faith in public services and institutions by rich people who simply want to pay less tax and don’t see why they should subsidise other human beings who haven’t had the same luck as them. So a major motivation of fascism is to suppress the opposition left-wing party who represent workers rights and egalitarian freedoms. Populists claim to be against free trade and to some extent they are, but whatever they do will fail because they are interfering with the markets, so they will retreat to the power of market domination. They use their threats of trade barriers as more just more shock treatment for markets, rather than protecting actual jobs or industries. This is a trick that has been played by Neoliberals too. But while Neoliberals use fascism as a tool for opening markets to Imperialism, they differ from Libertarians, not only because they embrace guns and weed, but they are starting from different positions to achieve the same goal; Neoliberals seek to remove already existing public services and workers rights that lift bargaining power. But Libertarians want to STOP the government from ever providing those services and investments into the poor or enshrining workers rights.
Modern Fascist Ideology has TWO Core Reasons to Exist; Fear and Freed.
I have been researching and analysing how economic systems differ, using a SWOT analysis (Strengths, Weaknesses, Opportunities and Threads). For each economic system I tried to be as neutral, fair and balanced as possible - which included Fascism. I might seem strange that someone who is anti-Fascist would want to explore the strenghts and opportunities of Fascist ideologies, but in doing so it reveals the real weaknesses and threats which are too important for us to ignore. So what exactly IS Fascism? Is it just an economic doctrine or a personal philosophy about the world? The answer is both. The ideology has TWO core reasons to exist, and TWO distinct audiences types - with one based primarily on fear and the other greed, with each having a malignant and symbiotic relationship with each other. Fear - Authoritarian/Conservative Fascists Greed - Libertarian Fascists There are very few people who actually buy into full Fascist ideology, most believe a watered down version of which resembles Conservatism or right-wing populism or accelerationism, and most of them genuinely believe they aren’t fascist, even though they are being constantly fed subtle suggestions fascist ideology or that align with their plans. But the most ironic thing is that these groups are mostly being used by the second group of rich Libertarians globalist elites pulling a confidence trick on the host nation. Often posing “anti-establishment” conspiracists who actually uphold the establishment through misinformation. See: Russia Today and Youtube Bitcoin and Gold shills who subtly suggest fascist talking points. With those rich Libertarians at the top more than happy for those below them, who they deem less worthy, living in even more delusional ideologies with fake enemies to fear, often resembling traditional Christian but values wrapped in modern conspiracies with added elements of “satanic panic”. Modern Fascism has clearly inspired the modern day equivalents of Brownshirts and Blackshirts, self-styled vigilantes like QAnon, The Proud Boys and “The Boogaloo” - white nationalist violent extremists who want to accelerate towards a full-on race war. It has also infiltrated numerous alternative groups, such as hyper-evangelical “end times” cults, alternative health scenes, internet conspiracy scenes like flat earth and occult magic.
A commonly missing hallmark of fascism that is present in history during the rise of fascism is a controlled opposition and explicit suppression of opposition. This distorts a healthy society and has unforeseen consequences and blowback. Fantasies and political thought bubbles are self delusional custom realities resembling an episode of Black Mirror. They act as coping and escape mechanisms. Especially during the Covid 19 lock-down, these tendencies have gone into overdrive with massive events entering the real world featuring David Ike leading protesters alongside fascists as people ignore rising Fascism, climate change destruction and Covid deaths tolls. Using disasters like Covid or irrational scare tactics such as the "Satanic Panic" style Fascist propaganda from QAnon, can shock people using their fear and disgust response, while making them distrust the news - allowing the government to evade valid criticism from experts while suggesting to people that government public services are inherently evil or Communist. This type of propaganda is a Libertarians wet dream - making a population not only give up on tax funded public services, but actively fear them. An example is Trump trying to discredit and defund the US Postal Service and other public institutions and regulatory bodies. Anti Semitism has been used throughout history by those in power to provoke an “us vs. them” mentality, leading to today's establishment still sanctioning and allowing Qanon on major media platforms, provoking and agitating terrorist attackers from the far-left and the far-right. Those in power in fascist regimes allow and encourage mistrust in the mainstream media, while the long-tail niche political and interest groups keep people separated from each other, who each live in their own custom realities while the real elites continue to dominate and increase their power. With each bubble framing realities based of identity, race, class, nationality, or even subculture special interests like alternative medicine and “gamer bro” culture, so that when they interact in real life or online, they are speaking past each other because they don’t even agree on the basic principles of how they view society.
The Fatal Flaws of Living in a Fantasy
While the main flaws and weaknesses of Fascism remain the same, they are in-fact exacerbated by this new hybrid model. It’s main weakness is the very fact that it is motivated by weaknesses, fear and greed - rather than true strength, self-confidence or heroic benevolent power, as their adherents like to believe. A misconception of fascists themselves that it is based on strength, when it is actually based on weakness - even when the driving force is greed rather than fear. Libertarian fascists want to extract labour and materials at cheaper prices, while inflating their own asset values. In other words; international financiers with little allegiance to any country. Ironically the very type of people who Conservative fascists claim to be opposed to. Fascism claims to make society more successful, but it actually accelerates the destruction of the culture, country or people, rather than preserving and conserving it, because it betrays a fundamental weakness of insecurity. Competitors and rivals can easily see through the charade of and take advantage. If anything does the exact opposite. Russian and China are clearly goading Western nations into becoming more divided and totalitarian, as they themselves benefit from becoming more Liberal and open and reap the competitive advantages that brings. See Kraut’s excellent video about Trump on China as an example. Keynesian investment in the country and people, giving workers more rights, opportunities and a more bargaining power is what makes a country successful and innovative, rather than the faux Keynesian policy of giving kickbacks to corrupt officials for government contracts and widening inequality by supporting the already rich, rather than the ordinary people.
Who Benefits in This Memetic War?
Who is going to war with who? Who is winning? A modern adage is that tankies are just fascists because of their support of authoritarian proto-fascist leaders and regimes who often claim to be Communist. But from my experience talking to actual fascists, they crave a more multi-polar world where other strong leaders rise up as competition and form alliances with dictators. So to me, it looks like Fascists are the real Tankies; wishing our enemies be stronger and wanting to accelerate towards race war or civil war that weakens the society. Not only did Donald Trump have knowledge of Russia allowing ISIS bounties on US troops and withhold that from the public while courting Putin, I have personally heard white supremacists backing extremists Islamists in Discord servers. Trump jumped to the defense of the people who put a 17 year old with a gun against civil rights protesters and assumed the intent before saying that the outcome should be decided by the legal system. They share common values and beliefs like Anti Semitism, accelerationist end-times fantasies, patriarchal traditional values and a fear of outside progressive cultures. In fact modern extremists white supremecist groups share recruitment and terrorist strategies and tactics with militant islamists. You could argue that it was inflicted by Russian or Imperialist propagandists onto the German people in order to take control of larger areas of Europe after the destabilisation of war. Hitler and Stalin came to a non agression truce called The Molotov–Ribbentrop Pact, which as was a secret non-aggression pact between Nazi Germany and the Soviet Union that enabled those two powers to partition Poland between them. The pact, signed in Moscow on 23 August 1939 by German Foreign Minister Joachim von Ribbentrop and Soviet Foreign Minister Vyacheslav Molotov was officially known as the Treaty of Non-Aggression between Germany and the Union of Soviet Socialist Republics. They divided Poland under the banner of fighting “Polish Fascism” nearly a century ago with both sides ultimately lying to their own people about spreading freedom while being authoritarian to their core and being able to blame “the other” as being the cause of all their problems. But these days fascism seems to be a rogue meme that no longer serves any particular group. It is pathologically damaging to any society that it happens to grip. Even the aforementioned Libertarians and accelerationists who think they are benefiting are only temporarily gaining by market price volatility. They ultimately lose through the blowback effect of the whirlpool they create.
Psychopathy, Alienation Nihilism and Insecurity
It is well established that Fascist dictators are driven by psychopathic characters and tendencies. They either don’t care about the truth, or disregard it if it’s not convenient to their narrative. In totalitarian despotic societies facts are reversed. As George Orwell proclaimed throughout his writings; “War is peace. Freedom is slavery. Ignorance is strength.”. Similar to how authoritarian Starlinist Communists harnessed people’s alienation and tricked them into thinking that it’s possible for the state to fully decommodify everything without having markets, money to account for things, domination or hierarchy or try to convince people that a revolution is just around the corner. But of course, a council representative is still the head of an organisation, for all intents and purposes, because they wield executive power over others, even if the name has changed. Markets are emergent properties when groups of humans want or need a certain commodity when it becomes available. But while both Communist and Fascist ideologies are based on lies that harness peoples alienation, fear and envy, Fascism is also especially to the weak. It is attractive to those who want to be strong again (or were never to begin with), or those who want to have a strong leader to help them. Fascism betrays to others the inherent weakness. Like the insecure kid in school who lashes out - others around can see that it is because of their own insecurity which makes them appear even weaker. Fascism is a psychopathy driven by insecurity. When people become so absorbed in an ideology there is a phenomena of people to self identify as an actual ideology? This produces a phenomena called Identity Protective Cognition, where people's self worth becomes attached to a belief system or ideology. So that when new information contradicts their worldview it is seen as an attack on the person themselves. Therefore irrational, emotional quick fix thinking is the default when there is too much pressure and they feel attacked. They no longer use their slow effortful reflective thinking. (See Daniel Kahneman - Thinking, Fast and Slow) This approach has parallels in evolutionary biology, in which a central issue is the ability to adapt to changing environments. Competency - over-competitiveness in management causes chaos which STOPS hierarchies of competence. (Insert video clips of Sapolsky on Chaos vs Reductionism etc. timestamps linked). Fascists try to reduce variability in culture and outcomes - causes weakness of less adaptability - because as Sapolsky explains, the variability is not just noise in that type of system CAS (Complex Adaptive Systems) - the variability IS the system. It is fractal and scale free. The noise and variability is an intrinsic part of the system. But the system doesn’t function properly when the agreed-upon parameters that individuals believe to be true aren’t universal enough to have any form of group coherence. Birds and swarms of animals can produce amazing complex phenomena, which are greater than the sum of their individual parts. There is a “network effect” once a certain threshold and certain conditions and rules are met. These rules can be very simple, like repulsion or attraction, or staying a certain distance apart while traveling in a similar direction, but collectively they create patterns that emerge with complexity and I dear say, a certain amount of beauty. So what happens when millions of people are being brainwashed and misled by cults that are leaving them with a reduced ability to make decisions? Giving them shit-for-brains just so that some rich people at the top can pay a few percentage less tax? That is the sign of a deeply sick system that cannot continue to function effectively. It is sick on so many levels.
Emergence, Complexity and Human Evolution - A Social-Biological Analysis
The problem with viewing the world through only one lens of analysis (or bucket of knowledge) is that you can fall into unnecessarily reductive thinking. (Sapolsky clips) I describe myself as a philosophical anarchist. Which does NOT mean I want total chaos and disorder - it means I want the optimal solution to emerge - including the influences and experiences from the bottom-up. I also think that a bottom-up (or anarchist) lens of analysis is necessary for society to run cohesively in an optimal state. If it is repressed it distorts the overall picture of reality for everyone - similar to a CEO that doesn’t listen to employees and workers on the ground. I interpret as constantly holding authority to account - to justify its existence and reason for dominating others. I also believe it is every citizen's responsibility to hold authority to account. This would be necessary under ANY economic system or society. Anarchists also believe in stigmenric, rhizomatic action to make the world better, organically, not from a top-down authority, which fascism seeks to instill on society. Human beings are collectively parts of a bigger chaotic but stable system known as a CAS (Complex Adaptive System). CAS’s are chaotic systems that can reach periodic steady states of equilibrium. As Professor Sapolsky explains, humans uniquely exist with a mixture of both communal and individualistic tendencies; known in the scientific world as Tournament vs. pair bonding. All the evidence suggests that this tendency has greatly improved our success as a species. But those tendencies distorted too far one way or another lead to pathologies and the worst collective misdeeds and wars. Because as Professor Sapolsky also explains in his brilliant lecture series (which I have condensed the pertinent parts of into a 4 part YouTube video) about CAS; the signals coming from the randomness is being suppressed or repressed, it interferes with the functioning of the system. Pressure in the system makes the patterns more complex but at a certain point of increasing pressure in the complex system, it stops being linear and the doubling of patterns and periodicity totally stops. Order completely begins to break down because of the butterfly effect. Fascist regimes fettishise order and rigidity but in a complex adaptive system, the noise IS the phenomena, not a byproduct to be discarded, ignored or repressed. The majority of people on the right genuinely want to help society by bringing order, using top-down draconian measures if necessary. Whereas the left generally wants to help society by proactively building from the bottom up. I think both of these approaches are necessary to be balanced properly for a healthy functioning society to emerge. It seems our tendency to harness both traits and to focus intently on one or the other is our greatest collective strength, while also being our greatest weakness. And similarly, on an individual level I believe our greatest strengths and weakness are the fact that our brains work efficiently by categorising information to filter out the unimportant bits that slow us down. As the book by Daniel Kahneman - Thinking, Fast and Slow, brilliantly explains, slow deliberate, consideration thinking takes energy and time, so our brains developed filters which come out as biases. This is an inherent weakness of the human brain. Now imagine the butterfly effect on the life of just one person who is influenced by the brainworms of QAnon cults or conspiracies which distorts their internal models of the world which they use to filter information about the world The sad and shocking stories on forums like QanonCasualties show the devastating effects on their close friends, family and work life - amplified by their ever increasingly disconnected lives. (insert Flat earther clip - zoom in on idiot rolling head) Now scale that up to the level of a whole of a society, a country, or the world? This is a collective madness to cope with and avoid the reality facing us as a species. Only collective action with agreed basic facts to work from will do to avoid the total descent into actual chaos and destruction.
TLDR; Conclusion and Final Thoughts
In this essay I will have put forward the case for the following four key arguments being true and I have present supporting evidence to explain the logical reasoning for why our current definitions need updating and the threat levels reassed, from a non-hysterical but critical perspective. The overall claims I made are:
Modern Fascism has taken over right-wing populism and bears all the hallmarks of early 20th Century Fascist ideologies.
The ideology has two main reasons to exist, and two distinct audiences which both have a symbiotic, pathological relationship with each other.
The main flaws and weaknesses of fascist ideology remain the same as ever - that fascism is motivated by irrational fears, greed and self deception.
Modern Fascism has major unforeseen damaging consequences for individuals, governments, organisational dynamics, and society at large.
This reality is something I think a lot of fascists, ultra-nationalists and people who have been influenced by the propaganda know deep down on some level already - that they are avoiding the realities of pandemics and ecological harms of ignoring science and reality as it is. They ignore it because fantasies are simpler to understand. And a narrative based on fear of the other is a simpler way to to process a complex world. It is also attractive to the part of us that is drawn to conflict and drama - that hunger for something genuinely interesting to happen. But I would argue from my experience that the beautiful complexity of life in all it’s shades of grey is much more interesting, fun and genuinely fulfilling to understand and engage in, even if it might be harder to deal with and harder to explain. I believe it is also vital for the very survival of our species. Thank you to my two Patrons: Carmen Jongepier E.V. Roske (PS, Please, please consider helping me directly as a one off or regularly through Patron to help me continue to make content like and turn it into a high quality video this while surviving, I have just been dumped by my long term partner, I have a long-term physical disability limiting me while struggling to claim the benefits I’m entitled to and have paid into all my life. I now need to move out because I can’t afford to live here anymore on my own. I needed to finish this project before I could get on with other things in my life but I desperately need to focus on fixing myself now I have got this out) Original Script on Patreon
2020.09.08 02:01 -sup[CONFLICT] Hey...uh...so wanna spitroast Israel? Totally kidding! Unless....haha jk. But really you wanna? haha jk, unless...?
The rogue Israeli regime continues to threaten not only its own citizens and the holy and incredibly sacred sites within its borders, but also Middle Eastern peace at large and our strong ally and regional partner, the United Arab Republic. While we have no specific treaty obligations to defend the UAR from Israel, we cannot in good conscience let them fight the war on their own and so have prepared a deployment to assist UAR forces operating against Israel. The Laurentian operation, titled OP - CRUSADE as a homage to the conquests of the Holy Land in days past, will primarily focus around filling in gaps in UAR capability and preventing advanced Israeli weapons from posing a threat to the somewhat technologically inferior UAR military. The air portions of the operation will be launched from Al Asad Airbase, with deployed MIM-104F Patriot PAC3 batteries providing air defense of the surrounding area in conjunction with Laurentian air superiority operations. All in all, we see very little chance of far inferior Israeli aircraft being able to penetrate UAR airspace deep enough to cause problems with base operations. The following forces will be deployed to the region:
DESRON 3 and its naval support group will move in on Israel, with the Independence,Republic, and Coronado targeting Israeli Saar-class missile boats and the Liberty and Freedom performing mine countermeasures and anti-submarine warfare roles, respectively. The 8x Naval Strike Missiles in the anti-surface warfare modular mission package should make quick work of the light Israeli surface combatants, but if they encounter heavy resistance, the heavier combatants of DESRON 3 can step in. The MH-60S Seahawks embarked on the ships can supplement the ASuW and ASW activities. The B-21 Raider arsenal planes will work alongside the F-22s to ensure total Laurentian-UAR air superiority over the Levant. Sensor data from seaborne AEGIS as well as AWACS will be employed to find and strike Israeli air targets, with the ultimate goal being the complete elimination of all Israeli aircraft. The AIM-120 AMRAAM can be employed in a fire-and-forget mission on aircraft being tracked by AWACS, in effect allowing weapons operators on B-21 to sit and simply press the fire button any time the screen flashes with a new target. EC-130H will conduct electronic warfare and jamming operations initially on Israeli air defence, targets that will then be struck and destroyed by F-35, and can also be employed to jam Israeli communications and other assets as requested by UAR operatives on the ground.
2020.08.31 03:46 Elysium94Reign of the Supermen in live-action, Act I
\"The worlds needs Superman.\" By now, I'm sure every one of us has heard of the planned Superman reboot in the 1990s. The bizarre, wondrously demented "Superman Lives". Kevin Smith, Tim Burton, Jon Peters, so many Hollywood figures cycled through this movie that never was, as displayed in Jon Schnepp's (RIP) documentary "The Death of Superman Lives". What if some project like this, a movie featuring the death and return of Superman, had gotten off the ground? Returning to the 1990s revision of the DC movie universe I've been writing these past few months, let's imagine a film picking up two years after Superman: Doomsday. This is going to be my biggest yet, so I'll have to split this post in three parts. My previous installments, for anybody who wants to catch up: The Batman 1992 Superman: The Man of Tomorrow 1995 Wonder Woman 1996 Justice League of America 1997 Quentin Tarantino's "The Birds of Prey" 1997 Superman: Doomsday 1998 Batman and Robin 1998 Batman Forever 1999 Year 2000, a new decade in my DCEU re-imagining begins with... SUPERMAN LIVES Directed by- The Wachowskis Music by- Hans Zimmer Starring- Billy Campbell as Superman Carey Lowell as Lois Lane Viggo Mortensen as General Dru-Zod Sharon Stone as Faora-Ul Keith David as John Henry Irons Michael J. Fox as Pete Ross Courteney Cox as Lana Lang Brad Dourif as Jax-Ur Peter Weller as Lex Luthor James Earl Jones as Perry White Elijah Wood as Jimmy Olsen Rene Russo as Martha Kent Jonathan Frakes as Jor-El Marina Sirtis as Lara Lor-Van with Clint Eastwood as General Sam Lane and Joseph Fiennes as the voice of the Eradicator Guest-starring- The JLA **** Synopsis The plot of this movie is inspired by parts of Superman II, Reign of the Supermen, Man of Steel, Superman Earth One vol. 3, and Zack Snyder's Justice League. Prologue: In the aftermath of Superman's fatal battle with Doomsday, news footage of the event plays across the world. In the Fortress of Solitude, the AI projections of Jor-El and Lara Lor-Van activate a contingency in their programming. They awake a program called the Eradicator. Its mission is to preserve Kryptonian life, and defend the last son of El. The program takes on a human form, modeled after a young Clark Kent, and wanders out into the world. Act I: Two years after the death of Superman, the world is in a state of constant fighting between superheroes and criminals. On the anniversary of Superman's sacrifice, Lois Lane calls Pete Ross, Lana Lang and Martha Kent and shares in their grief. She then attends a gathering at the Superman memorial in Metropolis. Accompanying her is Jimmy Olsen, now her full-time partner in the field. Perry White meets her for a drink, offering his condolences for the "disappearance" of Clark during the Doomsday event. Confirming that he suspected Clark of being Superman, he tells Lois she was a lucky woman to have known such a good man as well as she did. Perry speaks at the memorial service, introducing a new local superhero; John Henry Irons. Having been rescued by Superman once and aided in a takedown of the corrupt corporation AmerTek, Irons has donned a high-tech suit of armor and Superman's crest, naming himself Steel in his memory. Intergang interrupts the proceedings in a mass heist, challenging the hero who holds his own against the criminals. Steel The gang battles Steel and the Metropolis police. A large chunk of debris from the fight threatens to crush several innocents and Lois moves to save them. The debris is then stopped by a flying man displaying Superman's powers. The bearded man, dressed in a dark coat, puts an end to the attack with the help of a woman and seven-foot giant. The media records the display in awe. When it is done, the man names himself; General Dru-Zod of Krypton. Accompanied by his wife and second in command Faora-Ul, and their subordinate Non, Zod introduces them as survivors of Krypton. Zod visits Superman's tomb, saying he was friends with his father Jor-El. The JLA watch from the Watchtower. None of the heroes are sure what to make of the situation save for Batman, who openly distrusts them and finds Zod's sudden arrival too convenient. Wonder Woman suggests they meet Zod in person and give him a chance to explain before deciding what to do next. In his interview with Lois, Zod explains he and his followers were wrongfully imprisoned in the Phantom Zone by Krypton's ruling council after trying to spread Jor-El's warnings of the planet's imminent doom. Zod requests a meeting with the JLA and declares he will defend Earth in Superman's memory, allying with the world's superheroes. Martian Manhunter attempts to scan their minds to discern whether they are being honest, but the soldiers have mentally trained to resist mind probes. For the time being, the JLA agree to work with Zod. DAILY PLANET- A New Superman? In prison, Lex Luthor watches the news as Zod begins to work alongside the JLA in restoring order to the world. He requests a phone call with the general, who is impressed with Luthor's genius despite being a mere human. The two discuss the late Superman, with Luthor expressing regret over what happened, though he does not reveal the hero's human identity. Each senses the other is hiding something, and Zod leaves Luthor in his cell. For several months the superheroes and Kryptonians make major progress, but Zod's often ruthless methods are controversial. The world is divided on what to make of Zod, some favoring his forceful enforcement of order while others question it. General Sam Lane keeps in touch with his daughter, filling her in on the Kryptonians' every move as like Batman he does not trust them. Faora herself runs afoul of Wonder Woman in the nation Kasnia, when she chooses to execute an insurgent group without trial. Lois covers the story with Jimmy Olsen and objects to the killing, saying it dishonors Superman's legacy. Faora derides Lois as weak-willed, unworthy of her famed "friendship" with Kal-El. On the flight back to the United States, both Lois and Wonder Woman call Batman and vent their frustrations. Batman confronts Zod in Metropolis over his increasingly authoritarian agenda, calling him a murderer using Superman's good name to gain power. Zod dares Batman to "stop" him if he has such doubts, goading Batman into drawing a kryptonite ring. To his shock, however, Zod resists the headaches and pain it causes him before drawing a kryptonite knife, revealing his has long-since trained himself to resist the weakening effects of the mineral. Zod warns Batman not to get in his way, and leaves. His true nature is then revealed when he journeys to the arctic and discovers the long-abandoned Fortress of Solitude. The true history of his revolution against the ruling council and attempt to take power on Krypton is shown in flashes, ending in Jor-El trapping and condemning him and his followers to the Phantom Zone. For reference The AI of Jor-El speaks to his old enemy. The two exchange harsh words on the end of Krypton, as Zod claims he could have found a way to save their people. Jor-El tells Zod he is no savior, only a monster. An angered Zod tells Jor-El his son is gone, and no one will hinder him now. **** As per a reader's suggestion, a litle edit here. Zodwastelling the truth about him spreading Jor-El's warnings and being targeted by the Council for it. But in his interview with Lois he omits that he led a violent uprising and tried to take over the planet, installing an archaic dictatorship with himself as ruler. **** He destroys the Fortress and takes a crystal from it to build his own base in Metropolis. Unknown to him, the Martian Manhunter has spied on him and relays this information to the JLA, Lois Lane, and the disgruntled Lex Luthor. Lois is called by Zod and promptly declines, horrified she even considered placing her trust in him. In a private moment she goes to the Superman memorial, fearing what will come next. She is surprised by the sudden appearance of what seems like Clark Kent, dressed in a dark coat and sunglasses. The Eradicator The apparition briefly forms into a Kryptonian android, calling itself the Eradicator. It tells Lois it can resurrect "Kal-El", and help them save the world. END OF ACT I **** Hope you guys like this first chunk of the story. I'll have Act II out as soon as I can. Cheers!
2020.08.30 01:09 Clone_trooper444Rebooking the The Legacy. Part 2
Part 1: https://www.reddit.com/fantasybooking/comments/iayvly/rebooking_the_the_legacy_part_1/ Do read Part 1 first. Unforgiven 2009:(We have Unforgiven instead of Breaking Point). John Cena def. Randy Orton (C) by disqualification - WWE Championship. Randy Orton wins back the WWE title at Summerslam so this feud again goes on, DH Smith makes the run in instead of Ted DiBiase's brother and he helps Orton retain his title. Randy Orton & John Cena's feud is mostly about who was the bigger star of the OVW class of 2002. John Cena decides to invoke his rematch clause at Unforgiven. He tells Orton his time is up and he's going to be the new WWE Champion who smirks and says "we'll see." At Unforgiven John Cena is screwed out of the title by DH Smith who runs in and batters him. Cena after that AA's Smith through the announce table. Orton escapes however getting away with the title. Ted DiBiase & Cody Rhodes (C) def. D-Generation X (Shaw Michaels & Triple H) - Unified Tag Team Championships. Off the bat of a big Summerslam victory over DX DiBiase & Rhodes are on top of the tag team division, they are on a mission to deny Hunter & Michaels their moment of holding the tag titles together since while they were in DX back in the day they didn't hold the titles together nor did they during their 2006 reunion. The big thing is Legacy went over DX clean as a whistle. DX want their rematch, DiBiase says they lost fair and square and shouldn't just get a rematch like that. Triple H tells DiBiase he's right when he says they lost however there is a catch, he claims Legacy won the battle but not the war, Rhodes says that the war ended at Summerslam they spoiled the reunion and won the match. Michaels sticks his nose in and tells him "the war ends with your run as tag team champions" DiBiase again denies them their match Triple H simply says "so be it" and from above green slime comes down on DiBiase & Rhodes who are obviously fuming over it. For weeks DX pull these kinds of pranks on DiBiase & Rhodes who even go to Orton who tells them there isn't much he can do about it. (We're not reviving the HHH/Orton feud). DX do things like put slime in their bags, dump it on their cars, spray paint their cars and walk around with replica tag titles claiming they are the real champions. Legacy in response with help from Orton & Smith handcuff HHH & HBK to the ring post and take turns in whacking them with kendo sticks, chairs and even the steel steps, this is until Michaels & Hunter pass out. The week after DX show up on Raw to cost DiBiase & Rhodes their match with Evan Bourne & Mark Henry. This results in a fight between DX & Legacy. DX end up on top, DiBiase & Rhodes tell Michaels & Hunter they are on at Unforgiven. This match goes on last. Ted & Cody are taken to their limit. DiBiase & Triple H are knocked out at ringside. Cody & Michaels are slowly getting back to their feet. Out of nowhere Michaels catches Rhodes with a sweet chin music and pins him 1..2.. the ref is punted by Randy Orton who runs in, Orton & Michaels square off after that, Orton goes for an RKO but Michaels counters it and hits Orton with a sweet chin music. Who gets back into the ring? Ted DiBiase who catches Shawn with dream street. Triple H gets in and hits DiBiase with a pedigree, a new referee runs down as this happens however Cody gets HHH with a roll up 1..2..3. Legacy retain the Unified Tag Team Championships. Orton, DiBiase & Rhodes all escape to the stage and hold up their titles on the stage. Hell in a Cell 2009: The Miz def. David Hart Smith & Kofi Kingston (C) - Triple threat for the United States Championship. DH Smith & Kofi Kingston's feud comes to a close at Hell in a Cell, in a triple threat also featuring The Miz. The Miz gets his match after he also begins a feud with Kofi Kingston and earns a title shot. Smith is added to the match after invoking his rematch clause for the United States Championship. The Miz wins and his feud with Kofi carries on after this. John Cena def. Randy Orton (C) - Hell in a Cell match for the WWE Championship. After Unforgiven Cena wants a rematch with Orton since he was screwed out of the title. Orton tells Cena that he lost and he should get over it. Cena responds saying he didn't lose. Vince McMahon because of the screwjob gives Cena a rematch for the title at Hell in a Cell. Randy Orton reminds Cena how dangerous he can be inside Hell in a Cell. Cena tells Orton he's going in there with the champ and he's gonna get his ass kicked. Cena says Orton will have no help from his "D rate lackeys" when they go into the cell. Orton says he wont need any help. Cena says "so be it" and the match is set. John Cena wins after a grueling contest, Cena wins with an AA through 2 tables off a ladder. D-Generation X (Shawn Michaels & Triple H) def. Ted DiBiase & Cody Rhodes (C) - Hell in a Cell tag team match for the Unified Tag Team Championships. Michaels & Triple H want their rematch with Legacy for the titles after the screwy finish at Unforgiven, they enter a tournament to crown #1 contender to the titles. DiBiase & Rhodes sit back and watch all of DX's matches in the tournament. The final is on the September 28th 2009 episode of Raw between Jeri-Show & DX, Legacy attempt to help Jeri-Show but in the end DX win. Ted & Cody simply state "we'll see you inside Hell in a Cell." At H.I.A.C this is the main event of the night and DiBiase is locked outside the Cell. And he is forced to watch as Cody is pinned by Shawn Michaels. October 5th 2009 episode of Raw: John Cena & D-Generation X (Shawn Michaels & Triple H) (C) def. Legacy (Randy Orton, Ted DiBiase & Cody Rhodes) - 6 man Winners take all for the WWE & Unified Tag Team Championships. On the Raw after Hell in a Cell Orton & Legacy come out demanding their rematches, Vince books a 6 man tag team match for later that night and makes it a winners take all match for the WWE & Unified Tag Team Championships. DX & Cena retain their titles despite interference from DH Smith. Bragging Rights 2009: David Hart Smith (Raw) def. Tyson Kidd (Smackdown) - Interpromotional match. As apart of the Bragging Rights interpromotional match series between Raw & Smackdown (and ECW in this fantasy booking universe), DH Smith represents Raw against Tyson Kidd who is representing Smackdown. Of course these 2 are related. DH Smith wins a point for Raw. After the match he goes to Orton asking if Natalya & Tyson Kidd can have a spot in Legacy since Natalya is a multi generation star and Tyson is her husband. Orton says there is no need for another member in Legacy and tells Smith that Tyson Kidd isn't even a blood relative of the Hart family. Smith pleads with Orton for a bit. And he says he'll give Tyson Kidd a trial on Raw the next night, it'll be a gauntlet match Tyson Kidd will first face Cody Rhodes, if he wins then Ted DiBiase if he wins that then he'll face Smith himself and if he wins all 3 matches he'll face Orton and if he beats Orton then he & Natalya are in Legacy. Survivor Series 2009: Team Legacy (Randy Orton, Ted DiBiase & Cody Rhode & David Hart Smith) def. Team Kidd (Tyson Kidd, MVP, Mark Henry, & R-Truth) - 4 on 4 Survivor Series Elimination match. On the Raw after Bragging Rights Tyson Kidd wins against Cody Rhodes, Ted DiBiase & David Hart Smith however he fails against Randy Orton. Orton then says since Kidd failed he & Natalya will not be joining Legacy. Smith pleads with Orton for weeks who tells him if he doesn't stop he'll be out of Legacy. Kidd then challenges Orton to a Survivor Series match, Orton asks him where his partners are to which Kidd responds he'll find 3 others to take on the 4 members of Legacy. He gathers MVP, his partner Mark Henry & R-Truth. At Survivor Series, Cody is eliminated early on, Henry & MVP are eliminated back to back by DH Smith who turns face against Orton and shakes Kidd's hand and leaves getting himself counted out. Orton is eliminated by Kidd, R-Truth is eliminated by DiBiase who with help from Cody eliminates Kidd and wins the match for Team Legacy. TLC 2009: Legacy (Ted DiBiase & Cody Rhodes) vs. The Hart Dynasty (Tyson Kidd & David Hart Smith) ended in a draw - Tag Team tables match. After Survivor Series, Smith reveals he is sick of Orton, sick of being his lackey, he says "Orton never cared about my Legacy all he cares about is his and Rhodes, DiBiase I suggest you both leave Orton as well." Ted & Cody after that come out and tells Smith he's making a mistake by leaving Legacy Cody says that he was a nobody before finding Orton and now his Legacy is greater than his fathers much like Orton, Ted says he is the future of the business he says "you know one day I could be standing here the WWE Champion, but that is something you could never be because you chose to be a nobody." Orton then comes out and comes up with an idea he says "how about, Legacy vs The Hart Dynasty in a tables match at TLC" DH Smith accepts it but adds that he wants a 1 on 1 match with Orton at some point. So round 2 of this feud is at TLC, we have an indecisive finish with both Cody & Smith going through tables at the same time. They are on the top rope, there are 2 tables lined up. Smith is preparing to suplex Cody through them, Orton runs down and pushes them both off the top rope sending them both through the tables. The ref cant decide a winner so the match is ruled a draw. Royal Rumble 2010: David Hart Smith def. Randy Orton - Singles match. Smith is furious about TLC so he begins costing Orton victories on Raw. Orton snaps and challenges DH Smith to a match at the Royal Rumble. Smith gladly accepts the match. Opening the show is DH Smith vs Randy Orton, they go like 13 minutes and it ends in the ref getting knocked out, Ted DiBiase entering the ring with a lead pipe, Orton commands DiBiase to hit Smith with the pipe but instead Ted turns face and bashes Orton over the head with the pipe, he then hits him with dream street, places Smith on top of Orton and leaves. The ref gets up and counts 1..2..3 Smith gets a big potentially career making victory over Orton. Wrestlemania 26: Ted DiBiase def. Randy Orton & Cody Rhodes - Triple threat. So Ted DiBiase turns face at the Royal Rumble, he comes out the next night on Raw and explains his actions. Ted says he heard DH Smith out and he too is sick of being Orton's lackey. Ted says he wants no part of Legacy anymore. As Ted is leaving he is stopped by Randy Orton who comes out with Cody Rhodes and asks Ted if he's cool with being a nobody. Ted says he heard DH Smith out and realized that he just wants him to be his lackeys. He then tries to convince Cody to join him. Cody seriously thinks about it but then decides to walk to the back. Cody is split with emotions should he join Ted or stick with Orton. In the build up to Elimination Chamber he sticks with Orton and even qualifies for the WWE Championship Elimination Chamber match along with Randy Orton. In the Chamber match Cody, Orton & the champion John Cena are the final 3. Orton hits John Cena with an RKO before being rolled up and pinned by Cody Rhodes. This leads to a really intense stare off between the 2. Cody turns around into an AA from John Cena and is pinned, Orton just looks down at Cody and then leaves. The next night on Raw, Cody apologizes to Orton and explains he just got caught up in the tension of the moment. DiBiase shows up and says that after he wins the United States Championship later that night he wants a 1 on 1 match with Orton, he proceeds to tell Orton that Cody has finally come to his senses and realized Orton is selfish and only cared about the WWE Championship. Ted says he will continue his Legacy by winning the United States Championship then he's coming for Orton. DiBiase faces The Miz for the United States Championship but he doesn't win the title. Orton shows up and distracts DiBiase allowing Miz to hit the skull crushing finale and retain the title. DiBiase is furious about it so the week after he shows up and attacks Orton during his match with John Cena. Cody comes out to save Orton but he stops dead in his tracks, he has a steel chair and he's torn between the decision to either turn on Orton and join DiBiase or stick with his leader. He goes with Orton and whacks him with the chair repeatedly. Turning babyface and leaving. Orton & DiBiase continue feuding, however since Cody turned on him he wants revenge. So its scheduled for Wrestlemania a triple threat Ted DiBiase v Randy Orton v Cody Rhodes the complete implosion of Legacy. This match doesn't go on second, instead it goes on between Jericho v Edge and Cena v Batista (the Diva's match goes on second instead). I'd give the match about 16 minutes with DiBiase pinning Randy Orton, after the match Cody attacks Ted and just leaves. Extreme Rules 2010: Ted DiBiase def. Cody Rhodes - Extreme Rules match. Since Cody turned on Ted at Wrestlemania the 2 obviously have a rivalry. The reason for Cody turning heel again is because he created his dashing gimmick not long after so we cant keep him as a face for long. Cody says he doesn't like Ted or Orton he is his own man, Ted is like "after everything we have been through, you turn on me" Cody says "with Orton I'm just a lackey, with you I'm a nobody but by myself I'm something" DiBiase wants Cody at Extreme Rules since Cody turned on him. Cody says he has bigger priorities than playing around with Ted DiBiase. DiBiase asks "like what?" Cody says he wants to focus on becoming a champion on his own and leaves. 2 week later Cody is in a #1 contender match to the United States Championship and he loses by count out thanks to DiBiase and that makes Cody decide he wants Ted at Extreme Rules. Ted agrees to the match and on the final Raw before Extreme Rules Ted is a guest commentator in Cody's match against John Cena. Ted distracts Cody and allows John Cena to hit Cody with the AA and pin him. At Extreme Rules the match is an Extreme Rules match and Ted wins. 2010 WWE draft:
Ted DiBiase from Raw to Smackdown
Cody Rhodes from Raw to Smackdown
May 7th 2010 episode of Smackdown: Ted DiBiase def. Drew McIntyre (C) - Intercontinental Championship. So Ted & Cody are now both on SD. DiBiase becomes #1 contender to the I.C title and he faces Drew McIntyre for the title and he wins the title. Over the Limit 2010: Ted DiBiase (C) def. Cody Rhodes - Intercontinental Championship. On the next SD after Ted DiBiase wins the title he is confronted by Rhodes. Ted says to Cody "I thought you had bigger priorities than 'playing around with me' " Cody says "I do but you have something I want and that is the Intercontinental Championship" Ted asks "so?" Cody responds "so, I want the title, I'll restore its prestige" Ted asks "are you challenging me to a title match" Cody replies "I am, in 9 days at the Over the Limit Pay-per view put your title on the line against me, we'll see who the better man is" Ted accepts the challenge. At the PPV, Ted beats Cody with a roll up. Cody after the match attacks Ted and runs off with the title. Vengeance 2010:(We bring back Vengeance instead of having fatal 4 way). Ted DiBiase (C) def. Cody Rhodes - Intercontinental Championship. This feud doesn't end at Over the Limit, I know by this point you may be getting sick of it but the ending to the match at Over the Limit basically warrants a rematch. For weeks Cody is hunting a rematch, he becomes obsessed with the title and with Ted then 2 Smackdowns before the next PPV Vengeance, Cody attacks one of the participants in a fatal 4 way match to determine no. 1 contender to the I.C title. Cody is inserted in the match due to the competitor being unable to compete but Teddy Long says if he loses the 4 way or loses the title match at Vengeance then he will not get another title match. Cody wins the fatal 4 way and tells Ted he's coming for the title. At Vengeance Ted wins and we use this loss to repackage Cody into Dashing Cody Rhodes. Leave feedback and suggestions down below.
2020.08.29 18:04 firstname_shadesofUntil I had to name a baby I never realized that I dislike almost all boy names! Help!
I’m having a baby boy in December and I’m stumped on names! I’m suddenly realizing that I dislike a LOT of boy names. His last name will be Gray, and we currently live in the southern USA. I really like traditional names with one widely accepted pronunciation and spelling. I also like longer names that have short nicknames, where both names are pretty widely accepted/known. Both I and my partner are white, and while my family is of Italian origin, I’m not sure it’s a big enough part of our identity as a new family to justify using an Italian name. If you want to help out, I’d mostly love to discuss the names we have on our “like” list but I’m also open to more suggestions! Tell me which ones don’t go with Gray, which ones do, which are too trendy, etc. At the risk of looking totally insane, I’ll include all the names people have suggested that we don’t like in case it helps. His middle name will be one of a few possible family names, we’ll choose it based on how well it flows with the first name.
We sort of like these: Adam Andrew Cameron Christopher Daniel Elijah Emmett Ethan Evan Everett Isaac Jonathan Jordan Joseph Levi Michael Noel Samuel Like these but can’t/don’t want to use these: Adam Alexander Anthony Benjamin Bennet Conrad David Derek George Henry Jacob Joel John Julian Lee Leo Matthew Michael Nicholas Owen Thomas Victor Don’t love: Aaron Abraham Aiden/Brayden/Jaden Alan Anton Arthur Ashton Barrett Bradley Beckham Brendan Caleb Calvin Carter Charles Charlie Clarence Colby/Cole Colin Cooper Curtis Dean Dexter Donovan Douglas Dylan Elliot Emerson Eric Flynn Francis Franklin Fredrick Geoffrey Harry Harrison Hudson Hugo Hunter Hyrum Isaiah Jackson Jason Jeremiah Johnson Jonas Judson Justin Kelvin Landon Liam Lincoln Logan Louis Lucas/Luke Mark Martin Mason Maxwell Max Mitchell Nash Nathan Noah Nolan Oliver Orion Patrick Paul Peter Phillip Richard Robert Ryan Sawyer Scott Seth Sebastian Stephen/Steven Sutton Thaddeus Theodore Timothy Todd Trevor Tyler Vincent Warner Warren Wesley Wesson William Wyatt Zachary
2020.08.28 14:31 kittehgoesmeowWhat A Day: Liar Liar Pence On Fire by Sarah Lazarus & Crooked Media (08/27/20)
"Voting absentee is a safe and secure way to guarantee your voice is heard." - Don Jr. on robocalls to voters who may have heard otherwise, from someone
In the alternate reality of the GOP convention, the pandemic is behind us, abortion is the gravest problem this nation faces, and President Trump is both a guardian of the Constitution and a wonderful person “when the cameras are off.” Just take it from his immediate family and the folks on his payroll!
Speakers at the RNC’s third night asked viewers to look past everything they’ve ever seen Donald Trump do or say, and vote for the imaginary Donald Trump who gives a shit about people. White House Press Secretary Kayleigh McEnany recalled the time Trump accomplished the bare minimum by calling her on the phone after her preventative double mastectomy, Kellyanne Conway insisted that behind the scenes, Trump is a great supporter of women, actually, and Lara Trump testified that contrary to all available evidence, the Trumps are “warm and caring,” “hard workers,” and “down to earth.”
Addressing a maskless crowd at Fort McHenry, Vice President Mike Pence recounted a fictional triumph over the virus that, after six months, continues to kill 1,000 Americans every day. In Pence’s long-winded fantasy, “President Trump marshalled the full resources of our federal government from the outset. He directed us to forge a seamless partnership with governors across America in both political parties.” (Fact check: Hahahaha.) Pence repeatedly referred to the clusterfuck of crises unfolding under his boss’s watch as “a time of testing,” an interesting phrase to emphasize the same week the CDC carries out Trump’s demand to...slow down testing.
In RNC World, the Category 4 hurricane bearing down on the Gulf Coast was a blip on the radar, and neither the police shooting of Jacob Blake nor the Trump-supporting teen who gunned down protesters in its wake merited a mention at all. (Never mind the fact that just two nights before Republicans celebrated a couple that pointed guns at BLM protesters as heroes.) When speakers alluded to the violence in Wisconsin, it was only to blame it on Radical Antifa Socialist President Biden from the future. Here’s Mike Pence: “The hard truth is, you won’t be safe in Joe Biden’s America.”
The harder truth is, prefacing a dumb lie with “the hard truth is” doesn’t make it less of a lie.
Take it away, Joe. “The problem we have right now is we’re in Donald Trump’s America. He views this as a political benefit to him. He’s rooting for more violence, not less, and it’s clear about that. What’s he doing? He’s pouring gasoline on the fire. This happens to be Donald Trump’s America.” But don’t take Biden’s word for it—Kellyanne admitted the same thing this morning.
To cap off this garbage week of corruption and lies, Trump will accept the party’s nomination from the White House tonight.Come watch with us in the Crooked Groupthread if you’re feeling masochistic; either way, let whatever you’re feeling drive you over to https://votesaveamerica.com to help make sure tonight is the beginning of the end. 68 days.
Look No Further Than The Crooked Media
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Officials at the Department of Homeland for Security spent years trying to make President Trump care about right-wing domestic terrorists, to no avail. Former DHS official Elizabeth Neumann, who recently threw her support behind Joe Biden, told Politico that the Trump administration’s single-minded focus on restricting immigration diverted DHS leadership’s attention from all other matters. The constant changes of leadership didn’t help, either. White House officials couldn’t even be interested in using the phrase “domestic terrrorism,” until they realized they could deploy it against left-wing protesters. The Trump administration froze funding for an Obama-era office focused on fighting violent extremism, and has yet to produce promised annual briefings on domestic-terrorism threats, or a plan to address them. It’s an incredibly damning backstory to this very bleak week, and another compelling reason to get to work.
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Is That Hope I Feel?
Starbucks has pledged to make sure employees have time off to vote in November. Over 700 companies have now joined the Time to Vote coalition. Wastewater testing at the University of Arizona successfully detected a coronavirus outbreak before it spread out of control. The Supreme Court of Virginia has thrown out a lower court’s injunction against Richmond’s removal of Confederate statues. It’s a small silver lining, but Hurricane Laura took down a Confederate statue in Louisiana’s Calcasieu Parish, two weeks after officials voted not to remove it.
2020.08.27 01:08 LearningIsListeningA not-so-brief rundown of p.59 (65TH STREET)-p.63 (ENTERTAINMENT - E) in Jeffrey Epstein's 'Little Black Book'
Below is a rundown of p.59 (65TH STREET)-p.63 (ENTERTAINMENT - E) under Epstein's contacts. Last year, I wrote about letters A-C. You can check that out here (https://www.reddit.com/conspiracy/comments/cpis3n/a_brief_rundown_of_the_first_ten_pages_of_jeffrey/). I also wrote about letters D-F on July 5, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/hlrba8/a_notsobrief_rundown_of_letters_df_in_jeffrey/). I posted letters G-I on July 13, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/hqko0y/a_notsobrief_rundown_of_letters_gi_in_jeffrey/). I posted letters J-L on July 15, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/hrq9bg/a_notsobrief_rundown_of_letters_jl_of_jeffrey/). I posted letter M on July 20, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/huw0yt/a_notsobrief_rundown_of_the_letter_m_in_jeffrey/). I posted letters N-Q on July 27, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/hyudbz/a_notsobrief_rundown_of_the_letters_nq_in_jeffrey/). There are some misspelled names. Epstein entered their names like this. I posted letter R on July 29, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/i0aqxd/a_notsobrief_rundown_of_the_letter_r_in_jeffrey/) I posted letter S on August 7, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/i5orop/a_notsobrief_rundown_of_the_letter_s_in_jeffrey/) I posted letters T-V on August 13, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/i9dxwk/a_notsobrief_rundown_of_letters_tv_in_jeffrey/) I posted letters W-Z on August 20, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/idcqxw/a_notsobrief_rundown_of_letters_wz_in_jeffrey/) I have bolded some of the more interesting connections and information, but there could be much more that I overlooked. I hope something here strikes an interest in someone and maybe we can get more investigations out of this. Please, if you know anything more about any of these people than what is presented here, post below. I am working off of the unredacted black book found here: https://www.coreysdigs.com/wp-content/uploads/2019/07/Jeffrey-Epsteins-Little-Black-Book-unredacted.pdf 65TH STREET Dionne, Ryan: Executive chef who once worked for Epstein and Prince Albert of Monaco. Dionne has 13 entries in Epstein’sLolita Expressflight log (https://archive.org/stream/EpsteinFlightLogsLolitaExpress/Jeffrey-Epstein-Flight-Logs-in-PDF-format_djvu.txt). Dionne was identified by Epstein victim Virginia Roberts as a potential witness who may have known about Epstein and Maxwell’s sex trafficking and pedophilia ring (https://www.the-sun.com/news/778758/jeffrey-epstein-enablers-named-sex-trafficking-underage-victims/). Geffert, Scott: The General Manager for Advanced Imaging at the MET museum. Geffert had the same two phone numbers listed earlier under Jeff Hirsch’s name. Hirch is the owner of Foto Care, a shop that sells professional camera equipment. Claims he is only in the ‘Black Book’ because he sold an expensive camera to Ghislaine many years ago and had to go to her house to show her how to use it (source:https://www.miamiherald.com/news/state/florida/article234312632.html). This, however, doesn’t explain why there are two numbers listed under Hirsch’s name that are attributed to Scott Geffert, the General Manager for Advanced Imaging at the MET museum. This could all be innocent or these two could have assisted in Epstein’s hidden camera setup and helped Epstein get high quality pictures of his victims. We can’t be sure. Joseph & Florina Rueda: According to this website (https://npidb.org/organizations/respiratory_developmental_rehabilitative/rehabilitation-practitioner_225400000x/1023361193.aspx), they own a healthcare practitioner company based out of Nevada. This is odd, considering that they are listed under the same address as Ghislaine Maxwell in Epstein’s black book. There is a wonderful thread on Reddit (https://www.reddit.com/Epstein/comments/i2buj0/florena_and_joseph_rueda_in_black_book/) that delves deeper into the Ruedas. One poster suggests that they were possibly housekeepers for Ghislaine, which seems to be a solid theory. Their names were circled by Epstein’s now-deceased house manager. People whose names were circled were those who could be potential witnesses to pedophilia and/or child trafficking. Kellen, Sarah: Ghislaine Maxwell’s assistant. She was the “second-in-command” and “lieutenant” (https://nypost.com/2020/07/17/maxwell-lieutenant-sarah-kellen-may-be-arrested-parents/) for Maxwell and was complicit in Epstein and Maxwell’s pedophilia ring. She also helped recruit for Epstein (https://www.thecut.com/2019/08/sarah-kellen-jeffrey-epstein-ghislaine-maxwell-lieutenant.html). Kelly, Brian: A senior financial advisor who has worked at Morgan Stanley since 1993 (https://www.linkedin.com/public-profile/in/brian-j-kelly-72442219?challengeId=AQHBDkyx13cVYwAAAXQeUcXz9TDBRLy8kAMKQ7jEgDPmFxfTkaMjyDgvNTHOZ1gv9AQGvZJlsogkiRrUaUTAO3c3hIHOJvZcdA&submissionId=930be337-a313-2e16-5337-671a8a869a4a). Maxwell, Ghislaine: We all know everything about her. The only interesting thing I can add is that Epstein had 38 phone numbers listed under Ghislaine’s name, but not all of them belong to her. For example, Epstein one phone number each for Joseph and Florena Rueda (above) listed under Maxwell’s name. Epstein also had two numbers listed under Ghislaine’s name for Scott and one for “Scott (w/Howie).” This is Scott Geffert, the General Manager for Advanced Imaging at the MET Museum (listed above) and “Howie” is Howard Goldstein, Scott’s business partner. Epstein had a lot of interest in digital imagery. Mitrovich, Andrea: Former ballerina who is listed 17 times (confirmed) in Epstein’sLolita Expressflight log. There are also ten other listings that she can possibly linked to. Either way, she was a frequent flier on Epstein’s pedophile plane. There is a great thread by Twitter user Agenthades on her here (https://twitter.com/Agenthades1/status/1274801952237342722). He believes she now goes by Andrea Stowell and backs it up with some evidence. She has worked for the Clinton Foundation, the Bill and Melinda Gates Foundation, and the World Bank. Her husband also worked for the Clinton Foundation and now works for IBM. Stowell/Mitrovich has social media links to other Epstein associates, including Sarah Kellen. Police: Self explanatory. This is a police precinct on 67th street - four blocks from Epstein and two from Maxwell. It’s always nice to have the police on your side when you’re a sex trafficker. Rueda, Joseph & Florena: See Joseph & Florina Ruena (above) Tahoe, Kinney Garage: Parking garage. AMERICA (A) Antiques - Resale Number: Self-explanatory. Arizona: Arizona 206 restaurant in NYC. Now closed. Used to be impossible to get reservations. Mentioned in American Psycho. Aspen Club: Spa in Denver. Au Bar: Lounge on 58th street in NYC. Now closed. Used to be one of those “places to be.” Also mentioned in American Psycho. Avis International: Car rental. Bel Air Hotel: High end hotel in Los Angeles that attracts celebrities and royalty. Epstein listed Frank Bowling (the General Manager of the Bel Air Hotel at the time) underneath this entry. Bowling is very well-known in the hotel industry and even counts Nancy Reagan and Prince Charles among his friends (https://www.nytimes.com/2008/05/12/arts/12iht-blume.1.12793097.html). Beverly Hills Hotel: Another California-based hotel that counts many celebrities and royalty amongst their patrons. The Duke and Duchess of Windsor, Princess Margaret and Lord Snowdon, John Wayne, Grace Kelly and the Crown Prince of Monaco, and King Albert of Belgium are just some of the people who have stayed there. Beverly Wilshire: Another high-end California hotel. Past guests/tenants include: Barack Obama, Elvis, John Lennon, and Emperor Hirohito of Japan. Bice: Former NYC Italian restaurant known for its upscale clientele. Closed down in 2014. Bilboquet: Popular French restaurant not far from Epstein’s NYC mansion. Bond Street: Japanese restaurant in Downtown Manhattan. Carlyle: Luxury NYC hotel where JFK maintained a residence for the last ten years of his life. Mick Jagger still maintains a residence there. Billed the “Palace of Secrets” by the New York Times. Christies - New York: Famous high-end auction house. It is said that Ghislaine Maxwell would often attend art gallery openings, parties, and auctions at Christie’s and Sotheby’s in order to recruit new girls for Epstein (https://www.dailymail.co.uk/news/article-8608267/Ghislaine-Maxwell-trawled-galleries-gallerinas-meet-Jeffrey-Epstein-claims-former-friend.html). Cipriani Downtown: A famous Italian restaurant “known as a fave for models… and a reported ‘hunting ground’ for Harvey Weinstein” (https://pagesix.com/2020/07/27/celeb-haunt-cipriani-downtown-loses-liquor-license-over-covid-concerns/). Coffee Shop: Self-explanatory. Cohen Gibby: Private personal trainer (https://www.nytimes.com/1984/12/14/style/now-personal-trainers-push-clients-to-new-highs-of-fitness.html). Cook: Henry Meer, the chef who ran City Hall restaurant in Downtown Manhattan for 17 years. Dawat Haute Cuisine of India: Indian restaurant. Delmonico’s: Gourmet food market. Doyle’s: Auction house. Elaine: Not enough info. Electrolysis: Self-explanatory. Ello’s Restaurant: Italian restaurant that is a favorite among celebrities (Tom Hanks, Woody Allen, Mick Jagger, and Derek Jeter) and the wealthy. Essex House: Hotel on Central Park South where David Bowie used to live. Estia: Greek restaurant in Uptown Manhattan. Exercise - New York: Kristin McGee, a celebrity yoga and pilates teacher, is listed underneath this entry. Magali is also listed. Magali Blachon is a life coach and wellness consultant. There are two other names listed - Jessica Benton and Jennifer (ballerina) - but I was unable to find info on them. Four Seasons: Famous upscale NYC hotel. Four Seasons Hotel: See Four Seasons (above) Four Seasons Restaurant: Midtown Manhattan restaurant that closed last year. Owned by the Bronfman family of NXIVM fame. Regular diners included Bill Clinton, Henry Kissinger, Jackie Kennedy, Anna Wintour, Martha Stewart, and others. Myers of Westwick: Myers of Keswick is a British grocery store in Downtown Manhattan. Nicolas: Nicola’s is an Upper East Side Italian restaurant. Opia: Opia was a restaurant in Midtown Manhattan. Now closed. The name Antoine Blech appears underneath this entry. Blech is a restaurateur. Peninsula Hotel: California-based 5-star hotel that is popular among celebrities. Matthew Bartle, whose name appears underneath, was the front office manager from 2000-2005. Peninsula Hotel: Same hotel group. This is the Midtown Manhattan location. Pierre Hotel: Luxury hotel just off Central Park. Was owned by John Paul Getty (Getty Oil billionaire). Mohamed al-Fayed, Yves Saint-Laurent, Elizabeth Taylor and Aristotle Onassis were once permanent residents. Plaza: The Plaza Hotel is a world famous hotel in New York. It is the hotel where Kevin McAllister stays in Home Alone 2. It was once owned by Trump, hence why he made a cameo in the movie. A celebrity paradise that once hosted Truman Capote’s famous Black and White Ball (https://www.nytimes.com/2016/11/21/fashion/black-and-white-ball-anniversary-truman-capote.html). Plaza Athenee Hotel: 5-star hotel in Manhattan’s Upper East Side. Province Restaurant: French restaurant in Downtown Manhattan. Now closed. Ritz Carlton: Luxury hotel in NYC. Royalton: A boutique hotel near Bryant Park in Midtown Manhattan. Not quite as high end as other hotels listed here. Sette Mezzo: Upscale cash-only italian restaurant that caters to the elite. Regulars include George Soros, the Tisch family, Mike Nichols, Lily Safra, and others. Shoes-Repair: Leather Spa shoe repair shop. Shutters on the Beach: 5-star hotel in Santa Monica, California. Popular dining spot for Hollywood actors and actresses. Sotheby’s: Famous high-end auction house. It is said that Ghislaine Maxwell would often attend art gallery openings, parties, and auctions at Christie’s and Sotheby’s in order to recruit new girls for Epstein (https://www.dailymail.co.uk/news/article-8608267/Ghislaine-Maxwell-trawled-galleries-gallerinas-meet-Jeffrey-Epstein-claims-former-friend.html). The former owner of Sotheby’s attended Les Wexner’s birthday party with Epstein, Dershowitz, John Glenn, and others (https://nymag.com/intelligence2019/07/alan-dershowitz-jeffrey-epstein-case.html). St Regis Hotel: 5-star hotel in Midtown Manhattan. Originally built by the Astor family. Has been the home of the likes of Salvador Dali and William Paley, the man who built Columbia Broadcasting System (CBS). Stanhope Hotel: Former Uptown hotel in NYC. Converted to a residential co-op as of 2005. Sunset Marquee: California-based hotel. Its bar is a favorite of musicians like U2, Aerosmith, and Robbie Williams. Tao Restaurant: Asian bistro/lounge/nightclub that is a favorite among celebrities. Taylor, The: Not positive, but this might be the Taylor Graham art gallery. The Great American Health Bar: Kosher restaurant. Much less high-end than other restaurants in Epstein’s contacts. The Lowell: Upscale hotel in Manhattan owned by Fouad Chartouni. Chartouni’s name appears earlier in Epstein’s black book. The Westbury: Now-defunct hotel that was changed into condominium apartments. Attracted lots of celebrities Tickets: Phone numbers for sporting events, shows, and premieres. Tribeca Grill: American restaurant co-owned by Robert De Niro and restaurateur Drew Nieporent. Two Bunch Palm: A private getaway spa that is popular with the Hollywood crowd. Waldorf Astoria: 5-star hotel known for its celebrity clientele and its place in world political history. The World Peace Conference of 1949 was held at the Waldorf. The conference denounced Stalinism after WWII. Some famous residents of the hotel include Edward III (the would-be king of England had he not abdicated) and Wallis Simpson (Duke and Duchess of Windsor), Herbert Hoover, Douglas MacArthur, Dwight D. Eisenhower, Nikola Tesla, Bugsy Siegel, and Frank Sinatra. Originally opened by William Waldorf Astor. The amount of politicians, wealthy people, and celebrities that have stayed here are countless. Westbury Hotel: See ‘The Westbury’ above. BRAZIL Cecilia Szalman: No info found. Ganero, Mario Sr: Mario Garnero is a Brazilian banker and entrepreneur who has been deemed the “father of the ethanol car” and is the chairman of the board and primary shareholder of Brasilinvest Group, a banking firm worth $700 million. Garnero’s connections run extremely deep. He is/has been personal friends with Jacob Rothschild, David Rockefeller, Bill Clinton, George H. W. Bush, Gerald Ford, Ronald Reagan, Henry Kissinger, Helmut Schmidt, and many others. The following website makes some startling connections between Garnero, Epstein, and others (source:https://aeltri.com/2019/02/12/john-of-god-mario-garnero-and-epstein/). Quick summary: Record producer Damon Dash (former co-founder of Roc-A-Fella Records with Jay-Z) allegedly raped a supermodel who worked for Naomi Campbell at a party thrown by Garnero (source:https://www.standard.co.uk/news/poshs-friend-sued-for-rape-6939248.html). Garnero has been referred to as a “Rothschild pawn” who tried to help Aecio Neves rise to power. Garnero also appointed “George Soros frontman, Arminio Fraga, who worked in Soros’ Quantum Fund, as Minister of the Economy.” Riccardo: Not enough info. ENTERTAINMENT (E) Annabels: Most likely the high society hangout spot that used to be populated by likes of Ghislaine Maxwell and David Faber (https://www.dailymail.co.uk/news/article-8490447/Ghislaine-Maxwell-fall-sits-cell-photos-reveal-society-life.html). Aspinals: A private gambling club that caters to the elite of London. Bibendum: Possibly the Claude Bosi restaurant (https://claudebosi.com/) in London where Ghislaine’s friends, Caroline Stanbury and Paris Hilton, were photographed leaving last year (https://www.gettyimages.com/detail/news-photo/paris-hilton-and-caroline-stanbury-leaving-bibendum-news-photo/1154182268). Clermont Club: London gambling venue for the wealthy and powerful (https://gaming-awards.com/NEWS/the-clermont-club/). There are rumors that Lord Lucan hid out at the club after he had killed the nanny of his children. Daphne: Daphne’s is a well-known Italian restaurant in Chelsea, London that is frequently inhabited by celebrities. Foxtrot Oscar: Former restaurant in Chelsea, London. Now home to Maze Grill Royal Hospital Road, owned by Gordon Ramsay. Harrys Bar: Private members club in Mayfair, London where “extramarital affairs and all sorts of other high jinks are quite happily conducted, if not encouraged” (https://www.vanityfair.com/news/2005/10/harrys-bar-london). Started by Mark Birley. Marks Club: Fairly certain this refers to the private members club in Mayfair, London. Like Harry’s Bar, Mark’s Club was also started by Mark Birley. The club is now owned by Peter Dubens (listed earlier in Epstein’s book under ‘Peter Dubbens’) and Charles Price, son of Charles Price II (also listed earlier in Epstein’s book), the U.S. Ambassador to the UK under Reagan. The only reason I am not completely certain is because the phone number listed underneath is a 212 area code (New York City). The phone number traces back to Joshua Welch of Vicuna Advisors with ties to the Tisch family. However, Welch, nor Vicuna Advisors, have nothing to do with Mark’s Club, as far as I can tell. Nam long: Vietnamese restaurant in South Kensington, London that attracts celebrities and royalty. The owner once turned away Prince Andrew for “wearing the wrong shoes” and refused service to Mick Jagger because “the kitchen was closed” (https://www.vice.com/en_us/article/z4g884/this-bar-turned-away-prince-william-for-wearing-the-wrong-shoes). Nikitas: Russian restaurant in London. Patisserie Valerie: A cafe chain in London. This one was located in Knightsbridge. Now closed. San Lorezo: San Lorenzo is an upscale Italian trattoria for celebrities and the wealthy. A favorite amongst the elite, specifically Princess Diana and Ivana Trump. Scalinis: Another celebrity hot spot Italian restaurant in London. Tramp: Private members only nightclub in London. Best known as the place where Prince Andrew sweated all over Epstein victim Virginia Roberts as they were dancing. Of course, Prince Andrew denied this night out with Roberts, Epstein, and Maxwell ever happened. Too many celebrities to name have been here (https://www.standard.co.uk/lifestyle/esmagazine/tramp-club-london-nightlife-a4148691.html).
2020.08.26 11:20 tombstoneshadows28Peter Cushing is the Star of the Month for October, 2020 on TCM (U.S.)
Every Monday from 8:00 p.m. till just after the sun comes up. Thursday, October 01, 2020 (12:00 AM) (drama) Up The Down Staircase (1967/124 m/Robert Mulligan) (2:15 AM) (comedy) Our Miss Brooks (1956/85 m/Al Lewis) (4:00 AM) (drama)The Corn Is Green (1945/114 m/Irving Rapper) (6:00 AM) (comedy) Girl He Left Behind (1956/103 m/David Butler) (8:00 AM) (war) Lafayette Escadrille (1958/93 m/William A. Wellman) (9:45 AM) (comedy) Dondi (1961/100 m/Albert Zugsmith) (11:30 AM) (epic) The Shoes of the Fisherman (1968/162 m/Michael Anderson) (2:15 PM) (crime) Ring of Fire (1961/91 m/Andrew L. Stone) (4:00 PM) (suspense) Twenty Plus Two (1961/103 m/Joseph M. Newman) (5:45 PM) (horror) Marooned (1969/129 m/John Sturges) (8:00 PM) (drama) La Strada (1954/108 m/Federico Fellini) (10:00 PM) (romance) Two for the Road (1967/111 m/Stanley Donen) Friday, October 02, 2020 (12:00 AM) (romance) Dodsworth (1936/101 m/William Wyler) (2:00 AM) (documentary) The Memphis Belle: A Story of a Flying Fortress (1944/40 m/Lt. Col. William Wyler) (3:00 AM) (drama) Black Girl (1966/60 m/Ousmane Sembene) (4:15 AM) (drama) The Music Room (1958/99 m/Satyajit Ray) (6:00 AM) (comedy) Go West (1940/80 m/Edward Buzzell) (7:45 AM) (comedy) The Big Store (1941/83 m/Charles Riesner) (9:30 AM) (comedy) Double Dynamite (1951/81 m/Irving Cummings) (11:00 AM) (comedy) Girl In Every Port (1952/86 m/Chester Erskine) (12:30 PM) (comedy) A Day at the Races (1937/109 m/Sam Wood) (2:30 PM) (comedy) At the Circus (1939/87 m/Edward Buzzell) (4:15 PM) (comedy) A Night at the Opera (1935/91 m/Sam Wood) (6:00 PM) (epic) The Story of Mankind (1957/100 m/Irwin Allen) (8:00 PM) (horror) Dracula (1931/74m/Tod Browning) (9:30 PM) (suspense) Cat People (1942/73 m/Jacques Tourneur) (11:00 PM) (horror) House on Haunted Hill (1958/75 m/William Castle) Saturday, October 03, 2020 (12:30 AM) (horror) The Haunting (1963/112 m/Robert Wise) (3:45 AM) (premiere) Wigstock: The Movie (1995/85 m/Barry Shils) (5:15 AM) (short) The Relaxed Wife (1957/13 m/?) (5:15 AM) (short) Time Out for Trouble (1961/19m/David S. Glidden) (6:00 AM) (comedy) Million Dollar Baby (1941/101 m/Curtis Bernhardt) (8:00 AM) (premiere) MGM CARTOONS: The Peachy Cobbler (1950/7 m/Fred (Tex) Avery) (8:08 AM) (short) Phonies Beware! (1956/8 m/Larry O'Reilly) (8:17 AM) (short) Night Life in Chicago (1948/9 m/?) (8:27 AM) (premiere) Arctic Fury (1949/61 m/Norman Dawn) (9:30 AM) (premiere) THE WILD WEST DAYS: Redskins’ Revenge (1937/?/?) (10:00 AM) (premiere) POPEYE: Baby Wants a Bottleship (1942/7 m/Dave Fleischer) (10:08 AM) (adventure) Safari Drums (1953/71 m/Ford Beebe) (11:30 AM) (documentary) Alaska Lifeboat (1956/21 m/Herbert Morgan) (12:00 PM) (drama) The Prince and the Pauper (1937/118 m/William Keighley) (2:15 PM) (crime) Key Largo (1948/100 m/John Huston) (4:15 PM) (drama) The Defiant Ones (1958/96 m/Stanley Kramer) (6:00 PM) (romance) The Thomas Crown Affair (1968/102 m/Norman Jewison) (8:00 PM) (epic) Lawrence of Arabia (1962/227 m/David Lean) Sunday, October 04, 2020 (12:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger) (2:00 AM) (western) Across the Wide Missouri (1951/78 m/William Wellman) (3:30 AM) (musical) On An Island With You (1948/108 m/Richard Thorpe) (5:30 AM) (short) Inflation (1942/17 m/Cy Endfield) (6:00 AM) (romance) The Last of Mrs. Cheyney (1937/98 m/Richard Boleslawski) (7:45 AM) (romance) Humoresque (1946/124 m/Jean Negulesco) (10:00 AM) (crime) Where the Sidewalk Ends (1950/95 m/Otto Preminger) (12:00 PM) (comedy) Mr. Belvedere Goes to College (1949/83 m/Elliott Nugent) (1:30 PM) (comedy) The Women (1939/133 m/George Cukor) (4:00 PM) (musical) Bye Bye Birdie (1963/112 m/George Sidney) (6:00 PM) (documentary) The Great Buster: A Celebration (2018/101 m/Peter Bogdanovich) (8:00 PM) (silent) Sherlock Jr. (1924/46 m/Buster Keaton) (9:00 PM) (silent) The General (1927/79 m/Buster Keaton) (10:30 PM) (silent) Steamboat Bill Jr. (1928/71 m/Charles F. Reisner) Monday, October 05, 2020 (12:00 AM) (silent) Seven Chances (1925/57 m/Buster Keaton) (2:00 AM) (drama) Viridiana (1961/91 m/Luis Buñuel) (3:45 AM) (drama) The Exterminating Angel (1962/92 m/Luis Buñuel) (5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:00 AM) (musical) Roberta (1935/106 m/William A. Seiter) (8:00 AM) (musical) Fashions of 1934 (1934/78 m/William Dieterle) (9:30 AM) (drama) Stolen Holiday (1937/80 m/Michael Curtiz) (11:00 AM) (comedy) Designing Woman (1957/118 m/Vincente Minnelli) (1:00 PM) (comedy) Made in Paris (1966/103 m/Boris Sagal) (2:45 PM) (romance) A Place for Lovers (1969/88 m/Vittorio De Sica) (4:30 PM) (horror) Blood and Black Lace (1964/88 m/Mario Bava) (6:00 PM) (suspense) Lured (1947/103 m/Douglas Sirk) (8:00 PM) (crime) Cash on Demand (1961/80 min/Quentin Lawrence) (9:30 PM) (romance) The End of the Affair (1955/106 m/Edward Dmytryk) (11:30 PM) (crime) Time Without Pity (1957/85 m/Joseph Losey) Tuesday, October 06, 2020 (1:15 AM) (adventure) John Paul Jones (1959/126 m/John Farrow) (3:30 AM) (drama) Hamlet (1948/154 m/Laurence Olivier) (6:15 AM) (comedy) A Chump at Oxford (1940/63 m/Alfred Goulding) (7:30 AM) (drama) Vigil in the Night (1940/102 m/George Stevens) (9:15 AM) (comedy) The Gay Bride (1934/80 m/Jack Conway) (10:45 AM) (musical) Swing High, Swing Low (1937/83 m/Mitchell Leisen) (12:15 PM) (comedy) Love Before Breakfast (1936/70 m/Walter Lang) (1:30 PM) (comedy) Nothing Sacred (1937/74 m/William A. Wellman) (3:00 PM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock) (4:45 PM) (comedy) To Be or Not to Be (1942/99 m/Ernst Lubitsch) (6:30 PM) (documentary) The Golden Age of Comedy (1957/79 m/various) (9:15 PM) (drama) The Ascent (1977/109 m/Larisa Sheptiko) Wednesday, October 07, 2020 (12:30 AM) Meek's Cutoff (2010/104 m/Kelly Reichardt) (2:30 AM) (short) Meshes of the Afternoon (1944/14 m/Maya Deren) (4:30 AM) (comedy) Daisies (1966/76 m/Vera Chytilová (6:00 AM) (premiere) Cameraperson (2016/102 m/Kirsten Johnson) (9:15 AM) (drama) The Journey (1959/126 m/Anatole Litvak) (11:30 AM) (drama) The Squall (1929/102 mAlexander Korda) (1:30 PM) (short) Beautiful Budapest (1938/9 m/?) (1:45 PM) (short) Rural Hungary (1939/9 m/James A. FitzPatrick) (2:00 PM) (drama) Fight For Your Lady (1938/66 m/Ben Stoloff) (3:15 PM) (drama) Storm at Daybreak (1933/79 m/Richard Boleslavsky) (4:45 PM) (romance) The Shop Around the Corner (1940/99 m/Ernst Lubitsch) (6:30 PM) (musical) One Heavenly Night (1930/80 m/Geo. Fitzmaurice) (8:00 PM) (comedy) No Time For Sergeants (1958/119 m/Mervyn LeRoy) (10:15 PM) (drama) A Face in the Crowd (1957/126 m/Elia Kazan) Thursday, October 08, 2020 (12:30 AM) (western) Hearts of the West (1975/102 m/Howard Zieff) (2:30 AM) (comedy) Onionhead (1958/110 m/Norman Taurog) (4:30 AM) (comedy) Thunder Afloat (1939/95 m/George B. Seitz) (6:15 AM) (crime) The Public Enemy (1931/84 m/William A. Wellman) (8:15 AM) (romance) Red-Headed Woman (1932/79 m/Jack Conway) (9:45 AM) (comedy) Dinner at Eight (1933/111 m/George Cukor) (11:45 AM) (comedy) Saratoga (1937/92 m/Jack Conway) (1:30 PM) (romance) Hold Your Man (1933/87 m/Sam Wood) (3:15 PM) (romance) Red Dust (1932/83 m/Victor Fleming) (4:45 PM) (comedy) Personal Property (1937/84 m/W. S. Van Dyke II) (6:15 PM) (comedy) Bombshell (1933/96 m/Victor Fleming) (8:00 PM) (comedy) The Front Page (1931/101 m/Lewis Milestone) (10:00 PM) (suspense) Detour (1945/68 m/Edgar G. Ulmer) (11:30 PM) (drama) The Man with the Golden Arm (1956/119m/Otto Preminger) Friday, October 09, 2020 (1:45 AM) (romance) Love Affair (1939/88 m/Leo McCarey) (3:30 AM) (crime) A Brighter Summer Day (1991/237 m/Edward Yang) (7:00 AM) (short) Alice in Movieland (1940/22 m/Jean Negulesco) (7:45 AM) (drama) Nora Prentiss (1947/111 m/Vincent Sherman) (9:45 AM) (crime) Born to Kill (1947/92 m/Robert Wise) (11:30 AM) (drama) Dark Passage (1947/106 m/Delmer Daves) (1:30 PM) (suspense) Out of the Past (1947/97 m/Jacques Tourneur) (3:15 PM) (crime) Race Street (1948/79 m/Edwin L. Marin) (4:45 PM) (suspense) Impact (1949/111 m/Arthur Lubin) (6:45 PM) (suspense) The Woman On Pier 13 (1950/73 m/Robert Stevenson) (8:00 PM) (horror) The Ghoul (1933/81 m/T. Hayes Hunter) (9:30 PM) (horror) The Black Sleep (1956/82 m/Reginald LeBorg) (11:00 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning) Saturday, October 10, 2020 (12:15 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero) (2:00 AM) (adventure) White Lightning (1973/101 m/Joseph Sargent) (3:45 AM) (drama) Gator (1976/116 m/Burt Reynolds) (5:45 AM) (short) The Corvair in Action! (1960/6 m/?) (6:00 AM) (musical) The Opposite Sex (1956/116 m/David Miller) (8:00 AM) (premiere) MGM Cartoons: Red Hot Riding Hood (1943/7 m/Fred (Tex) Avery) (8:09 AM) (short) Fortune Seekers (1956/8 m/Larry O'Reilly) (8:18 AM) (documentary) Historic Maryland (1941/8 m/?) (8:27 AM) (drama) Men of the North (1930/61 m/Hal Roach) (9:30 AM) (premiere) THE WILD WEST DAYS: Brink of Doom (1937/?/?) (10:00 AM) (premiere) POPEYE: Alona the Sarong Seas (1942/7 m/Dave Fleischer) (10:08 AM) (premiere) The Golden Idol (1954/71 m/Ford Beebe) (11:30 AM) (comedy) King Of The Islands (1935/17 m/Ralph Staub) . (12:00 PM) (adventure) Tarzan The Ape Man (1932/100 m/W. S. Van Dyke II) (2:00 PM) (musical) Lili (1953/81 m/Charles Walters) (3:30 PM) (comedy) Casino Royale (1967/131 m/John Huston, et. al.) (6:00 PM) (musical) Top Hat (1935/100 m/Mark Sandrich) (8:00 PM) (adventure) Gunga Din (1939/117 m/George Stevens) (10:15 PM) (adventure) The Three Musketeers (1948/126 m/George Sidney) Sunday, October 11, 2020 (12:30 AM) (crime) The Racket (1951/89 m/John Cromwell) (2:30 AM) (comedy) Bananas (1971/82 m/Woody Allen) (4:00 AM) (comedy) Hannah and Her Sisters (1986/107 m/Woody Allen) (6:00 AM) (comedy) A Midsummer Night's Dream (1935/143 m/Max Reinhardt) (8:30 AM) (drama) Journey For Margaret (1942/81 m/Major W. S. Van Dyke II) (10:00 AM) (crime) The Racket (1951/89 m/John Cromwell) (12:00 PM) (drama) Sounder (1972/105 m/Martin Ritt) (2:00 PM) (drama) The Secret Garden (1949/92 m/Fred M. Wilcox) (3:45 PM) (drama) The Catered Affair (1956/94 m/Richard Brooks) (5:30 PM) (musical) Flower Drum Song (1961/131 m/Henry Koster) (8:00 PM) (comedy) The Front Page (1974/105 m/Billy Wilder) (10:00 PM) (comedy) The Fortune Cookie (1966/126 m/Billy Wilder) Monday, October 12, 2020 (12:15 AM) (comedy) Sidewalk Stories (1989/99 m/Charles Lane) (2:15 AM) (comedy) The Firemen's Ball (1967/73 m/Milos Forman) (3:45 AM) (premiere) All My Good Countrymen (1968/126 m/Vojtěch Jasný) (6:00 AM) (horror) The Reptile (1966/90 m/John Gilling) (7:45 AM) (horror) The Killer Shrews (1959/68 m/Ray Kellogg) (9:00 AM) (horror) King Kong (1933/104 m/Merian C. Cooper) (11:00 AM) (horror) The Beast From 20,000 Fathoms (1953/80 m/Eugene Lourié) (12:30 PM) (horror) Gojira (1954/96 m/Ishiro Honda) (2:00 PM) (horror) Creature from the Black Lagoon (1954/79 m/Jack Arnold) (3:30 PM) (horror) Creature from the Haunted Sea (1961/59 m/Roger Corman) (4:45 PM) (horror) The Green Slime (1969/90 m/Kinji Fukasaku) (6:30 PM) (horror) Night of the Lepus (1972/88 m/William F. Claxton) (8:00 PM) (adventure) Sword of Sherwood Forest (1960/80 m/Terence Fisher) (11:00 PM) (horror) Daleks - Invasion Earth 2150 A.D. (1966/81 m/Gordon Flemyng) Tuesday, October 13, 2020 (12:30 AM) (adventure) She (1965/106 m/Robert Day) (2:30 AM) (crime) Violent Playground (1958/106 m/Basil Dearden) (4:30 AM) (premiere) In Saigon: Some May Live (1967/89 m/Vernon Sewell) (6:00 AM) (drama) Devotion (1931/81 m/Robert Milton) (7:30 AM) (comedy) The Runaway Bus (1954/74 m/Val Guest) (9:00 AM) (crime) The Solitaire Man (1933/67 m/Jack Conway) (10:30 AM) (suspense) Blind Adventure (1933/63 m/Ernest B. Schoedsack) (11:45 AM) (musical) Double Trouble (1967/92 m/Norman Taurog) (1:30 PM) (romance) A Warm December (1972/101 m/Sidney Poitier) (3:30 PM) (drama) The V.I.P.S (1963/119 m/Anthony Asquith) (5:45 PM) (comedy) The Prince and the Showgirl (1957/117 m/Laurence Olivier) Wednesday, October 14, 2020 (2:00 AM) (documentary) The House Is Black (1963/22 m/?) (2:30 AM) (romance) First Love (1977/91 m/Joan Darling) (4:15 AM) (drama) The Night Porter (1974/118 m/Liliana Cavani) (6:30 AM) (drama) Le Bonheur (1965/80 m/Agnes Varda) (10:15 AM) (silent) The Unholy Three (1925/86 m/Tod Browning) (12:00 PM) (silent) The Unknown (1927/49 m/Tod Browning) (1:00 PM) (silent) The Blackbird (1926/86 m/Tod Browning) (2:30 PM) (horror) The Thirteenth Chair (1929/73 m/Tod Browning) (4:00 PM) (horror) Freaks (1932/62 m/Tod Browning) (5:15 PM) (horror) Mark of the Vampire (1935/60 m/Tod Browning) (6:30 PM) (horror) The Devil-Doll (1936/78 m/Tod Browning) (8:00 PM) (drama) Abe Lincoln in Illinois (1940/110 m/John Cromwell) (10:00 PM) (drama) Sunrise at Campobello (1960/144 m/Vincent J. Donehue) Thursday, October 15, 2020 (12:45 AM) (drama) Wilson (1944/154 m/Henry King) (3:30 AM) (war) PT 109 (1963/140 m/Leslie H. Martinson) . (6:00 AM) (comedy) Three Men on a Horse (1936/86 m/Mervyn LeRoy) (7:30 AM) (crime) Unholy Partners (1941/94 m/Mervyn LeRoy) (9:15 AM) (musical) Sweet Adeline (1935/88 m/Mervyn Le Roy) (11:00 AM) (comedy) Happiness Ahead (1934/86 m/Mervyn Le Roy) (12:30 PM) (drama) Big City Blues (1932/63 m/Mervyn LeRoy) (1:45 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy) (4:00 PM) (drama) They Won't Forget (1937/95 m/Mervyn LeRoy) (5:45 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy) (8:00 PM) (war) Tunes of Glory (1960/107 m/Ronald Neame) (10:00 PM) (war) The Life and Death of Colonel Blimp (1943/164 m/Michael Powell) Friday, October 16, 2020 (1:00 AM) (war) The Seventh Cross (1944/112 m/Fred Zinnemann) (3:00 AM) (drama) The Diary of Anne Frank (1959/180 m/George Stevens) (6:15 AM) (documentary) Trances (1981/89 m/Ahmed El Maanouni) (8:00 AM) (comedy) Little Shop of Horrors (1960/72 m/Roger Corman) (9:15 AM) (horror) Village of the Damned (1960/77 m/Wolf Rilla) (10:45 AM) (horror) The Brain That Wouldn't Die (1962/82 m/Joseph Green) (12:15 PM) (horror) Carnival of Souls (1962/78 m/Herk Harvey) (1:45 PM) (horror) Dementia 13 (1963/75 m/Francis Ford Coppola) (3:15 PM) (horror) The Raven (1963/86 m/Roger Corman) (4:45 PM) (horror) Spider Baby (1964/84 m/Jack Hill) (6:15 PM) (horror) The Nanny (1965/93 m/Seth Holt) (8:00 PM) (horror) Dead of Night (1945/103 m/Alberto Cavalcanti, Basil Dearden, Robert Hamer, Charles Crichton) (10:00 PM) (horror) Twice-Told Tales (1963/120 m/Sidney Salkow) Saturday, October 17, 2020 (12:15 AM) (horror) Black Sabbath (1963/96 m/Mario Bava) (2:00 AM) (premiere) Enter the Ninja (1981/99 m/Menahem Golan) (3:45 AM) (premiere) Revenge of the Ninja (1983/?/Sam Firstenberg) (5:30 AM) (short) Shake Hands With Danger (1970/23 m/?) (6:00 AM) (war) The Password Is Courage (1962/115 m/Andrew L. Stone) (8:00 AM) MGM CARTOONS: Sheep Wrecked (1958/6 m/Michael Lah) (8:08 AM) (documentary) Cave Explorers (1957/8 m/Heinz Scheiderbauer) (8:17 AM) (short) The Capital City Washington, D.C. (1940/9 m/?) (8:27 AM) (drama) She Loved A Fireman (1937/58 m/John Farrow) (9:30 AM) (premiere) The WILD WEST DAYS: Indians Are Coming (1937/?/?) (10:00 AM) (premiere) POPEYE: A Hull of a Mess (1942/6 m/Dave Fleischer) (10:08 AM) (adventure) Lord of the Jungle (1955/69 m/Ford Beebe) (11:30 AM) (short) Kissing Time (1933/22 m/Roy Mack) (12:00 PM) (western) Angel And The Badman (1947/100 m/James Edward Grant) (1:45 PM) (adventure) Captain Horatio Hornblower (1951/117 m/Raoul Walsh) (4:00 PM) (comedy) Support Your Local Sheriff! (1969/93 m/Burt Kennedy) (5:45 PM) (horror) Rollerball (1975/125 m/Norman Jewison) (8:00 PM) (musical) Singin' in the Rain (1952/103 m/Gene Kelly) (10:00 PM) (musical) Summer Stock (1950/109 m/Charles Walters) Sunday, October 18, 2020 (12:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn) (1:45 AM) (comedy) The Fearless Vampire Killers or Pardon Me, But Your Teeth Are in My Neck (1966/107 m/Roman Polanski) (3:45 AM) (horror) House of Dark Shadows (1970/97 m/Dan Curtis) (5:30 AM) (short) Return to Glennascaul (1953/24 m/Hilton Edwards) (6:00 AM) (drama) The Life of Emile Zola (1937/116 m/William Dieterle) (8:15 AM) (comedy) His Girl Friday (1940/92 m/Howard Hawks) (10:00 AM) (crime) Destination Murder (1950/73 m/Edward L. Cahn) (11:45 AM) (epic) The Good Earth (1937/138 m/Sidney Franklin) (2:15 PM) (drama) Written on the Wind (1957/99 m/Douglas Sirk) (4:00 PM) (romance) Dear Heart (1964/114 m/Delbert Mann) (6:00 PM) (comedy) Peggy Sue Got Married (1986/105 m/Francis Ford Coppola) (10:00 PM) (comedy) Losing Ground (1982/86 m/Kathleen Collins) Monday, October 19, 2020 (12:00 AM) (silent) Exit Smiling (1926/77 m/Sam Taylor) (2:00 AM) (premiere) I Am Waiting (1957/91 m/Koreyoshi Kurahara) (3:45 AM) (premiere) A Colt Is My Passport (1967/84 m/Takashi Nomura) . (5:30 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:00 AM) (comedy) I Married a Witch (1942/77 m/René Clair) (7:30 AM) (comedy) Mr. and Mrs. Smith (1941/95 m/Alfred Hitchcock) (9:15 AM) (crime) Touch of Evil (1958/111 m/Orson Welles) (11:30 AM) (adventure) Mogambo (1953/116 m/John Ford) (1:45 PM) (suspense) North by Northwest (1959/136 m/Alfred Hitchcock) (4:15 PM) (drama) In A Lonely Place (1950/93 m/Nicholas Ray) (6:00 PM) (war) Any Number Can Play (1949/103 m/Mervyn LeRoy) (8:00 PM) (suspense) The Hound of the Baskervilles (1959/87 m/Terence Fisher) (9:30 PM) (horror) Horror of Dracula (1958/81 m/Terence Fisher) (11:15 PM) (horror) The Mummy (1959/88 m/Terence Fisher) (1:00 AM) (horror) The Curse of Frankenstein (1957/83 min/Terence Fisher) (2:45 AM) (horror) Frankenstein Created Woman (1967/92 min/Terence Fisher) (4:30 AM) (horror) Frankenstein Must Be Destroyed! (1970/101 m/Terence Fisher) Tuesday, October 20, 2020 (6:15 AM) (comedy) Front Page Woman (1935/82 m/Michael Curtiz) (7:45 AM) (romance) Wife Vs. Secretary (1936/88 m/Clarence Brown) (9:30 AM) (suspense) Mr. And Mrs. North (1941/67 m/Robert B. Sinclair) (10:45 AM) (comedy) Theodora Goes Wild (1936/94 m/Richard Boleslawski) (12:30 PM) (comedy) Breakfast for Two (1937/68 m/Alfred Santell) (1:45 PM) (comedy) Four's A Crowd (1938/92 m/Michael Curtiz) (3:30 PM) (comedy) It's A Wonderful World (1939/86 m/W. S. Van Dyke II) (5:00 PM) (comedy) Fools For Scandal (1938/80 m/Mervyn Le Roy) (6:30 PM) (romance) Love on the Run (1936/80 m/W. S. Van Dyke) (8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema #8 (2018/?/Mark Cousins) (9:15 PM) TBA (10:45 PM) (documentary)) Women Make Film: A New Road Movie Through Cinema #8 (2018/?/Mark Cousins) __ Wednesday, October 21, 2020 (2:00 AM) (premiere) The Third Miracle (1999/119 m/Agnieszka Holland) (7:45 AM) (short) The Birth, the Life and the Death of Christ (1906/34 m/Alice Guy-Blache) (8:30 AM) (documentary) Araya (1959/83 m/Margot Benacerraf) (10:00 AM) (drama) Children of a Lesser God (1986/119 m/Randa Haines) (12:15 PM) (drama) Young Dr. Kildare (1938/82 m/Harold S. Bucquet) (1:45 PM) (drama) Calling Dr. Kildare (1939/86 m/Harold S. Bucquet) (3:30 PM) (drama) The Secret of Dr. Kildare (1939/84 m/Harold S. Bucquet) (5:00 PM) (drama) Dr. Kildare Goes Home (1940/79 m/Harold S. Bucquet) (6:30 PM) (drama) Dr. Kildare's Crisis (1940/75 m/Harold S. Bucquet) (8:00 PM) (comedy) Hard To Handle (1933/78 m/Mervyn LeRoy) (9:30 PM) (crime) The Beast Of The City (1932/86 m/Charles Brabin) (11:15 PM) (drama) One Way Passage (1942/67 m/Tay Garnett) Thursday, October 22, 2020 (12:45 AM) (crime) They Live By Night (1948/95 m/Nicholas Ray) (2:30 AM) (adventure) The Prisoner of Zenda (1952/100 m/Richard Thorpe) (4:15 AM) (adventure) Green Fire (1955/100 m/Andrew Marton) (6:00 AM) (adventure) Three Faces East (1930/71 m/Roy Del Ruth) (7:30 AM) (drama) Born to Love (1932/81 m/Paul L. Stein) (9:00 AM) (drama) The Common Law (1932/74 m/Paul L. Stein) (10:30 AM) (drama) Rockabye (1932/68 m/George Cukor) (11:45 AM) (drama) Bed of Roses (1933/ 67 /Gregory LaCava) (1:00 PM) (drama) Our Betters (1933/83 m/George Cukor) (2:30 PM) (comedy) Topper (1937/97 m/Norman Z. McLeod) (4:15 PM) (comedy) Topper Takes a Trip (1939/80 m/Norman Z. McLeod) (5:45 PM) (comedy) Merrily We Live (1938/95 m/Norman Z. McLeod) (7:30 PM) (documentary) MGM Parade Show #5 (1955/26 m/?) (8:00 PM) (crime) The Killers (1964/93 m/Donald Siegel) (9:45 PM) (drama) The Breaking Point (1950/97 m/Michael Curtiz) (11:30 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz) Friday, October 23, 2020 (1:00 AM) (horror) Night of the Living Dead (1968/96 m/George A. Romero) (3:00 AM) (premiere) A River Called Titas (1973/158 m/Ritwik Ghatak) (6:00 AM) (drama) Inside Straight (1951/87 m/Gerald Mayer) (7:30 AM) (crime) Absolute Quiet (1936/70 m/George B. Seitz) (8:45 AM) (drama) Chain Lightning (1950/95 m/Stuart Heisler) (10:30 AM) (adventure) Tycoon (1947/129 m/Richard Wallace) (12:45 PM) (drama) No Marriage Ties (1933/72 m/J. Walter Ruben) (2:00 PM) (drama) Death of a Scoundrel (1956/120 m/Charles Martin) (4:15 PM) (crime) Assignment To Kill (1968/99 m/Sheldon Reynolds) (6:00 PM) (suspense) The Drowning Pool (1975/108 m/Stuart Rosenberg) (8:00 PM) (horror) Pit and the Pendulum (1961/80 m/Roger Corman) (9:45 PM) (horror) Spirits of the Dead (1968/121 m/Federico Fellini, Louis Malle, Roger Vadim) Saturday, October 24, 2020 (12:00 AM) (horror) Murders In The Rue Morgue (1971/98 m/Gordon Hessler) (2:00 AM) (premiere) Ninja III: The Domination (1984/95 m/Sam Firstenberg) (3:45 AM) (drama) Heavenly Bodies (1985/89 m/Lawrence Dane) (5:30 AM) (short) Keep Off The Grass (1969/21 m/?) (6:00 AM) (comedy) Please Don't Eat the Daisies (1960/111 m/Charles Walters) (8:00 AM) (premiere) MGM CARTOONS: One Cab's Family (1938/8 m/Fred (Tex) Avery) (8:09 AM) (documentary) Black Cats and Broomsticks (1955/8 m/Larry O'Reilly) (8:18 AM) (short) Wandering Here and There (1944/9 m/James A. FitzPatrick) (8:28 AM) (romance) King Of The Lumberjacks (1940/59 m/William Clemens) (9:30 AM) (premiere) THE WILD WEST DAYS: Leap For Life (1937/?/?) (10:00 AM) (premiere) POPEYE: Cartoons Ain’t Human (1943/7 m/Dave Fleischer) (10:09 AM) (adventure) Tarzan And The Amazons (1945/76 m/Kurt Neumann) (11:30 AM) (short) The Flame Song (1934/22 m/Joseph Henabery) (12:00 PM) (suspense) Harper (1966/121 m/Jack Smight) (2:15 PM) (horror) Brainstorm (1983/106 m/Douglas Trumbull) (4:15 PM) (war) Men Of The Fighting Lady (1954/80 m/Andrew Marton) (5:45 PM) (drama) Citizen Kane (1941/119 m/Orson Welles) (8:00 PM) (drama) Ace in the Hole (1951/111m/Billy Wilder) (10:15 PM) (premiere) Flesh and Fury (1952/83 m/Joseph Pevney) Sunday, October 25, 2020 (12:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg) (1:45 AM) (horror) The Werewolf (1956/80 m/Fred F. Sears) (3:15 AM) (premiere) The Howling (1981/91 m/Joe Dante) (5:00 AM) (horror) The Mummy (1932/73 m/Karl Freund) (6:15 AM) (suspense) Murder on the Blackboard (1934/72 m/George Archainbaud) (7:30 AM) (romance) All This, and Heaven Too (1940/143 m/Anatole Litvak) (10:00 AM) (adventure) Macao (1952/81 m/Josef von Sternberg) (12:00 PM) (romance) The White Cliffs Of Dover (1944/126 m/Clarence Brown) (2:15 PM) (epic) Around the World in 80 Days (1956/182 m/Michael Anderson) (5:30 PM) (horror) What Ever Happened to Baby Jane? (1962/134 m/Robert Aldrich) (8:00 PM) (western) 3:10 to Yuma (1957/92 m/Delmer Daves) (10:00 PM) (western) Gunman's Walk (1958/95 m/Phil Karlson) Monday, October 26, 2020 (12:00 AM) (silent) Haxan: Witchcraft Through the Ages (1922/107 m/Benjamin Christensen) (2:00 AM) (suspense) Diabolique (1955/117 m/Henri-Georges Clouzot) (4:15 AM) (horror) Eyes Without a Face (1959/90 m/Georges Franju) (6:00 AM) (suspense) The Beast with Five Fingers (1946/88 m/Robert Florey) (7:45 AM) (adventure) Mara Maru (1952/98 m/Gordon Douglas) (9:30 AM) (drama) They Won't Believe Me (1947/80 m/Irving Pichel) (11:15 AM) (suspense) Where Danger Lives (1950/80 m/John Farrow) (1:00 PM) (suspense) Fingers at the Window (1942/81 m/Charles Lederer) (2:30 PM) (suspense) Footsteps in the Dark (1941/96 m/Lloyd Bacon) (4:15 PM) (suspense) Kill or Cure (1962/88 m/George Pollock) (6:00 PM) (comedy) The Gazebo (1960/102m/George Marshall) (8:00 PM) (horror) Nothing But the Night (1972/91 m/Peter Sasdy) (9:45 PM) (horror) Madhouse (1974/91 m/James Clark) (11:30 PM) (horror) From Beyond the Grave (1973/98 m/Kevin Connor) Tuesday, October 27, 2020 (1:30 AM) (horror) Scream and Scream Again (1970/95 m/Gordon Hessler) (3:15 AM) (premiere) The Satanic Rites of Dracula (1973/88 m/Alan Gibson) (4:45 AM) (horror) Dracula A.D. 1972 (1972/96 m/Alan Gibson) (6:30 AM) (western) Somewhere In Sonora (1933/58 m/Mack V. Wright) (7:45 AM) (western) Along the Rio Grande (1941/64 m/Edward Killy) (9:00 AM) (western) Valley of the Sun (1942/78 m/George Marshall) (10:30 AM) (western) Sagebrush Trail (1933/53 m/Armand Schaefer) (11:30 AM) (western) Devil's Canyon (1953/92 m/Alfred Werker) (1:15 PM) (western) The Hired Gun (1957/64 m/Ray Nazarro) (2:30 PM) (premiere) Black Patch (1957/82 m/Allen H. Miner) (4:00 PM) (western) Virginia City (1940/121 m/Michael Curtiz) (6:15 PM) (western) Escape From Fort Bravo (1953/98 m/John Sturges) Wednesday, October 28, 2020 (12:15 AM) (comedy) Girlfriends (1978/88 m/Claudia Weill) (2:00 AM) (drama) The Connection (1962/103 m/Shirley Clarke) (4:00 AM) (comedy) Lost In Yonkers (1993/114 m/Martha Coolidge) (10:00 AM) (drama) Winter Meeting (1948/104 m/Bretaigne Windust) (12:00 PM) (romance) I Know Where I'm Going (1945/92 m/Michael Powell) (1:45 PM) (romance) The Enchanted Cottage (1945/92 m/John Cromwell) (3:30 PM) (romance) Random Harvest (1942/126 m/Mervyn LeRoy) (6:00 PM) (romance) Desire Me (1947/91 m/George Cukor) (8:00 PM) (drama) The Best Man (1964/102 m/Franklin J. Schaffner) (10:00 PM) (drama) State of the Union (1948/123 m/Frank Capra) Thursday, October 29, 2020 (12:15 AM) (comedy) The Great McGinty (1940/82 m/Preston Sturges) (2:00 AM) (drama) The Candidate (1972/110 m/Michael Ritchie) (4:00 AM) (drama) All the King's Men (1949/110 m/Robert Rossen) (6:00 AM) (western) Haunted Gold (1932/58 m/Mack V. Wright) (7:00 AM) (horror) The Devil-Doll (1936/78 m/Tod Browning) (8:30 AM) (suspense) Before Dawn (1933/61 m/Irving Pichel) (9:45 AM) (comedy) Man Alive (1946/70 m/Ray Enright) (11:00 AM) (horror) Tormented (1960/75 m/Bert I. Gordon) (12:30 PM) (adventure) Angel on My Shoulder (1946/101 m/Archie Mayo) (2:15 PM) (horror) Night Of Dark Shadows (1971/94 m/Dan Curtis) (4:00 PM) (horror) Indestructible Man (1956/71 m/Jack Pollexfen) (5:15 PM) (horror) From Hell It Came (1957/71 m/Johnny Greenwald) (6:30 PM) (horror) Death Curse of Tartu (1966/88 m/William Grefé) (8:00 PM) (western) Winchester '73 (1950/92 m/Anthony Mann) (10:00 PM) (western) She Wore a Yellow Ribbon (1949/104 m/John Ford) Friday, October 30, 2020 (12:00 AM) (documentary) Primary (1960/53 m/Robert Drew) (1:15 AM) (documentary) Crisis (1963/53 m/Robert Drew) (2:15 AM) (premiere) Dos Monjes (1934//Juan Bustillo Oro) (4:00 AM) (drama) Of Mice and Men (1939/107m/Lewis Milestone) (6:00 AM) (documentary) MGM Parade Show #5 (1955/26 m/?) (6:30 AM) (horror) Doctor X (1932/76 m/Michael Curtiz) (8:00 AM) (horror) The Mask Of Fu Manchu (1932/68 m/Charles Brabin) (9:30 AM) (horror) The Most Dangerous Game (1932/63 m/Ernest B. Schoedsack) (10:45 AM) (horror) Island of Lost Souls (1932/70 m/Erle C. Kenton) (12:00 PM) (horror) White Zombie (1932/67 m/Victor Halperin) (1:30 PM) (horror) The Vampire Bat (1933/63 m/Frank Strayer) (2:45 PM) (horror) The Mystery Of The Wax Museum (1933/77 m/Michael Curtiz) (4:15 PM) (horror) Mad Love (1935/68 m/Karl Freund) (5:30 PM) (horror) The Walking Dead (1936/65 m/Michael Curtiz) (6:45 PM) (horror) The Return of Doctor X (1939/62 m/Vincent Sherman) (8:00 PM) (horror) Burn, Witch, Burn! (1962/89 m/Sidney Hayers) (9:45 PM) (horror) The Four Skulls of Jonathan Drake (1959/70 m/Edward L. Cahn) (11:00 PM) (horror) The Devil's Bride (1968/96 m/Terence Fisher) Saturday, October 31, 2020 (12:45 AM) (horror) The Conqueror Worm (1968/87 m/Michael Reeves) (5:15 AM) (short) The Distant Drummer: Flowers of Darkness (1972/22 m/William Templeton) (5:15 AM) (short) Movie Trailer (1950/16 m/?) (6:00 AM) (horror) Freaks (1932/62 m/Tod Browning) (7:15 AM) (horror) Dr. Jekyll and Mr. Hyde (1932/96 m/Rouben Mamoulian) (9:00 AM) (horror) House of Wax (1953/88 m/Andre deToth) (10:45 AM) (horror) Children of the Damned (1964/90 m/Anton M. Leader) (12:30 PM) (suspense) The Bad Seed (1956/129 m/Mervyn LeRoy) (2:45 PM) (drama) The Picture of Dorian Gray (1945/110 m/Albert Lewin) (4:45 PM) (horror) The Wolf Man (1941/70 m/George Waggner) (6:00 PM) (horror) The Haunting (1963/112 m/Robert Wise) (8:00 PM) (comedy) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964/95 m/Stanley Kubrick) . (10:00 PM) (horror) Them! (1954/92 m/Gordon Douglas) (12:00 AM) (horror) The Seventh Victim (1943/71 m/Mark Robson) (1:30 AM) (horror) I Walked With A Zombie (1943/69 m/Jacques Tourneur) (3:00 AM) (horror) The Body Snatcher (1945/78 m/Robert Wise) (4:30 AM) (suspense) The Leopard Man (1943/66 m/Jacques Tourneur)
2020.08.25 18:39 blacksuitcase9I pulled tarot cards for all of the children and some grandkids
Josh: 7 of wands reversed he’s a fraud 100% this speaks about not believing in anything you preach. As well as constantly just feeling stressed, and under pressure. This man is not a family man nor is he the strong Christian he proclaims. (Shocker!) anyone who thinks he’s changed is full of shit Anna: hanged man reversed and 3 of swords reversed both flew out. It’s almost like just accepting that nothing is going to get better. Just living in a state of clinical depression and heartbreak but on some level not caring anymore. Sad sad women. Intuitively I think she feels she can’t change her circumstances. Jana: knight of swords. Charging into battle confidently. Whatever challenges are coming her way I’m not worried about her not being able to fight them. John David: six of cups. He’s fucking happy as a clam. Honestly he really just feels like he’s living his best life. Abbie: the empress also really positive she loves motherhood, her relationship is strong. She is genuinely happy like JD. It could also indicate strong fertility, that she is pregnant again or will be in the near future it could also just mean she wants more children. Regardless she’s not pushing out babies just to push them out I think she really loves being a mom Jill: 6 of swords and queen of cups. Essentially She is moving away from a hard situation with grace, and still with compassion in her heart. I don’t see anger with her but I see a lot of sadness. This women is grieving and might even feel unstable at times. Derek: 9 of Pentacles. He focused on his getting his money together, this is someone that wants to be able to live and take care of his family very comfortably. He wants them and himself to have everything they want not just need. He might struggle with materialism a tiny bit but overall not to let hump but I respect this Jessa: judgement and the 3 of swords. Feeling like you are finally getting what you deserve after having your heart broken. Maybe this speaks to the theory’s that she is the new family favorite, or that she is just being favored more in her family then she’s used to. It could also speak to her finally feeling like she’s won, after feeling like she’s lost for so long or has lost so much in her life. Ben: 10 of wands. He feels burdened and way overworked like everything is on him. There is a lack of balance here. He feels like he’s breaking his back for no reward. This is not a happy person Jinger: ace of wands. This is my card I pull for having a high sex drive Hahahaha (gross), it’s also a card that repents brith. As we know Jinger is pregnant. She could be feeling creative, and feeling like she has lots of opportunities right now! I think homegirl is happy in LA she feels inspired there. I also think she is more artistic then she thinks. Jeremy. King of pentacles. Literally a smug, greedy, money hungry, social climbing narcissist. That’s too funny. Similar to josh I worry that Jeremy doesn’t actually practice what he preaches but what’s different from josh is I think Jeremy pretends for the fame and money. Where josh does because he wants community. Joy: two of cups. Her relationship is stronger then ever right now. Honestly she just had a baby so it makes sense that she is on cloud 9. I do think she loves Austin very very much and feels very thankful to have him as partner. Something tells me joy knows her life could be harder had she ended up in an arranged marriage with someone else. This is someone she can lean on and that she feels safe with. Austin: knight of wands it’s almost like he’s overly confident sometimes and it bites him in the ass. He might have the tendency to get frustrated easily or to feel impulsive. That being said this is someone with lots of energy, passion and who loves adventure. I do think he needs to work on maturing a little. Jennifer: 5 of wands. Just another middle child who feels like she has had to fight her whole life for attention, and needs. She might experience a lot of conflict or tension with certain siblings behind closed doors. Kendra: ace of wands and knight of swords. I see this as having a hard time with this labor. Or a hard time with pregnancy this time around. However with the knight of swords I do think she will come out on top. I’m not too worried about anything super bad happening Joe: queen of cups and the 5 of wands. He feels like he has to fight for a soft spoken a women’s attention in his life. This could be Kendra or it could be a reflection of his own childhood with Michelle. Regardless I think he has some women issues.. Jordyn: poor baby. The queen of swords and the tower. Queen of swords reversed can mean an absent mom as we know meech is absent and jessa left this is a child that has repressed trauma, and by far looks the most unhappy to me. With the tower I feel like she is really going through it right now. This is a traumatized traumatized child. It goes past being depressed or sad jordyn most likely has PTSD. These cards just spell it out it’s just really bad trauma that seems to be centered around a mom figure plain and simple. Josie: empress reversed this often also ties into mom but it’s more like feeling insecure in your relationship with you mother or like there is a disconnect there. As she gets older she might also realize she doesn’t want to be a mom or might even struggle with fertility Justin: death and the six of cups. This is someone who has a child like demeanor but is 1000% being forced to grow up. It’s kind of sad, I see it like “I have to conform now” Jed: wheel of Fortune he has a strain of good luck coming, whatever is happening is meant to happen. Karmically things are on his side right now. Jeremiah: the magician. Similar to his dad this is someone who is very manipulative and doesn’t care what strings he has to pull to get his way. He enjoys coming out. He is most likely deeply into his cult as this card represents a deeply spiritual person. Jim bob: king of swords. He is someone who struggles with anger, is quick with his tongue, likes to be in control, is wealthy, is cold and really only cares about himself. (Not surprises here) this is someone with potential to be abusive. Michelle: two of wands I think she wonders what life could had been like had she not gone down this route of having a million babies. The grass is always greener! I think she might even fantasize about leaving. She is someone who is very withdrawn and in her head Josiah: 9 of wands wounded warrior. He needs and hasn’t worked through his trauma. This is someone who is hurting a lot but Ignores it. It’s like if you broke your ankle but just kept going along. Lauren: page of pentacles there’s a lack of money that bothers her. She might play the part of liking to be thrifty but similar to Jeremy she wants to live lavish. However she’s a smart girl and has the ability to make her own money if she chooses she might even know that and it bothers her. There’s also an energy of really needed to mature. Thankfully I think she knows this and hopefully we will see some change in her behaviors James: the lovers and the 7 of cups. Is he courting someone? I don’t really follow the lost kids Because if he is his judgement is so clouded right now. He definitely isn’t seeing clearly. If he’s not I think he will be soon. OR there’s just someone he’s interested in but he’s not seeing the connection for what it is. The 7 of cups is illusion. He is beyond brainwashed Jason: ace of wands the devil. So the devil is all about lust, sex, secrets, obsessions, unhealthy and abusive relationships the ace of wands can also be a sexual card so to me this looks like Jason might have a secret porn addiction, if he does I wouldn’t be surprised if he watches very violent porn. I don’t like this combo. It could also mean that he just has an obsession around sex. But regardless it’s creepy energy Johanna: 5 of cups reversed good for Johanna this is about her healing, trying to forgive and letting go of her own trauma and pain. Intuitively I feel like she does have a lot of light in her heart, and that like most of the lost kids she has been through a lot. Jackson: judgment and the 4 of swords. He has a lot of anxiety about his life purpose. Definitely a stressed out teen. I might feel pressure to be a certain way and maybe he isn’t sure about what he truly wants. I wouldn’t be surprised if he broke free when he was older. Henry: chariot, 8 of wands and the devil It’s like he is over stimulated maybe he has some ADHD stuff going on but it’s hard for him to focus, and to be still. He’s very go go go. The devil because it indicates abuse makes me worry that he is viewed as the problem child or as “bad” when it’s something he can’t control. Very sad Sperguon : king of pentacles he’s the favorite child no doubt in my mind and he knows it. He is treated the best for sure (sorry not sure the name spelling) McKenzie: page of wands. I think other kids have a lot of fun when she’s around. She’s a sweet kid, with good intentions. She might be a little impulsive though. Overall she seems happy to me Michael: 7 of cups. This tells me he’s in the brainwashing process and it’s starting to work. Which is really fucking sad Meredith: I pulled the empress upright she’s most likely the favorite child of her mothers. I wouldn’t be surprised if they have a special bond Marcus: two of swords reversed what the fuck he’s pretty young this him being fearful, overwhelmed, constantly anxious. Not normal stuff. It almost feels like he is maybe scapegoated Mason: death he might have been a child that was supposed to really save the marriage (again) or to bring a lot of happiness to the broken family Instagram: tarot.snark
2020.08.24 03:54 pyromancer93[HEMA] The Saga of John Clements: How one man's ego and many fights helped shape the Historical European Martial Arts community.
This is my firstHobbyDramapost, so feedback is very welcome. I had to deal with a lot of acronyms and scattered sources here, but I hope the end result is a fun little tale of one sword loving man's ego and the impact it had on the community he fought with.
A brief introduction to HEMA, John Clements, and ARMA.
Historical European Martial Arts (HEMA)is a catch all term that refers to martial arts of European origin, particularly those that have died out or evolved into radically different forms. Practitioners are generally interested in reconstructing these “lost” fighting systems, relying on interpreting treatises and other primary sources that have survived to the present day. The modern Historical European Martial Arts community got its start in the 1980s and began to formalize in the 90s. Some were members of the “living history” group Society for Creative Anachronism who became particularly interested in reconstructing medieval fighting systems. Others were scholars who focused on martial systems or Olympic fencing enthusiasts who were interested in the history of weapons. One of these people was John Clements. Clements has described himself as being interested in medieval combat since childhood, dabbling in sports fencing, Japanese martial arts, and the SCA (which he would grow to utterly despise) before becoming fully invested in reconstructing European Martial Arts. Unfortunately, beyond that I don’t have much information about what he got up to in the 80s beyond his own personal accounts. Information on him beyond a general involvement with medieval combat and martial arts dries up until he becomes involved begins publishing books on medieval and renaissance swordsmanship in the 90s and gets involved with nascent HEMA organizations. In 1992 some enthusiasts, including Clements, came together and founded an umbrella group for those interested in medieval European combat known the Historical Armed Combat Association (HACA). Clements took over as leadership of HACA in 1993 and pretty much remade it in his image. The organization refocused on developing study groups to reconstruct the martial arts of the Renaissance, particularly the German Liechtenauer tradition of longsword fighting and made some material available for download from the primordial internet. By the late 90s/early 2000s HACA was restructured into Association for Renaissance Martial Arts (ARMA) with the intention to develop it into more effective educational organization that can expand clubs both within the United States and globally. To fully understand all the drama that followed, it’s important to understand a bit more about how ARMA worked and how Clements behaved as a leader. ARMA was/is run like a franchise, which essentially means anyone can start their own ARMA group, but they must run a standard curriculum prescribed by the organization (i.e., John Clements). ARMA members are not allowed to share this curriculum with people outside of the organization and are discouraged from interacting with HEMA practitioners in general. Participation in competitive tournaments was especially discouraged, due to both the inevitable interaction with non-ARMA people and Clements’ belief that tournament rulesets “bastardized” the art of fencing. Senior members/group leaders who proved themselves could publish work and teach under the ARMA banner, but only with Clements’ permission. Speaking of Clements, the man was highly ambitious. He began franchising ARMA across the United States and internationally into parts of Europe and wrote a whole lot about his thoughts on swordsmanship and martial history. He also began using his position as the head of ARMA and a knack for networking to obtain media presence as a sword expert, featuring on the History Channel, PBS, and in documentaries like Reclaiming the Blade. By the mid-2000s, Clements had built himself a nice little perch as an expert in the developing field of HEMA and easily one of its most visible spokespeople. Unfortunately for the community, the man was also a magnet for controversy.
The Early Years of Clements Drama.
There have been a lot controversies surrounding John Clements over the years. Unfortunately, a lot of the specifics on the earlier controversies have been lost to time and I am having to rely on old forum posts, recollections of ex-members, and the admittedly juvenile dead website ARMA Truth to reconstruct the many ways in which Clements became controversial before his more well documented blow ups. So fair warning: not everything here may be 100% accurate. Now, if the link I gave earlier to his bio on the ARMA website didn’t give it away John Clements thinks very highly of his ability as a martial artist. He is also a highly opinionated individual who was allergic to being told he was wrong. This isn’t really all that uncommon among fencing instructors now or historically, but Clements stood out because of his huge ego and how willing he was to insult anyone and everything that didn’t agree with his interpretation of what fencing should be. I won’t go into the specifics on these interpretations, since this write-up is long as it is and fullying explaining controversies like “parry with the flat” could turn this into a novella. What’s important here is many disagreed with him and he always went out of his way to make those disagreements personal. Other researchers in the HEMA community who disagreed with his interpretations, including well respected figures like Stephen Hand, Gregory Mele, and Christian Tobler were insulted as “petty mediocrities” who were “jealous of ARMA’s success.” According to at least one former member, Clements would describe his own interpretations as "two generations ahead" of the rest of the community fairly regularly. This confrontational approach extended into his and articles books. For example, while his book Medieval Swordsmanship was billed as a cut-and-dry explanation of sword fighting, he spent much of his time in the book attacking everyone from sports fencers to stunt fighter for not being sufficiently martial. This tendency of his can also be seen in this old io9 article and this old ARMA article on “sword myths”. The pattern is largely the same in all cases: Clements would go on lengthy tangents about how everyone else is wrong and how he was the only one doing things right and if you wanted to learn real swordsmanship you needed to get on board with him and his curriculum . You have a problem with his behavior? Well, you’re just attacking “the ARMA method” and are jealous of it. Speaking of the ARMA method, it wasn’t really the secret art form he made it out to be. Formermembers have described it as mainly consisted of a series of beginner-level drills designed to introduce new members to the basics of the longsword and other weapons. More advanced practitioners generally did their own thing and would inevitably branch out into other works by non-ARMA people as they got more into reconstruction and research. This of course would inevitably clash with Clements supreme belief his own interpretations and ARMA members would be “encouraged” to only follow Clements approved drills, only use Clements approved work, and were never allowed to interact with non-ARMA HEMAists at tournaments or workshops unless he gave them permission. Then there was the issue of safety. Now, in the early days of HEMA safety standards were at best inconsistent and at worst nonexistent. Even with this in mind, the community was filled with stories about how Clements could be a uniquely dangerous individual to train with, largely due to his belief that “What hurts, teaches”. Former members have talked about getting beaned repeatedly in drills and exercises, with some lesson plans seemingly designed to weed out “soft” people from the organization. The website ARMA truth also documented several incidents were Clements seriously injured training partners, students, or himself, although I wouldn’t consider all these reliable. Finally, I have to talk about his general musings, because oh boy does Clements have some capital T Takes. To give you an idea, here he is writing about the movie 300 back in 2006:
“Unlike those squalid suffering regions of the globe that did not embrace reason, science, and individual rights, the West achieved its unprecedented wealth, health, comfort, freedom, and personal opportunity as a direct result of its cultural values—not the blind chances of geography or climate”
Between the lack of interaction with HEMA groups outside of ARMA, lack of freedom of study, safety issues, the culture of elitism, and the weird opinions Clements had, it shouldn’t be surprising that some people just got fed up and walked away. From the late 90s through the late 2000s, a chapter would leave the organization every couple of years after its members fell out with Clements, with one notable case being the collapse of ARMA’s New York chapter. Despite this, the relative obscurity and small size of the HEMA community allowed ARMA to weather these flare ups. This pattern held until 2009. By this point, the HEMA community outside of ARMA was beginning to really take off and social media was making it easier than ever to organize events, share information, and find other enthusiasts. Despite all of this, and despite the enthusiasm of many senior members and groups in ARMA for this growing community, Clements continued to run the organization as the insular club he had been running it as. This friction between Clements and many of the senior members would boil over into a mass exodus that helped torch what was left of Clements' reputation and have huge repercussions for the community outside of ARMA. And unlike previous incidents, we have a fairly comprehensive blow-by-blow of this one thanks to a series of blog posts by former ARMA member David Knight. It all began in February 2009, when a senior member of ARMA named Kevin Maurer posted an extensive criticism of ARMA into the email list forum used by ARMA members. Maurer resigned from ARMA and Mike Cartier (the leader of Kevin's former Study Group) immediately came under fire from Clements and his loyalists. Less than a week after Maurer's resignation, Clements demanded that Cartier completely cut Maurer off on the grounds that he would steal ARMA's curriculum if he continued training with ARMA members. Remember that ARMA’s curriculum was mostly a 101/102 guide to various weapons, something that Maurer would have had moved past years ago unless he was teaching newbies. When Cartier objected, Clements responded by threatening to kick him out as well and suspending his access to the ARMA forum and e-list, depriving him of the ability to explain his views to other ARMA members. According to Knight, Clements then emailed a "hypothetical" question to other members that tried to grease the wheels for Cartier’s expulsion. Despite objections to what Clements was up to from several other senior members, Cartier saw the writing on the wall and resigned. At this point Knight figured out who the hypothetical person was and voiced their discomfort in a private email chain with Clements. According to Knight, Clements responded with a flurry of profane and angry emails that insulted him and questioned his loyalty. While these email chains were never released to the public and cannot be verified, the exchange ended with Knight also leaving the organization in protest. This is the point where things really began to spiral. Clements and his loyalists tried to regain control of the situation by further centralizing control and creating new rules to punish descent, which in turn led to more people leaving and more heavy-handedness in response. The most infamous case of this was when senior member Caspar Bradak left and Clements responding by kicking everyone in Bradak’s home state of Utah out of ARMA. Other members would continue to resign as Clements attempted to assert intellectual property rights over their research. The most important one for the purposes of this story was Jake Norwood. Norwood had been the former Deputy Director of ARMA and was widely well-liked by people both within it and in the wider HEMA community. According to Knights account, Clements proceeded to tear into Norwood and insult his character, which given Jake’s popularity and reputation, backfired spectacularly. More people would wind up walking away and outside of ARMA, the rest of the community was mocking him as a petty tyrant whose kingdom was crumbling around him. The final tally from the exodus was about half of the senior membership, including most of ARMA’s researchers and instructors. Entire state networks were either kicked out of the organization or left voluntarily. Many of these former members would go onto found the nonprofit organization known as the HEMA Alliance (HEMAA), with Norwood serving as its first President. The Alliance would go on to become one of the major pillars of the HEMA community in the United States, while ARMA and Clements became the butt of many, many jokes. And while you'd think this entire debacle would have forced some reflection on Clements' part, he still wasn't done torching his reputation.
John Clements versus Poland.
As previously mentioned, ARMA managed to get some international reach at its peak, which included several chapters in Poland. In February 2010, just a year after the mass exodus of senior membership in America, the head of ARMA Poland Krzysztof Kruczyński resigned for reasons very similar to other ex-ARMA members: Clements ego, controlling nature, and the isolation from the wider community finally became to much to deal with. Clements responded with the following:
Since you have absurdly asserted publicly that I, who have been practicing martial arts literally since before you were born, am somehow avoiding encounters with outsiders, I invite you to come and match me in person when I visit Poland in September 2010. Bring anyone you choose. I will show you exactly why I am the expert I am at armed fighting arts --- something I might point out has been attested to both on video and in audio by the very ex students now influencing you. I look forward to crossing weapons with anyone who questions the skills I have demonstrated in 14 countries and which have earned me the reputation I have --- the same expertise which trained the very people whose spell you have now sadly fallen under. So, if the new anti-ARMA mantra by disgruntled and bitter ex members is to be that I am avoiding sparring nonmembers, bring it on. It will be fun to see who avoids whom.
In grand Clements tradition, this backfired spectacularly. More than 20 people in Poland’s HEMA community were ready to take up this challenge. Accommodations were made to organize the meeting in Warsaw where the event could take place. And just when things were falling into place for the big exposition match, Clements unexpectedly cancelled his seminar and event in Poland, citing his business travel to Denmark as an excuse. As of this writing, Clements has never followed up on the challenge he issued in the first place and to my knowledge has not demonstrated his skills in an environment that wasn’t tightly controlled by him.
Where are they now?
There were even more blow-ups in the following years, which included yet another Deputy Director of ARMA resigning, but the sheer brain drain of 2009-10, the refusal to take part in the growing competitive scene, and the rise of both the HEMA Alliance in the US and the European HEMA community turned both ARMA and Clements into borderline nonentities. Despite this, neither have exactly gone away. ARMA is still around and running its curriculum , while Clements has become more involved with places like the History Channel, with him most recently being heavily involved in the show Knight Fight. The larger HEMA community has continued to grow and expand (at least until the pandemic) and while feelings against Clements have cooled down a bit over the years, he's still considered something of a pariah. John Clements is, at the end of the day, one the most influential people in the modern HEMA community. Just not for positive reasons. In the early years, he genuinely did do a lot of work to advocate for HEMA as a legitimate martial art, popularize research, and bust myths around swords and swordplay. Early ARMA also provided a great community for enthusiasts to exchange information, build relationships, and learn the basics of swordplay. Unfortunately, his ego got the better of him and he began to see himself as the only person doing anything close to "real" martial arts in the community, leading to him burning bridges with other researchers and turning ARMA into an insular and hierarchical organization where he would always get the final say. That's not even getting into how wrapped up he could get in the "martial history of the west" and the retrograde views that spiraled out of that. Considering all that and the growing community outside of his organization, its a wonder so many of his students and researchers lasted as long as they did. Speaking of his former students, it's not a coincidence that so much of the HEMA Alliance's bylaws (including Freedom of Study clauses, a rotating leadership, strict safety standards, and a commitment to applied testing through competitions) are in direct opposition to how ARMA operated: they were deliberately designed that way by former members who had first hand experience with the alternative. And that's really the moral of this story involving one mans ego around all things sharp: never become so full of yourself that people use you as a cautionary tale.
2020.08.21 18:48 AEWPunk525Rebooking WWE throughout the 2010's. Part 32
Chapter 32 Absense of Purity Raw starts up after Summerslam, the first person that we see is the new GM, Paul Heyman. Paul says that Kevin Nash had a great two years as GM, but now, it’s over. Paul smiles and askes everyone if they know what else is over. Paul then says that Kevin Nash’s wrestling career is over. Paul says that last night, not only did Nash suffer a broken arm, but he also suffered a concussion. Paul says that this afternoon, he announced his retirement from the ring. Paul then asks everyone if they knew what Brock Lesnar suffered. Paul tells them that Brock suffered, nothing. Paul says that Brock went out, afterwards, got a bite to eat, and he celebrated, as if he was never in a match, meanwhile, he had just ended the career of a former World Champion, a former founding member of the NWO, and just an all round legend of the business. Paul then tells the audience, guess what! Brock didn’t even care. Paul says that he told Brock about Nash retiring, just after it happened. Brock responded by saying, oh well. Paul then says, enough about Brock and Nash, Raw has more pressing matters to attend to right now, like the WWE Championship. Paul says that he heard that John Cena wanted another shot at CM Punk. Paul tells everyone that Cena lost at Summerslam, but he unveiled a new attitude, he unveiled change. Paul says that he likes change, a lot. Paul then says that he wants Cena to plead his case, right now, and Paul will decide if Cena gets another shot. Paul tells Cena to come on out. John Cena walks to the ring, he now has a black hat and a grey T-Shirt. John nods at Heyman and he grabs a microphone. John says that over the past few months, he has lost a lot, including last night, but starting at Wrestlemania, he noticed that not only were the fans booing him, but they began to laugh at him. Cena says that he shrugged it off, but then he got busted open by Brock Lesnar and he was injured, still the fans laughed, and now it was even louder. Cena says that now he was angered, but he believed that the fans truly liked Brock Lesnar, and they would have laughed at and booed anyone that fought him then. Cena says that next he lost to the former GM, that idiot, Kevin Nash. Cena says that losing to a washed up bastard like Kevin Nash was the most embarrassing moment of his career. John turns to Paul and tells him to thank Brock for doing what he did for him. Cena says that once again the fans laughed at him. Cena says that this time, there was no excuse. Cena says that for years, he busted his ass for the fans, he loved them, he thanked them, and it was because of them that he had a job. Cena says that for that reason, he had to take a couple months off, to clear his head, because he knew that he would lash out at the fans if he stayed around. John then says that the same night he lost to Nash, he noticed something else, the fans were going wild for some terrorist called CM Punk. Cena says that Punk was the same guy who took the WWE Championship away from them, Cena says that Punk without a shadow of a doubt was the true bad guy of WWE. Cena says that a few weeks before that, he heard CM Punk name drop him. To Cena this meant that Punk was willing to fight him, that is why John appeared the night after he fought Nash, so he could challenge CM Punk, and hopefully fix the ass backwards mentality of the fans. Cena says that last night at Summerslam, Punk was able to somehow beat him. After the match, Cena heard fans chanting the name of CM Punk, and when Cena looked into the crowd, he saw fans laughing at him again. Cena says that he has had enough. Cena reminds fans that he beat Punk within an inch of his life after the match. Cena looks into the crowd, and he says that these people aren’t the reason for him having a job. Cena says that his talent is why he has a job here. Cena says he likes doing this, he tells the fans that if he wanted to, he could go make movies in Hollywood, just like the Rock. Cena pauses for a moment, and he looks at Paul. Cena tells Paul that brings him to his point. Cena says that he still wants a rematch with the Rock, and in order to do that, he needs the WWE Championship, so that he can face Rock at the Royal Rumble, and finally destroy him and right his biggest wrong. Cena then demands a rematch with CM Punk at the King of the Ring Pay Per View. Paul tells Cena that he loves this new attitude, and he brings up some good points. Paul says that he has absolutely no problem with giving Cena a rematch for the WWE Championship with CM Punk. Paul and Cena then shake hands. Cena leaves the ring and Paul says that there is one last thing that he has to address, the King of the Ring tournament. Paul says that he has a few matches already set up for the event, and they are Mark Henry vs JTG and Alberto Del Rio vs Cody Rhodes. Paul says that the other two first round matches will happen next week. Paul then leaves the ring. Up next we have our first, first round match between Mark Henry and JTG. The bell rings and we see JTG fly across the ring and attack Mark Henry. Mark throws JTG back to the other side of the ring with ease, he then smiles at JTG. JTG comes back but he gets hit with the World’s Strongest Slam. Mark Henry wins the match, and he wipes his hands clean as he leaves the ring. Mark Henry moves onto the second round. Up next we have AJ Lee come out, she is very upset. AJ grabs a mic and says that at Summerslam, she faced her idol, Lita in a great match, and she won that match. For AJ it was the greatest moment of her career. But all of that changed when Aksana cashed in Money in the Bank. AJ says then it was the worst moment of her career. AJ says that she held that title for a whole year, and defended it against everyone, she says that the Women’s division took a great leap forward during her reign, but now, the title is in the hands of Aksana, a woman who not only got lucky in her Money in the Bank Cash in, but also got lucky in her Money in the Bank win, and her qualifier. AJ says that she doesn’t deserve to be champion. AJ says that Aksana is nothing but a Diva, and the only title she was ever qualified to carry was the Divas title, and that was thrown in the trash, where it belongs. AJ says that is okay however, at least for now, because AJ has her rematch clause and she plans on invoking her rematch clause at King of the Ring for that Women’s title. Aksana comes out laughing at AJ, she holds up her title and she smiles. Aksana says that AJ is just a jealous crybaby who doesn’t even deserve a rematch. Aksana then says that she is undefeated, unlike AJ. AJ tells her that it won’t be too much longer before she has to stop saying that. Aksana tells AJ, good luck sweetie, and she smiles before leaving. Up next we see Daniel Bryan come out with his new Championship. Daniel says that last night at Summerslam, he did what he said he was going to do, he beat Sting. Daniel says that he did not make him tap like he said he was going to. Daniel says that Sting is just too resiliant for that, but he did think outside the box in order to pin Sting. Daniel says that now he is the new IC Champion, and he plans on having a great reign with the Championship. Sting then comes out and he congratulates Daniel Bryan. Sting says that Daniel deserves the Championship, and that he earned it at Summerslam. Sting then raises the hand of Daniel Bryan. Next up we have our main event between Cody Rhodes and Alberto Del Rio. These men step in the ring, and they both go at it for a while. Del Rio jumps and kicks Cody in the side of the head, and Cody goes down. Del Rio covers, but Cody kicks out. Del Rio then locks in the Cross ArmBreaker. Cody is able to break it, and beat up Del Rio. Cody then picks up Del Rio and gives him a Cross Rhodes for the win. Cody Rhodes moves onto the second round, Raw then goes off the air. Smackdown is up next and we see Teddy Long come out to the ring. Teddy says that the Summerslam event was great. Teddy says that even though Abyss won his match, he seemed to come out worse for wear as opposed to Kane, who lost the match. Teddy then says that Kane is not even injured from the match, and since that match was in the home field of Abyss, Teddy says that they will meet again, on a neutral field. Teddy says that at King of the Ring, Abyss and Kane will go one on one in a normal match. Teddy then says that speaking of King of the Ring, he says that he has some Tournament matches to announce for tonight. Teddy says that first up we will see Sheamus vs MVP, and in tonight's main event we will get Randy Orton going one on one with Rey Mysterio. Teddy then leaves the ring. Next up we see the Usos come out, they talk about Summerslam, and how great it was to defeat the great Rey Mysterio, the Usos then say that they are ready for their next challenge, the Usos then demand to know who their next opponents are. Teddy Long comes back out and he says that the Usos have to know that tonight, we will have a Triple Threat Tag Team number one contenders match between the Colons, Kozlov and Jackson, and the Prime Time Players. The Usos say that they like the sound of this. Teddy Long then leaves. Next up we have Sheamus vs MVP. Sheamus uses his brute force to stay in control for most of the match. MVP tries for the Playmaker at the end, but Sheamus reverses and hits a Brogue Kick to win the match. Sheamus moves onto the second round. After this we see Tyler Reks come to the ring. Tyler holds up his World Heavyweight Championship. Tyler says that he was the man to take down Justin Gabriel. Tyler says that nobody else was able to do anything to him. Not Wade Barrett, not Triple H, not Randy Orton, not Rey Mysterio, not Chris Jericho, and not Edge. Tyler says that he on the other hand took Gabriel apart. Tyler says that Gabriel is too ashamed of himself to even be on Smackdown tonight. Tyler says that he owns Smackdown now, and he would like to make a challenge. Tyler says in three weeks, any man who did not make it to the King of the Ring Pay Per View can challenge him for the World Heavyweight Championship. Tyler says that he will be watching the tournament closely. Tyler drops his mic and leaves the ring. Up next we have our Triple Threat Tag Team match. This match is all over the place and Chaotic. Eventually Darren Young is able to defeat Ezekiel Jackson in the ring and move on to be number one contender. After this we have our main event. Randy Orton vs Rey Mysterio. This is a fast paced match, it goes back and forth for a while. Rey is able to hit the 619, but when he goes for the Splash, he gets hit with an RKO. Randy Orton wins and moves onto the second round. Smackdown then goes off the air. Raw is up next and we start out with one of our first round matches, we have Ryback vs Dolph Ziggler. Dolph Ziggler tries to beat up Ryback, but Ryback is barely fazed. Dolph then bounces off the ropes into a huge Clothesline. Ryback then hits Shell Shocked and pins Dolph Ziggler. Ryback then moves onto the second round. Next up we see CM Punk return to Raw, he grabs a mic, he says that he would like to say a few things tonight. Punk says that the reason he wasn’t on Raw last week, is because he was hurt. Punk says that he is still a bit hurt, but he is still the WWE Champion. Punk tells the audience why he was hurt. Punk says it is because he was attacked from behind by John Cena, because John lost the match. Punk says he was hit a total of twenty six times with the steel chair, and then he got two AA’s on it, and then on top of that, he got an Avalanche AA. Punk tells Cena that he got the point after the first chair shot. Punk says that the point was, was that John Cena is a sore loser, not only because he is no longer the longest reigning champion of the modern era, and not only because he lost at Summerslam, it is because John knows what all the fans who laugh at him know, he is in the past, just like Hogan, just like Austin, and just like the man who CM Punk says he will beat at the Royal Rumble, the Rock. Punk says that Cena can’t accept this fact, he is holding onto something that just isn’t there, that is why he lashed out at Summerslam. Punk says that in his absence Paul Heyman, the new GM made a rematch between Punk and Cena at King of the Ring. Punk says that is fine, but Punk says that it will not be the same as Summerslam, it will not be a competition to see who becomes WWE Champion, it will not be a competition to see who faces the Rock. Punk tells Cena that it is now personal, and Punk looks forward to kicking Cenas ass at King of the Ring. Punk tells Cena that it is a guarantee that he will be WWE Champion after the rematch, because if he could beat John at Summerslam, where he at least slightly liked him, and had a bit of respect for him, imagine what he will do when all of that is gone. Punk drops his mic and leaves. Next up we have AJ Lee in a match with Serena. AJ and Serena go back and forth with each other in what is a long match. Towards the end Aksana comes out and she distracts AJ Lee, which allows Serena to hit the Gut Buster and pin AJ for the win. After the match Aksana attacks AJ Lee. Next up we have our final Raw first round match, it is between Christian and Ted Dibiase. Towards the end of this match, Ted has gained the advantage and he is going for Dream Street, but Christian is able to reverse and hit the Killswitch for the win. Christian moves onto the second round. Up next we have our main event between Daniel Bryan and David Otunga, these two men put on a good match, and David is able to survive the Lebell Lock, but he gets hit with the Flying Knee in the end, and he is pinned by Daniel Bryan. Raw then goes off the air Smackdown is up next, and we start out by seeing the Prime Time Players come out, they grab the mics and Darren Young talks about how good it is to get a Championship opportunity. Titus O’Neil grabs the mic and talks about how they look forward to facing off against the Usos at King of the Ring. Titus thinks that it will be a great match up. Then the Colons come out. Carlito says that they should not be Number one Contenders, they have barely fought on Smackdown, as opposed to the four time Tag Team Champions, the Colons, who dominated most of that Triple Threat match last week. Titus says that sure, they dominated, but they did not win the match. Titus says that the match was won by the Prime Time Players. Carlito asks Titus how confident he is in his team. Titus says that he is very confident. Carlito then says that if he is so confident, then he will have no problem putting that number one contender spot on the line tonight. Titus looks at Darren who shakes his head. Titus tells Carlito that tonight, him and his family are on. Next up we see our first King of the Ring match take place and it is between Triple H and the Big Show. Big Show shows his strenghth, but he is out manuevered by Triple H, who then is able to hit a Spinebuster on the Big Show. Triple H goes for the pin but Big Show throws him off. Triple H hits the Pedigree and Big Show kicks out at two. Triple H hits another Pedigree and he gets the win. Triple H moves onto the second round. Up next we see Abyss come out, we see the stitches in his forehead. Abyss tells us that at Summerslam he experienced something that he hasn’t felt yet in a WWE match, fun. Abyss says that it was fun fighting Kane at Summerslam, it was fun beating Kane at Summerslam. Abyss says that it was one of the more painful matches he has ever had, but that is why he loved it so much. Abyss says that at King of the Ring, he looks forward to his rematch with Kane, he doesn’t care what type of match it is. Abyss looks forward to having more fun with Kane at King of the Ring. Abyss then leaves the ring. Next up we have our Tag Team match between the Colons and the Prime Time Players. The Prime Time Players dominate Primo and Epico, throughout the entire match. Towards the end however, we see Darren Young ready to finish off Epico, when Primo distracts the ref. Carlito then spits in Darren Young's face, which allows Epico to roll up Darren Young for the win. The Colons celebrate while the Prime Time Players sit in disappointment, on the stage, Primo and Epico both turn into Superkicks from the Usos. Carlito then slowly turns, and both Jimmy and Jey smile at him, before hitting a double Superkick on Carlito. In the Ring we see the Prime Time Players with some slight smiles on their faces, and we hear Jimmy tell them that they will get their chance. Finally we have our last first round match, it is between Alex Riley and the Miz. This is a heated rematch from Summerslam. Miz hits a Skull Crushing Finale but Riley is able to kick out. Miz goes for another one, but Riley shakes him off, and he hits a huge Spinebuster on the Miz. Riley then picks Miz up, and he throws him into the air for a massive DDT, Riley smiles while he makes the pin. Alex Riley moves onto the second round. Smackdown then goes off the air. Raw is up next, and we see John Cena come out, he grabs a mic and he has a smile on his face. Cena says that he listened to what Punk said last week. Cena says for him it was never business, it was always personal, not with just Punk but with the Rock as well, and Cena says that he still plans on breaking the Rock at the Royal Rumble. CM Punk then comes out, and he grabs a mic. Punk says that this isn’t about the Rock, sure Punk says that he would love to knee the Rock face, but right now, he is focused on Cena and on King of the Ring. Punk asks Cena if Morrison told him to not focus on the Rock a while back. Cena answers with yes. Punk tells Cena that Morrison said if Cena was too focused on the Rock, then he would surely lose. Punk gets in Cena’s face and he tells John that if he is focused on the Rock come King of the Ring, then not only will Punk beat him, but he will put Cena in the *censored* ground. Cena tells Punk that is funny because the last time they met, Cena says that he beat Punk within an inch of his life. Punk tells Cena to tell the full story. Punk says that at Summerslam, he beat Cena fair and square, and Cena being the sore loser he is, attacked Punk after the match, while his back was turned. Punk tells Cena that perhaps, he did beat Punk within an inch of his life, but only after he got his ass kicked by Punk in the match. Punk then says to Cena that he knows Cena wants a second chance at the Rock, but Punk says that not many people get their first. Punk tells John to face it, at Wrestlemania 28, he lost, now Punk wants a shot, and he plans on getting it, even if he has to crack Cena’s skull in order to get to it. Punk looks at Cena and holds up his WWE Championship. Next up we have our first second round match of the night. It is Mark Henry vs Ryback. Mark Henry seems to focus on the back of Ryback throughout the match. Towards the end, Ryback hits Mark with a huge Spinebuster, he then bounces off the ropes and nails Mark with a massive Clothesline. Henry is down, and we see Ryback call for the Shell Shocked. Ryback picks Henry up, but then collapses from his back giving out. Both Mark and Ryback start to get up, but Henry hits a quick World's Strongest Slam, and he pins Ryback to win the match. Mark Henry moves onto the third round. We then see AJ Lee in the back, she says that last week, what Aksana did was cute. AJ says that she was having a Raw classic with Serena, when all of the sudden Aksana got involved in the match, and cost AJ big time. After the match, Aksana decided to attack her. AJ says, that was the cute part. AJ says that Aksana will not attack AJ face to face, but she never refuses to attack her when she is weakened. AJ says that at King of the Ring, Aksana will not be able to attack AJ in a weakened state, she will have to face her head on. AJ says that she looks forward to ripping Aksana’s head off at King of the Ring, and taking back the Women’s Championship. AJ then walks away. Next up we see Daniel Bryan in another match with David Otunga, the match is another good one, and once again we see Daniel hit the Flying Knee for the win. After the match, we hear the noise of a crow, and we then see Sting appear in the ring. Sting takes a mic, and he says that Daniel is already a great Champion, and he is willing to fight. Sting says that the only problem is that Daniel does not have a challenger for the IC title at King of the Ring. Sting smiles and says that the IC title meant a great deal to him for all the months he had it. Sting then says that he wouldn’t mind getting it back. Sting tells Daniel that at King of the Ring, Sting is going to invoke his rematch clause. Daniel shakes his head in approval. Finally we have our other second round match of Cody Rhodes vs Christian. Cody and Christian go back and forth for a while, but the longer the match goes, the better Cody becomes, and the slower Christian gets. Cody is able to hit an easy Cross Rhodes on Christian to end the match. Cody Rhodes moves onto the third round. Raw then goes off the air. Smackdown is on next, and we see the Usos come out to the ring. Jimmy takes the mic and he says that last week, the Prime Time Players were undoubtably screwed out of their rightful championship match, and now they have to face the team that screwed them, the Colons. Jey then takes the mic and he says that he asks one thing of the Colons, and that is, that Carlito is one of the men in the match. Jey says that he wants to kick that goofy looking afro right off his head. The Colons come out, and they get in the ring. Carlito tells the Usos that he will not be part of that match, and at King of the Ring, the Usos will be facing off against the two men that gained that number one contender spot, Primo and Epico. Primo starts to laugh at the Usos, who seem to get more upset the longer the Colons are out there. Jimmy then says that is fine, he says that no matter who they face off against, they will win. Jimmy then says that he has one final message before they leave. Jimmy then Superkicks Primo, and the Usos leave. Next up we have our first second round matchup of the night, it is Sheamus vs Alex Riley. Sheamus uses his brute strength to overpower Riley at first, after this the match goes back and forth. Riley hits a Spinebuster on Sheamus, and then he goes for his DDT, but Sheamus reverses into the Irish Curse. Sheamus goes for the Brogue Kick, but he misses and Riley is able to hit his DDT and pin Sheamus for the win. Alex Riley moves onto the third round. Up next we have Kane in a match, he dominates Khali and is able to put him away with ease. After the match, Abyss blindsides Kane and attacks him. Abyss and Kane get into a huge brawl that spills outside of the ring. Kane is able to force Abyss into the barricade, and then chokeslam him on the outside of the ring. Kane walks away from Abyss. Finally up next we have our main event, it is our other second round matchup between Triple H and Randy Orton. These two reignite their old rivalry, and this match quickly gets heated between the two men. Triple H nails Orton with a Pedigree, but Orton kicks out. Triple H tries for another, but Orton reverses into an RKO. Triple H kicks out. These two fight on for a little while longer. Orton goes for a Punt, but Triple H counters into a Spinebuster. Triple H then collapses, he eventually gets up, and he tries to pick Orton up as well. Orton fights back, he pushes Triple H away. Triple H tries to kick Orton in the gut, but Orton blocks and hits another RKO. Randy Orton wins and moves onto the third round. Smackdown then goes off the air. The go home Raw is up next and we start out with Aksana coming out to the ring, she grabs a mic and she says that this Sunday at King of the Ring, she will finally be the one to have the honor of taking down the great AJ Lee, she says that at Summerslam she took the Women’s title from AJ, but now she looks to shut her up for good. Aksana says that this Sunday she will be done with AJ and she vows to remain Women’s Champion. Aksana then leaves the ring. Next up we see Daniel Bryan in the back, he is asked about his rematch with Sting. Daniel says that he is nervous, he says that Summerslam was the hardest fought win of his career. Daniel says that it took him everything just to defeat Sting, he even had to create a new finisher on the spot. Daniel says that at Summerslam, Sting couldn’t prepare against the Flying Knee, but now he is expecting it. Daniel says that at King of the Ring, he is going to need to pull something else out of the hat to beat Sting again. Daniel then walks off. Up next we see both Mark Henry and Cody Rhodes come out to the ring. Mark takes the mic first, Mark says that Cody is great, he has been watching him for a long time. Mark says that he was a great IC Champion, and his match against Sting at Wrestlemania was legendary. Mark says that is why he looks forward to beating Cody Rhodes this Sunday at King of the Ring. And Mark says that is not the only thing he looks forward to this Sunday. Mark says that it does not matter if he faces Randy Orton or Alex Riley, Mark is determined to win King of the Ring, because he has never got the recognition that he deserved, that is why at Raw 1000 he destroyed MVP, he was tired of being held back, now Mark says that he is on his own, he tells Cody not to take Sunday personally, but he has something to prove. Cody tells Mark not to get ahead of himself. Cody says that this Sunday, he knows that he is going to feel some pain, but he will fight to the bitter end if he has to. Cody reminds Mark of his wars with Tyler Reks and Sting. Cody says that King of the Ring will be no different, he is ready to go to war with Mark Henry. Cody drops the mic and he and Henry have a staredown to close this segment out. Finally we have our main event and it is between CM Punk and Drew McIntyre. This match goes back and forth, but as soon as Punk gets the upperhand, we hear the music of John Cena. Cena comes down to the ring, and he attacks Punk. Punk fights back for a minute, but Cena hits Punk with the AA, and to close out the show, we see John Cena looking down at CM Punk laughing. Cena looks at the crowd and he continues to laugh at all of them as they boo him. Raw then goes off the air. Next up we have the go home Smackdown, and we start out with Tyler Reks coming out, he says that he is back to find out his next challenger. He says now that the Pay Per View matches, it is time for one of the tournament losers to come out and claim their prize. Reks waits for a minute, before he hears the music of the Miz. Miz comes to the ring, and he says that perhaps he does not deserve a shot, but look at all the men he has been partners with, John Morrison, Big Show, and Alex Riley. Miz says that Morrison and Big Show are former World Champions, and as for Riley, he may just be King of the Ring come this Sunday. Miz says that he on the other hand never got his shot, and he just asks for one shot at the World Heavyweight Championship. Miz says that he wants to know where he stands in the company. We then hear the music of the Big Show. Big Show comes out and he grabs a mic. Big Show says that the Miz is a loser, and he doesn’t deserve a shot. Big Show tells him that if Miz thinks that he deserves a shot, then the man who pinned him at Wrestlemania definitely deserves a shot. Big Show then looks at Tyler Reks, and he tells Reks that he should choose him if he wants a real challenge. Then we hear the music of Triple H. Triple H reminds both men who made it furthest in the tournament out of all of them. Triple H then reminds Big Show who knocked him out of the tournament. Triple H then looks at Tyler Reks, Triple H says that he is extremely impressed with Tyler Reks, he says that him winning the World Heavyweight Champion has been a long time coming, but if he wants a true challenge for the title, then he should choose to face the thirteen time World Champion, The Game, Triple H. Tyler Reks then thinks about who he is going to choose for a second. Tyler then points at Miz and he says, you. Big Show and Triple H seem furious. Reks then points at Big Show and he says, you. Triple H still seems upset, but then Tyler Reks points at him and he says, and you. Tyler Reks says that all three men make good arguments and Tyler would like to take down all three of them in the same night. Tyler Reks then leaves the ring. Next up we have a match between Jimmy Uso and Primo. Jimmy Uso remains in control for most of the match, and he eventually hits the Superkick on Primo and he pins him for the win. Epico sneaks up behind Jimmy Uso, while Carlito gets in his face. Carlito spits, but Jimmy ducks, and the apple goes in the eyes of Epico. Jey Uso then Superkicks Carlito, and both Usos turn to Superkick Epico. The Usos then stand tall. Next up we see Alex Riley and Randy Orton come to the ring. Alex Riley gets the mic first, he says that he looks forward to this Sunday. Alex Riley says that it will be the greatest night of his career, because this Sunday, not only is he going to beat one of the most decorated stars of all time, Randy Orton, but he is going to go on to win King of the Ring. and after that, he looks to move his career forward, and start winning Championships. Randy Orton then takes the mic and he chuckles at Riley, he says that Riley is a bit too confident, and this Sunday, he will do no such thing. Randy says that after all these years, he looks to do the one thing that has eluded him, Randy looks to win King of the ring for the first time in his career, after that, then he will continue his journey towards the World Heavyweight Championship. After that, if he wants, Riley can have the first shot. Randy then drops his mic, and him and Riley have a staredown to close the segment. After this we see Abyss fight Khali. Abyss dominates the match, and he destroys Khali. After the match. Kane comes out and attacks Abyss. To close out the show we see Abyss and Kane having a huge brawl into the back. Smackdown goes off the air. King of the Ring
Randy Orton defeats Alex Riley
Mark Henry defeats Cody Rhodes
Aksana retains her Women’s title against AJ Lee (Aksana sprays AJ in the face with perfume, while the ref is down. Aksana then cracks AJ in the back of the head with a chair and busts her open for the win)
Kane wins by countout over a bloody Abyss
Tyler Reks retains the World Heavyweight title (Pins Big Show)
Daniel Bryan retains his IC Championship against Sting
The Usos retain the Tag Team titles against the Colons (Jey pins Epico)
CM Punk retains the WWE title against John Cena (Very close match)
Mark Henry defeats Randy Orton and becomes King of the Ring
PG-13 for "Violence, Terror, Some Language, sexual material, and Disturbing Images (Green Band Cut).
R for "strong bloody violence and gore, some sexual content, Sadistic Violence, and Pervasive language" (Red Band Cut)
Director: Matt Reeves Producer: Jason Onorad Writers: Jason Onorad , Matt Reeves Music by: Hildur Guðnadóttir
Trust No One …Ten years later after her Father and mother Henry and Tina Grey got murdered by the sinister Harley Quinn. Alexandra Grey has matured and tried to leave her past behind. But Alexandra knows that her past will follow her eventually. Alexandra and her foster father Luke Roberts Return to Gotham after a new string of murders takes place in Gotham with her being the main target for Harley Quinn. Meanwhile, The GCPD has to come face to face a series of horrifying murders that begin to expose the GCPD'S hypocrisies and secrets.
Kaya Scodelario as Alexandra Grey - The daughter of Henry and Tina Grey who were murdered by Harley Quinn back in 1962. And after a new string of murders start to appear. She decides to take action into her own hands and stand up to what's right for Gotham while trying to face her inner trauma and come face to face with the fact that she is LGBTQ. She doesn't see herself above other superheroes in comic books like superman and wonder woman she sees herself a someone who will never be recognized. Alexandra's characters is a Respectful, Quick-Witted, Fearless, Athletic, and will stop at nothing to avenge her dead parents. (American Accent)
Sandra Bullock as Monica Davis - A widowed single mother who lives in the building with her son Justin and everyone else. She thinks about moving away from Gotham and towards Metropolis because she describes Gotham as "a dumping ground for people who want Monica wants her son to continue what he wants to do and eventually graduate to college because he's so smart. Monica is Tough at times but in the end she will not stop to protect her son.
Betty Gilpin in as Detective Missy Johnson - a police detective investigating Harley's murder strings who is the partner of Lee Thomas who decides to help out Jamie early in the film to try not to make Gotham better for everyone but to also face the struggles with that she is LGBTQ and all the discrimination she has to fight against. Missy is Fearless, Intelligent, and is ready to take charge of any situation.
Samuel L. Jackson as Detective Lee Thomas - A police detective investigating Harley's murder strings and lives next door to Alexandra. Lee goes around Gotham investigating murders with a formed alliance with 3 other detectives in Gotham to learn more about the victims Harley Quinn has targeted Daniels characters is described as a Quick Witted thinkers who wants to be in charge of the CGPD. No matter what he has to do.
Angela Basset as Detective Jenn Thomas - Another detective of the GCPD who is also the wife of Lee Thomas who joins the GCPD so that she can put an end to the madness that Gotham has turned into. Jenn is usually the one who is able to search through the files to find out about the Harley Quinn victims history to see what they did that got them targeted. Jenn is quick-thinking and doesn't have take any orders from anyone else.
Elisabeth Moss as Julie Moore - One of the many residents in the building who had her entire family killed by home invaders in clown uniforms. When she was just 12 and has been running from death ever since. Julie tries to seek medical attention multiple times to cure her depression because she desperately wants to live a happy life and help others who need saving. That's why she is seen helping out multiple residents in the apartment building.
Ansel Elgort as Mitchell Grey - the son of Henry and Tina Grey who both were murdered 6 years ago and has been trying to cut ties with his sister ever since. He still loves his sister but he can't bear to look at her because it will just have him remembering the night that his parents were murdered. Mitchell Is another character who constantly visits Alexandra and her friends at The Therapy Group Session just so he can be able to socialize with more people to help with his depression.
Naomie Harris as Officer Sarah Rodgers - Another officer who works for the GCPD who investigates the series of murders committed by Harley Quinn. She wants to help out with Gotham's criminal problem because her Alice wants to have a baby with a another student at her school. She wants to let her do that but she cant because of the many criminals in Gotham that could endanger the baby's life.
Amanda Stenberg as Luna Rodgers - A crime photographer who gets spots some suspicious stuff Harley Quinn has been up to in Gotham. Later in the film she also decides to help Alexandra since her mom is a cop and she works for the press. Luna is a Outspoken girl who always says what’s on her mind and always wants to get the job done.
Saoirse Ronan as Andrea Madison - Alexandra’s best friend who she meets at every group therapy session. Andrea decided to become friends with Alexandra after hearing her story. Andrea’s mom is suffering from paranoia which she understands cause 2 years ago both experienced the bodies of Henry and Tina Grey and were actually the first ones to call the cops and investigate the Situation. Andrea is an athletic gymnast who never tries to question her moms paranoia because she knows she is one of the only people in Gotham who protects her 24/7.
Renée Zellweger as Detective Hailey Madison - Andrea's mother who works with the GCPD detective trio (Lee, Jenn, Missy) to solve the Harley Quinn killings. She suffers from paranoia and has a $100,000 home security system in her house to protect her and her daughter. She doesn't want to paranoia to be cured because it is a blessing to her and her mom had paranoia so if she doesn't have paranoia then she will forget her mom is 6 feet buried underground.
Oliver Stark as Luke Roberts - The foster father taking care of Alexandra after her parents got murdered in 1989. He doesn't want her to die because he wants to be a good father but because he was friends with Henry grey and he promised that he will never let Alexandra go no matter what. So he constantly decides to cheer her up by taking her hiking and doing activities with her to try to get her mind off of her trauma. Luke is very dedicated to protect Alexandra and would even try to fight the GCPD just to try to save Alexandra. (American Accent)
Jack Dylan Grazer as Justin Davis - The son of Monica Davis. Justin is also friends with Andrea, Alexandra, and Luna, because no one else wants to be his friends who he constantly meets at every Therapy Group Session after his home was invaded by home intruders with jack-o-lanterns heads on . Justin is always the one who is cracking jokes amongst the group and is always on the top of his classes and even makes his own weapons for Alexandra to use in combat against Harley Quinn. Justin is a smart quick kid who doesn’t want to get into any trouble of any kind.
Dylan Minette as Adam Fernard - Adam is Alexandra 23-year-old best friend. He’s sweet and kind. He also works as an Intern for Wayne Enterprises. Adam cares deeply for Sara and is “sensitive to her feelings”. Adam is also a virgin who thinks some day he will find the one girl who will accept him for who he is. Adam is also another character who visits Alexandra at every Therapy Group Session after he and his mom were caught in a terrible train crash that killed 45 passengers.
Peter Krause as Kyle Fernard - Adam's father and fellow member of the GCPD, whose loud mouth and drinking often got him into trouble with the police, and he is implied to have secret romantic feelings for Hailey Madison. Kyle is barley seen in the movie because it is implied that he is a workaholic father who is always going to work as a welder. When he is seen home, Kyle is so happy to see his son because he missis him so much and wants to spend more time with him but cant because of work.
Kym Whitley as Maria Burnside - Maria is Adam's Caretaker who is always looking after him while his father is away at work. Maria is a fun, caring, and comedic caretaker who always wants to put a little more fun into Adam's life. And it work's because Adam loves Maria and doesn't want her to go because she is so fun and offers great advice for helping him with his virginity and love life.
Chelsea Mike Schmitt as Harley Quinn - A former-certified psychiatrist, who became a crazed criminal and the Joker's accomplice/girlfriend. She decides to go after Alexandra because she wants to make sure no on else in Gotham will try to hurt or or The Joker because she thinks everyone is after her and Mistah J. Harley Quinn thinks The Joker is the only person who is able to protect her in this crazy world. This version of Harley Quinn is a Seductive, Intimidating, Fearless, Brutal, Quick-Witted, and is ready to finish what she started back in 1962. She doesn’t hold back on anything and will always do any thing to reach her goal.
David Spegal as Henry Grey
Hannah Davis as Tina Grey
Jeffrey Wright as Commissioner Gordon
Tobin Bell as Father Joseph
Gavin Stenhouse as Trauma Therapy Group Leader
Joaquin Phoenix as Arthur Fleck / Joker ( Post Credits Cameo)
Con O'Neill as Chief Mackenzie Bock
Barry Keoghan as Officer Stanley Merkel
Bill Murray as Commissioner Gillian Loeb
Yvonne Strahovski as Vicki Vale
John Goodman as Detective Harvey Bullock
This film released two different cuts of the film. PG-13 or Green Band Cut for more teenage or young adult audiences. R or Red Band Cut for more mature audiences that shows more gore and blood.
2020.08.17 21:30 Mikeng_0106Finish the whole game 2 days after it came out, spend a lot of time thinking and here’s my rating for The Last of Us Part II, do you agree...?
Message 1/1: “You reap what you sow” - hatred leads to unending violence and loss, forgiveness and family bonds leads to hope and redemption. Story 1.6/2: 1) Story Enjoyability 0.5/0.5: Enough to makes me invested throughout the entire game and harvested a lot out of the game premise and genre. Depends on player of course! 2) Story Structure 0.5/0.5: The story is complexly and innovatively structured in my opionion, since it’s basically a test for player ability to forgive if given context and a chance to see that our antagonist doesn’t actually have a bad heart and is capable of her way of surviving for someone she care about. Just imagine if we play part I, starting with Abby perspective and hunt for Joel for half the game, then switch to play Joel story with Ellie, the difference is Abby ended up killing Joel with Ellie nearby instead of Ellie sparing Abby in front of Lev in part II. This new way of structuring the story might not have been used before, so it’s uncomfortable but maybe if more games do this and it became a norm, it can be big contributor to a whole new wave of narrative game. Notice how this can only be done in game, since we have that concept of player empathizing with the character they play (explored from Part I with our sequence of controling Ellie against David.) 3) Events Logic 0.3/0.5: The events played out logically, except the infected horde that got Joel to meet Abby feel forced since that horde is near Jackson and they do patrols alot, why is there so many overlooked infected, it’s a protagonist that die here so it should be a little better executed. Also Joel saving Abby isn’t out of character since it showed that he has changed his old way of surviving ruthlessly after Ellie, which is similar to how Abby changed her way of dealing with hatred after Lev. (Abby learns to love her enemy and give them a chance to reconsider their character after they helped her, her old ways was to give into hatred) 4) Pacing 0.3/0.5: After reconsidering, the pacing for me went from acceptable to flawed, this change depends on the person. The most important part about pacing is so someone might not drop the game, and so I want to have a small complain about the beginning of Abby Day 1 with the mission Abby went on with Mel and Manny. For Ellie, we immediately started with the objective to kill Abby, but for Abby we doesn’t have an objective for an hour while controlling the person we hate plus playing with the least likable character in the WLF, Manny, who spits on Joel’s corpse. The risk for player to drop the game is too high, and I get why they want us to play with Manny since there’s a scene where Manny got shot right in front of Abby like Jesse and they want us to interact with all the members that Ellie hated and bring closure to those characters, Manny wasn’t killed by Ellie so we need to see how he ended. So the risk outweight benefit, they shouldn’t let Manny exist in my opinion, accompanied by Mel and Jordan would be better since the weight of Jordan’s death would be more significant. Jordan death seems so insignificant since most of the deaths we see in Ellie’s perspective should changed Ellie. The introduction to WLF stadium before the mission was good since we get some world building and see how Abby can get ripped with the gym and farms. We also get to feel more guilty for killing Mel and the dog. Post Manny and Mel trip was also good since we get to feel guilty for killing Nora as Ellie, then learn about Issac the main antagonist in Abby sequence and start our first objective, racing to find Owen who went rogue before Issac does. This objective kinda works since Owen is a likeable character because he wanted to spare Ellie and Tommy and seems to be a nice and interesting guy like Jesse from our first interaction before Joel’s death. Then we get to learn about Sepharite and get some more world building while searching for Owen, then the first flashback of Owen with the aquarium. And at the end we meet Lev and Larah, which is my favorite part of the game. Characters 1.8/2: 1) Protagonists 1/1: Unique, Impactful, Memorable, Logically-thought-out protagonists, Ellie and Abby are both great characters, of course this is opinion based. 2) Antagonist 0.5/0.5: Powerful antagonists for the protagonist. Abby before second half was a perfect antagonist for Ellie since we get to see how Ellie is turning into Abby by leaving a pregnant women and her love interest for revenge, torture people to death for revenge and even killing people ruthlessly. Issac being a great antagonist for Abby since he’s what Abby could have become if she didn’t meet Lev, a killing machine that follows hatred. 3) Side characters 0.3/0.5: Tommy, Owen, Mel, Dina, Lev, and Larah are the only characters getting the spot light, while the characters that we killed didn’t really shine and their death didn’t really weight that much. We didn’t really get to know Jesse, Nora, the Asain girl we killed as Ellie who was playing game and Jordan. Nora, asain girl and Jordan is suppose to be more improtant since we would feel more guilty for killing them as Ellie, and Ellie character becoming more ruthless would have more weight. Comparing to part II, Part I side characters are way more relevant and heavy since all their death contributes to Joel and Ellie relationship and Ellie desire to die for a vaccine. All the cast of part I are way superior in term of contributing to the theme of “dealing with Loss”: Young Ellie, Tess, and Marlene dealt with death by hoping for a better world, Joel became a ruthless survivor after Sarah, Bill went for isolation after his partner death, Henry committed suicide after Sam got infected. In Part II we get to see Owen, Dina, Jess hoping for Ellie/Abby to remain their humanity after witnessing deaths caused by their hand, Ellie and Abby went for revenge after witnessing their family deaths, Tommy went for revenge but failed and got consumed by hatred which shows through his change of character in front of Ellie. In Part II we explore this theme in an interesting way since we get to see how the player deal with loss with Joel’s death. Game Design Fundamentals 4.7/5 1) Directing 1/1: World Building, Tone, Setting, Characters are brilliantly communicated through multiple ways: Journal, Guitar, Cards and Coins Collectables, Cut scenes, In-game dialog, NPC behavior etc. 2) Gameplay 1/1: Unique gameplay for Ellie and Abby. They also fixed a problem that part I have, revolver being the superior handgun, by adding silencer, I can use both handguns and have fun while able to be creative. Adding fire shotguns shells and fire arrows and the ability to craft them is awesome. Making stalkers the hardest infected types for Ellie since she have a knife to handle clickers is a smart choice. Adding the dodging mechanic also makes the gameplay a lot more fun. Proning and Aerial combat are awesome and add a new touch in TLoU combat. Really interesting boss fights for Abby and semi-open world for Ellie Day 1 is so fun to play. The pills system is significantly more important in how a player wants to play than part I. 3) Attention in details 1/1: Extreme in details like blood in snow footprints, rain drops in camera when angled towards the sky while raining, characters snow on their outfits, etc. 4) Art and Graphic 0.5/0.5: Great use of lightning, color, symbolism in environmental arts, etc. 5) Soundtrack 0.5/0.5: Appealing and used correctly throughout the game, just as relaxing as part I. 5) Profitability 0.5/0.5: Fastest selling 6) Replayability 0.3/0.5: It’s too much pressure for some people, but totally replayable. Total: 4.7 + 1.8 + 1.5 + 1 = 9.1/10 I’ve read a lot of complaints about the game and most of them are: story structure since they’re not familiar with it, pacing since it’s hard to bare with for a lot of people, the logical flow of event might bug people of but it makes sense after explanations, characters since it’s opinion based. But the lowest that would get the game to is about 6/10, I don’t get the 0-5/10 Edit: I will be reading comments and fix my ratings
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